Author: Lisa Pon
Publisher:
ISBN: 9780300096804
Category : Art
Languages : en
Pages : 216
Book Description
In early sixteenth-century Italy, works of art came to be understood as unique objects made by individuals of genius, giving rise to a new sense of the artist as the author of his images. At the same time, the practice of engraving, a medium that produced multiple printed images via collaborative processes, rapidly developed. In this book, Lisa Pon examines how images passed between artists and considers how printing techniques affected the authorship of images. Pon focuses on the encounters between the engraver Marcantonio Raimondi and three key artists: Albrecht Dürer, Raphael, and Giorgio Vasari. She reevaluates their work in light of the tensions between possessive authorship and practical collaboration in the visual arts.
Raphael, Dürer, and Marcantonio Raimondi
Author: Lisa Pon
Publisher:
ISBN: 9780300096804
Category : Art
Languages : en
Pages : 216
Book Description
In early sixteenth-century Italy, works of art came to be understood as unique objects made by individuals of genius, giving rise to a new sense of the artist as the author of his images. At the same time, the practice of engraving, a medium that produced multiple printed images via collaborative processes, rapidly developed. In this book, Lisa Pon examines how images passed between artists and considers how printing techniques affected the authorship of images. Pon focuses on the encounters between the engraver Marcantonio Raimondi and three key artists: Albrecht Dürer, Raphael, and Giorgio Vasari. She reevaluates their work in light of the tensions between possessive authorship and practical collaboration in the visual arts.
Publisher:
ISBN: 9780300096804
Category : Art
Languages : en
Pages : 216
Book Description
In early sixteenth-century Italy, works of art came to be understood as unique objects made by individuals of genius, giving rise to a new sense of the artist as the author of his images. At the same time, the practice of engraving, a medium that produced multiple printed images via collaborative processes, rapidly developed. In this book, Lisa Pon examines how images passed between artists and considers how printing techniques affected the authorship of images. Pon focuses on the encounters between the engraver Marcantonio Raimondi and three key artists: Albrecht Dürer, Raphael, and Giorgio Vasari. She reevaluates their work in light of the tensions between possessive authorship and practical collaboration in the visual arts.
An Inquiry Into the Origin and Early History of Engraving
Author: William Young Ottley
Publisher:
ISBN:
Category : Engravers
Languages : en
Pages : 434
Book Description
Publisher:
ISBN:
Category : Engravers
Languages : en
Pages : 434
Book Description
An Inquiry Into the Origin and Early History of Engraving, Upon Copper and in Wood,
Author: William Young Ottley
Publisher:
ISBN:
Category : Engravers
Languages : en
Pages : 430
Book Description
Publisher:
ISBN:
Category : Engravers
Languages : en
Pages : 430
Book Description
Marcantonio Raimondi, Raphael and the Image Multiplied
Author: Edward H. Wouk
Publisher:
ISBN: 9781526109569
Category : Engraving, Renaissance
Languages : en
Pages : 240
Book Description
An in-depth collection of essays on the leading engraver and printmaker of the Italian Renaissance, accompanying the first major exhibition of his work in over three decades, at the Whitworth Gallery, Manchester.
Publisher:
ISBN: 9781526109569
Category : Engraving, Renaissance
Languages : en
Pages : 240
Book Description
An in-depth collection of essays on the leading engraver and printmaker of the Italian Renaissance, accompanying the first major exhibition of his work in over three decades, at the Whitworth Gallery, Manchester.
The Academy
An Introduction to Iconography
Author: Roelof van Straten
Publisher: Routledge
ISBN: 2881246273
Category : Art
Languages : en
Pages : 174
Book Description
First Published in 1995. Routledge is an imprint of Taylor & Francis, an informa company.
Publisher: Routledge
ISBN: 2881246273
Category : Art
Languages : en
Pages : 174
Book Description
First Published in 1995. Routledge is an imprint of Taylor & Francis, an informa company.
The Illustrated Bartsch
Author: Walter L. Strauss
Publisher: Abaris Books
ISBN: 9780898350043
Category :
Languages : en
Pages :
Book Description
Publisher: Abaris Books
ISBN: 9780898350043
Category :
Languages : en
Pages :
Book Description
Collection of ... Catalogues in ... Vols
Author: Bernard Quaritch (Firm)
Publisher:
ISBN:
Category :
Languages : en
Pages : 764
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 764
Book Description
Representing Justice
Author: Judith Resnik
Publisher: Yale University Press
ISBN: 0300110960
Category : Law
Languages : en
Pages : 719
Book Description
A remnant of the Renaissance : the transnational iconography of justice -- Civic space, the public square, and good governance -- Obedience : the judge as the loyal servant of the state -- Of eyes and ostriches -- Why eyes? : color, blindness, and impartiality -- Representations and abstractions : identity, politics, and rights -- From seventeenth-century town halls to twentieth-century courts -- A building and litigation boom in Twentieth-Century federal courts -- Late Twentieth-Century United States courts : monumentality, security, and eclectic imagery -- Monuments to the present and museums of the past : national courts (and prisons) -- Constructing regional rights -- Multi-jurisdictional premises : from peace to crimes -- From "rites" to "rights" -- Courts : in and out of sight, site, and cite -- An iconography for democratic adjudication.
Publisher: Yale University Press
ISBN: 0300110960
Category : Law
Languages : en
Pages : 719
Book Description
A remnant of the Renaissance : the transnational iconography of justice -- Civic space, the public square, and good governance -- Obedience : the judge as the loyal servant of the state -- Of eyes and ostriches -- Why eyes? : color, blindness, and impartiality -- Representations and abstractions : identity, politics, and rights -- From seventeenth-century town halls to twentieth-century courts -- A building and litigation boom in Twentieth-Century federal courts -- Late Twentieth-Century United States courts : monumentality, security, and eclectic imagery -- Monuments to the present and museums of the past : national courts (and prisons) -- Constructing regional rights -- Multi-jurisdictional premises : from peace to crimes -- From "rites" to "rights" -- Courts : in and out of sight, site, and cite -- An iconography for democratic adjudication.
Raphael and the Antique
Author: Claudia La Malfa
Publisher: Reaktion Books
ISBN: 1789141796
Category : Art
Languages : en
Pages : 305
Book Description
The Renaissance artist Raphael is known for his extraordinary frescoes, his sublime Madonnas, devotional altarpieces, architectural designs, and his inventive designs for prints and tapestries. It was his use of ancient Roman art—the sculptures, the marble reliefs, the wall-paintings, and the stuccoes—and architecture—the temples, the palaces, and the theaters—as well as the churches and mosaics of early-Christian Rome, that formed his much-admired classical style. In Raphael and the Antique, Claudia La Malfa gives a full account of Raphael’s prodigious career, from central Italy when he was seventeen years old, to Perugia, Siena, and Florence, where he first met with Leonardo and Michelangelo, to Rome where he became one of the most feted artists of the Renaissance. This book brings to light Raphael’s reinvention of classical models, his draftsmanship, and his concept of art—ideas he pursued and was still striving to perfect at the time of his death in 1520 at the young age of thirty-seven.
Publisher: Reaktion Books
ISBN: 1789141796
Category : Art
Languages : en
Pages : 305
Book Description
The Renaissance artist Raphael is known for his extraordinary frescoes, his sublime Madonnas, devotional altarpieces, architectural designs, and his inventive designs for prints and tapestries. It was his use of ancient Roman art—the sculptures, the marble reliefs, the wall-paintings, and the stuccoes—and architecture—the temples, the palaces, and the theaters—as well as the churches and mosaics of early-Christian Rome, that formed his much-admired classical style. In Raphael and the Antique, Claudia La Malfa gives a full account of Raphael’s prodigious career, from central Italy when he was seventeen years old, to Perugia, Siena, and Florence, where he first met with Leonardo and Michelangelo, to Rome where he became one of the most feted artists of the Renaissance. This book brings to light Raphael’s reinvention of classical models, his draftsmanship, and his concept of art—ideas he pursued and was still striving to perfect at the time of his death in 1520 at the young age of thirty-seven.