Author: Mark A. GuilfordPublisher:
ISBN:
Category :
Languages : en
Pages : 444
Book Description
Maria Felix All My Wars
Author: Mark A. GuilfordThis War Called Love
Author: Alejandro MurguíaPublisher: City Lights Books
ISBN: 0872868869
Category : Fiction
Languages : en
Pages : 83
Book Description
From Mexico City to San Francisco's Mission District, nothing comes easy—in life or in love. Here is an unstereotypical view of a world as treacherous as it is tender, as hilarious as it is heartbreaking. Authentic and honest, these nine stories focus on today’s Latino men, their strength and vulnerability, their fears and deepest desires. “Danger, cruelty, lust, loss, blood, death and dance. . . . Couldn’t put the book down. So hot I had to smother it in half and half. Murguía's a master of hearts on fire, working his storytelling anvil late at night, in a wrecked cubicle of SF called La Mission. No doubt the hungriest fiction and the most ferocious collection in the last three decades.”—Juan Felipe Herrera, author of Border Crosser with a Lamborghini Dream “Alejandro Murguía has returned the short story to the people. Though some of his characters are down on their luck, the author has hit the literary jackpot with this one. He’s been revered as an artist for decades among the multicultural cognoscenti, and the publication of this fabulous volume will confirm for many readers what we knew all along.”—Ishmael Reed, author of The Reed Reader “This is a book of rare intensity and transcultural joy!"—José David Saldívar, author of Border Matters: Remapping American Cultural Studies "The nine tales of life in Mexico City and the Mission District depicted . . . crackle with energy without losing sight of their narratives. . . . [Murguia's] Mission district is not a hipster haven but a melting pot for Latinos from all over the Americas, and his Mexico City is a thriving cultural whirlwind."—San Francisco Chronicle Book Review "Alejandro Murguía begins This War Called Love: Nine Stories, his second collection, with an unforgettable portrait of Mexico City in the summer of 1956. Murguía’s prose has the captivating quality that can only flow from a narrator who is himself captivated by his passions. A born storyteller, Murguía sustains flawlessly believable first-person narratives, which gives his prose much of its warmth and nuance."—The San Francisco Bay Guardian "Equal parts funny and sad, Murguía’s short stories depict, with tender and sometimes unflinching detail, love, life, and growing up Hispanic. . . . Although the best of the collection are on the darker side, Murguía also shines in the more lighthearted stories . . . Free of stereotypes and always honest, this collection presents Latino Chicano life at full throttle."—Booklist "Authentic and honest, these stories focus on today’s Latin men, their strength and vulnerability, their fears and deepest desires."—Latin Style Alejandro Murguía was born in California, but raised in Mexico City. His experiences as an international volunteer in the Nicaraguan Insurrection of 1979 are recounted in his second collection of short stories Southern Front (American Book Award, 1991). He lives in San Francisco, where he teaches Latin American literature at San Francisco State University.
Revolution and Rebellion in Mexican Film
Author: Niamh ThorntonPublisher: A&C Black
ISBN: 1441128689
Category : Performing Arts
Languages : en
Pages : 225
Book Description
Revolution and Rebellion in Mexican Film examines Mexican films of political conflict from the early studio Revolutionary films of the 1930-50s up to the campaigning Zapatista films of the 2000s. Mapping this evolution out for the first time, the author takes three key events under consideration: the Mexican Revolution (1910-1920); the student movement and massacre in 1968; and, finally, the more recent Zapatista Rebellion (1994-present). Analyzing films such as Vamanos con Pancho Villa (1936), El Grito (1968), and Corazon del Tiempo (2008), the author uses the term 'political conflict' to refer to those violent disturbances, dramatic periods of confrontation, injury and death, which characterize particular historical events involving state and non-state actors that may have a finite duration, but have a long-lasting legacy on the nation. These conflicts have been an important component of Mexican film since its inception and include studio productions, documentaries, and independent films.
Refugee: An American Story
Author: Felix Alberto GranadosPublisher: Lulu.com
ISBN: 1483481700
Category : Biography & Autobiography
Languages : en
Pages : 126
Book Description
This book will take you through the improbable, unconventional and entertaining adventures of the author and his family who fled Cuba after Castro took control of their homeland in 1960.The family was led by the author's father, an ordinary man with no college education, no building experience and very little knowledge of the English language. He was a man who was not afraid to dream big and with sheer determination, boundless energy and drive led his family, like many refugees, to experience the American Dream. Their story takes you through an interesting twist of fate of a man and his family that had lost their home and country and recovered to provide affordable housing and create thousands of jobs for so many in a country that graciously welcomed them. Arriving in Miami in 1960 with only a few personal possessions, this story will take you through the family's diverse journey experiencing life in America in this fast-paced autobiography.
María Félix
Author: Niamh ThorntonPublisher: Boydell & Brewer
ISBN: 1855663724
Category :
Languages : en
Pages : 296
Book Description
María Félix (1914-2002) left her mark on Mexican and European film as well as fashion, art and jewellery design. Cartier created one-of-a-kind pieces; Leonora Carrington and Diego Rivera painted portraits; Carlos Fuentes wrote a play; Agustín Lara, a bestselling song. But she was nobody's muse.María Félix (1914-2002) left her mark on Mexican and European film as well as fashion, art and jewellery design. Cartier created one-of-a-kind pieces; Leonora Carrington and Diego Rivera painted portraits; Carlos Fuentes wrote a play; Agustín Lara, a bestselling song. But she was nobody's muse. Did Félix really bring baby crocodiles to the Cartier boutique to request lifelike copies in a necklace? The story may be apocryphal, but it perfectly encapsulates her powerful, independent and unconventional persona. This book first examines Félix's life and work, reviewing her films and acting style and considering what they say about gender norms and a woman's place on screen. It then turns to her role as curator and benefactor, exploring how art, literature and song sustained her image. It concludes by exploring the persistent interest in her life story and evaluating her significance for contemporary audiences.enefactor, exploring how art, literature and song sustained her image. It concludes by exploring the persistent interest in her life story and evaluating her significance for contemporary audiences.enefactor, exploring how art, literature and song sustained her image. It concludes by exploring the persistent interest in her life story and evaluating her significance for contemporary audiences.enefactor, exploring how art, literature and song sustained her image. It concludes by exploring the persistent interest in her life story and evaluating her significance for contemporary audiences.
Some of My Lives
Author: Rosamond BernierPublisher: Macmillan + ORM
ISBN: 142999505X
Category : Biography & Autobiography
Languages : en
Pages : 322
Book Description
Rosamond Bernier has lived an unusually full life—remarkable for its vividness and diversity of experience—and she has known many (one is tempted to say all) of the greatest artists and composers of the twentieth century. In Some of My Lives, Bernier has made a kind of literary scrapbook from an extraordinary array of writings, ranging from diary entries to her many contributions to the art journal L'OEIL, which she cofounded in 1955. The result is a multifaceted self-portrait of a life informed and surrounded by the arts. Through the stories of her encounters with some of the twentieth century's great artists and composers—including Pablo Picasso, Leonard Bernstein, Max Ernst, Aaron Copeland, Malcolm Lowry, and Karl Lagerfeld—we come to understand the sheer richness of Bernier's experiences, interactions, and memories. The result is pithy, hilarious, and wise—a richly rewarding chronicle of many lives fully lived.
Memoir
Author: Rosario FerréPublisher: Bucknell University Press
ISBN: 1611486637
Category : Biography & Autobiography
Languages : en
Pages : 131
Book Description
Memoir is Rosario Ferré’s account of her life both as a writer and as a member of a family at the center of the economic and political history of Puerto Rico during the American Century, one hundred years of territorial “non-incorporation” into the United States. The autobiography tells the story of Ferré’s transformation from the daughter of a privileged family into a celebrated novelist, poet, and essayist concerned with the welfare of Puerto Ricans, and with the difficulties of being a woman in Puerto Rican society. It is a snapshot of twentieth-century Puerto Rico through the lens of a writer profoundly aware of her social position. It is a picture taken from the perspective of a keen observer of the local history of the island, and of the history of the United States. Included are many photographs that connect Ferré’s life with the story of her writing career.
Farm Worker Futurism
Author: Curtis MarezPublisher: U of Minnesota Press
ISBN: 1452951659
Category : Social Science
Languages : en
Pages : 227
Book Description
When we think of literature and film about farm workers, The Grapes of Wrath may come to mind, but Farm Worker Futurism reveals that the historical role of technology, especially new media, has in fact had much more to do with depicting the lives of farm laborers—Mexican migrants in particular—in the United States. From the late 1940s, when Ernesto Galarza led a strike in the San Joaquin Valley, to the early 1990s, when the United Farm Workers (UFW) helped organize a fast in solidarity with janitors at Apple Computers in the Santa Clara Valley, this book explores the friction between agribusiness and farm workers through the lens of visual culture. Marez looks at how the appropriation of photography, film, video, and other media technologies expressed a “farm worker futurism,” a set of farm worker social formations that faced off against corporate capitalism and government policies. In addition to drawing fascinating links between the worlds envisioned in UFW videos on the one hand and visions of Cold War geopolitics on the other, he demonstrates how union cameras and computer screens put the farm worker movement in dialogue with futurist thinking and speculative fictions of all sorts, including the films of George Lucas and the art of Ester Hernandez. Finally Marez examines the legacy of farm worker futurism in recent cinema and literature, contemporary struggles for immigrant rights, management–labor conflicts in computer hardware production, and the antiprison movement. In contrast with cultural histories of technology that take a top-down perspective, Farm Worker Futurism tells the story from below, showing how working-class people of color have often been early adopters and imaginative users of new media. In doing so, it presents a completely novel analysis of speculative fiction’s engagements with the farm worker movement in ways that illuminate both.
Globalization on the Line
Author: C. Sadowski-SmithPublisher: Springer
ISBN: 1137090030
Category : Political Science
Languages : en
Pages : 249
Book Description
The essays in Globalization on the Line criticize the almost exclusive emphasis on the ethnically constituted trans-nation, whose function as an instrument of de-nationalization has become signified in the metaphorical use of 'the border.' Contributors focus on the surge of a more diverse variety of cultural forms of citizenship in response to the dramatic change that the geographies of U.S. border areas have undergone and simultaneously held to shape at the end of the 20th century. In its attempt to move beyond examinations of de-nationalized diasporic formations at the border, several essays in the collection add an attention to the northern frontier a hemispheric perspective that was originally spawned by imagining new forms of citizenship within U.S.- Mexico transborder cultures. Instead of viewing globalization and nation-states as two separate and opposed domains of theorization and politics, Globalization on the Line contextualizes U.S. borders within global processes that are currently reconstituting the relationship between nation-states and private corporations at the site of U.S. borders. The volume thus adds to the almost exclusive focus on the counter-hegemonic diasporic trans-nation an emphasis on various forms of citizenship that have emerged in response to increasingly more globally organized entities and practices.
The Classical Mexican Cinema
Author: Charles Ramírez BergPublisher: University of Texas Press
ISBN: 1477308075
Category : Performing Arts
Languages : en
Pages : 255
Book Description
From the mid-1930s to the late 1950s, Mexican cinema became the most successful Latin American cinema and the leading Spanish-language film industry in the world. Many Cine de Oro (Golden Age cinema) films adhered to the dominant Hollywood model, but a small yet formidable filmmaking faction rejected Hollywood’s paradigm outright. Directors Fernando de Fuentes, Emilio Fernández, Luis Buñuel, Juan Bustillo Oro, Adolfo Best Maugard, and Julio Bracho sought to create a unique national cinema that, through the stories it told and the ways it told them, was wholly Mexican. The Classical Mexican Cinema traces the emergence and evolution of this Mexican cinematic aesthetic, a distinctive film form designed to express lo mexicano. Charles Ramírez Berg begins by locating the classical style’s pre-cinematic roots in the work of popular Mexican artist José Guadalupe Posada at the turn of the twentieth century. He also looks at the dawning of Mexican classicism in the poetics of Enrique Rosas’ El Automóvil Gris, the crowning achievement of Mexico’s silent filmmaking era and the film that set the stage for the Golden Age films. Berg then analyzes mature examples of classical Mexican filmmaking by the predominant Golden Age auteurs of three successive decades. Drawing on neoformalism and neoauteurism within a cultural studies framework, he brilliantly reveals how the poetics of Classical Mexican Cinema deviated from the formal norms of the Golden Age to express a uniquely Mexican sensibility thematically, stylistically, and ideologically.