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Author: Jean-Pierre Etienvre Publisher: Tamesis ISBN: 9781855660045 Category : Literary Criticism Languages : es Pages : 360
Book Description
In this volume, the author gathers together a series of studies on playing-cards and their literary, linguistic, folkloric and historical associations.
Author: Jean-Pierre Etienvre Publisher: Tamesis ISBN: 9781855660045 Category : Literary Criticism Languages : es Pages : 360
Book Description
In this volume, the author gathers together a series of studies on playing-cards and their literary, linguistic, folkloric and historical associations.
Author: Michael Scham Publisher: University of Toronto Press ISBN: 1442617403 Category : History Languages : en Pages : 400
Book Description
In sixteenth- and seventeenth-century Spain, debating the acceptability of games and recreation was serious business. With Lector Ludens, Michael Scham uses Cervantes’s Don Quijote and Novelas ejemplares as the basis for a wide-ranging exploration of early modern Spanish views on recreations ranging from cards and dice to hunting, attending the theater, and reading fiction. Shifting fluidly between modern theories of play, little-known Spanish treatises on leisure and games, and the evidence in Cervantes’s own works, Scham illuminates Cervantes’s intense fascination with games, play, and leisure, as well as the tensions in early modern Spain between the stern moralizing of the Counter-Reformation and the playfulness of Renaissance humanism.
Author: Hilaire Kallendorf Publisher: BRILL ISBN: 9004263012 Category : Literary Criticism Languages : en Pages : 404
Book Description
A panoramic, state-of-the-art handbook destined to chart a course for future work in the field of early modern Hispanic theater studies. It begins in the closet with an essay on Celestina as closet drama and moves out into the court to explore intersections with courtly love. An essay on the comedia and the classics demonstrates this genre’s firm grounding in the classical tradition, despite Lope de Vega’s famous protestations to the contrary. Distinct but related genres such as the autos sacramentales and the entremeses also make an appearance. The traditional themes of honor and wife-murder share the stage with less familiar topics like the incorporation of animals into performance. This volume covers the urban space of the city in Spain and Portugal as well as uncharted territories in the New World and Japan. Essays on emblems and the picaresque round out this anthology, along with studies of theatrical representations of early modern innovations in science and technology. The book concludes with two different psychoanalytical approaches, focused on melancholy and Lacanian tragedy, respectively. This collection incorporates the work of younger scholars along with established names in the field to synthesize the most exciting recent work on the comedia and related forms of early modern Hispanic theatrical production. Contributors include: Ignacio Arellano, Frederick de Armas, Henry Sullivan, Edward Friedman, A. Robert Lauer, Manuel Delgado, Adrienne Martín, Enrique García Santo Tomás, Matthew Stroud, Teresa Scott Soufas, Enrique Fernández, María Mercedes Carrión, Robert Bayliss, Ted Bergman, Cory Reed, Maryrica Lottman, Christina Lee, and Enrique Duarte.
Author: Mary E. Barnard Publisher: University of Toronto Press ISBN: 1442645121 Category : Literary Criticism Languages : en Pages : 353
Book Description
These essays examine a variety of cultural objects described or alluded to in books from the Golden Age of Spanish literature, including clothing, paintings, tapestries, playing cards, monuments, materials of war, and even enchanted bronze heads.
Author: David Jonathan Hildner Publisher: Tamesis Books ISBN: 9781855660175 Category : Literary Criticism Languages : en Pages : 204
Book Description
A study of the mentality of the 16c Spanish writer, Fray Luis de León. Luis de León, poet and Biblical exegete, lived from 1527 to 1591. The study attempts to explain the impression received from his prose and verse works that he intended them to conform to what he believed to exist in Nature, society, and the spiritual world, but that he gave equal attention to their aesthetic form, i.e. the figures and fictions they contain. The following questions are posed: does Fray Luis make any distinction between truth and fiction inthe content of his works, or between poetic language and logical language in their form? If so, does he use any consistent criteria for these distinctions?
Author: Graham Bradshaw Publisher: Ashgate Publishing, Ltd. ISBN: 9780754655893 Category : Literary Criticism Languages : en Pages : 980
Book Description
This year including a special section on "Shakespeare and Montaigne Revisited," The Shakespearean International Yearbook continues to provide an annual survey of important issues and developments in contemporary Shakespeare studies. Contributors to this issue come from the US and the UK, Canada, Sweden, Japan and Australia. This issue includes an interview with veteran American actor Alvin Epstein during his recent acclaimed performance of King Lear for the Actors' Shakespeare project in Boston.
Author: A. Arcangeli Publisher: Springer ISBN: 0230507980 Category : History Languages : en Pages : 198
Book Description
In Renaissance Europe, when 'leisure classes' used social gathering to define civility and the commercialization of leisure was beginning, the human need for recreation became a cultural topos. The book explores the vocabulary of play and games; the spectrum of leisure activities, often gender-specific or appropriate to particular social groups; the medical discourse on the preservation of health, where amusements were assessed as physical exercise; the moral approach to play; legal treatises on gambling; and the visual representation of leisure.
Author: Susan Schroeder Publisher: UNM Press ISBN: 9780826339782 Category : History Languages : en Pages : 376
Book Description
Religion in New Spain presents an overview of the history of colonial religious culture and encompasses aspects of religion in the many regions of New Spain. In reading these essays, it is clear the Spanish conquest was not the end-all of indigenous culture, that the Virgin of Guadalupe was a myth-in-the-making by locals as well as foreigners, that nuns and priests had real lives, and that the institutional colonial church, even post-Trent, was seldom if ever above or beyond political or economic influence. Susan Schroeder and Stafford Poole have divided the presentations into seven parts that represent general categories spanning the colonial era: "Encounters, Accommodation, and Outright Idolatry"; "Native Sexuality and Christian Morality"; "Believing in Miracles: Taking the Veil and New Realities"; "Guardian of the Christian Society: The Holy Office of the Inquisition--Racism, Judaizing, and Gambling"; "Music and Martyrdom on the Northern Frontier"; and "Tangential Christianity on Other Frontiers: Business and Politics as Usual." Sacred space can be anywhere and might not be bound by walls and ceilings. As the authors of these essays show, religion is often an attempt to reconcile the mysterious and unmanageable forces of nature, such as storms, droughts, floods, infestations of pests, epidemic diseases, and sicknesses; it is an attempt to control the uncontrollable.
Author: William H. Beezley Publisher: University of Arizona Press ISBN: 9780816526895 Category : History Languages : en Pages : 228
Book Description
In this enlightening book, the well-known historian William Beezley contends that a Mexican national identity was forged during the nineteenth century not by a self-anointed elite but rather by a disparate mix of ordinary people and everyday events. In examining independence festivals, children’s games, annual almanacs, and the performances of itinerant puppet theaters, Beezley argues that these seemingly unrelated and commonplace occurrences—not the far more self-conscious and organized efforts of politicians, teachers, and others—created a far-reaching sense of a new nation. In the century that followed Mexico’s independence from Spain in 1821, Beezley maintains, sentiments of nationality were promulgated by people who were concerned not with the promotion of nationalism but with something far more immediate—the need to earn a living. These peddlers, vendors, actors, artisans, writers, publishers, and puppeteers sought widespread popular appeal so that they could earn money. According to Beezley, they constantly refined their performances, as well as the symbols and images they employed, in order to secure larger revenues. Gradually they discovered the stories, acts, and products that attracted the largest numbers of paying customers. As Beezley convincingly asserts, out of “what sold to the masses” a collective national identity slowly emerged. Mexican National Identity makes an important contribution to the growing body of literature that explores the influences of popular culture on issues of national identity. By looking at identity as it was fashioned “in the streets,” it opens new avenues for exploring identity formation more generally, not just in Mexico and Latin American countries but in every nation. Check out the New Books in History Interview with Bill Beezley!
Author: Jean-Pierre Etienvre
Author: Jean-Pierre Etienvre
Author: Michael Scham
Author: Hilaire Kallendorf
Author: Mary E. Barnard
Author: David Jonathan Hildner
Author: Graham Bradshaw
Author: A. Arcangeli
Author: Susan Schroeder
Author: William H. Beezley
Author: Alva Vernon Ebersole