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Author: Piero Flamini
Publisher:
ISBN: 9788881740116
Category : Juvenile Nonfiction
Languages : it
Pages : 448

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Author: Gianni Arduino
Publisher:
ISBN: 9788880424703
Category : Juvenile Nonfiction
Languages : it
Pages : 298

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Author: Riccardo Paci
Publisher:
ISBN: 9788808111944
Category : Juvenile Nonfiction
Languages : it
Pages : 248

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Author: Elisabetta Marchesini
Publisher:
ISBN: 9788880206613
Category : Juvenile Nonfiction
Languages : it
Pages : 312

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Author: Antonio Bernardo
Publisher:
ISBN: 9788823426788
Category : Juvenile Nonfiction
Languages : it
Pages :

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Author: Gilda Flaccavento Romano
Publisher:
ISBN: 9788845103629
Category : Juvenile Nonfiction
Languages : it
Pages :

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Author: Claudia Ansalone
Publisher:
ISBN: 9788889078082
Category : Education
Languages : it
Pages : 216

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Author: M. Veronica Latella
Publisher:
ISBN: 9788835022572
Category : Juvenile Nonfiction
Languages : it
Pages :

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Author: Ennio Morricone
Publisher: Scarecrow Press
ISBN: 0810892421
Category : Performing Arts
Languages : en
Pages : 311

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Book Description
With nearly 400 scores to his credit, Ennio Morricone is one of the most prolific and influential film composers working today. He has collaborated with many significant directors, and his scores for such films as The Good, the Bad, and the Ugly; Once Upon a Time in America; Days of Heaven; The Mission; The Untouchables; Malèna; and Cinema Paradiso leave moviegoers with the conviction that something special was achieved—a conviction shared by composers, scholars, and fans alike. In Composing for the Cinema: The Theory and Praxis of Music in Film, Morricone and musicologist Sergio Miceli present a series of lectures on the composition and analysis of film music. Adapted from several lectures and seminars, these lessons show how sound design can be analyzed and offer a variety of musical solutions to many different kinds of film. Though aimed at composers, Morricone’s expositions are easy to understand and fascinating even to those without any musical training. Drawing upon scores by himself and others, the composer also provides insight into his relationships with many of the directors with whom he has collaborated, including Sergio Leone, Giuseppe Tornatore, Franco Zeffirelli, Warren Beatty, Ridley Scott, Roland Joffé, the Taviani Brothers, and others. Translated and edited by Gillian B. Anderson, an orchestral conductor and musicologist, these lessons reveal Morricone’s passion about musical expression. Delivered in a conversational mode that is both comprehensible and interesting, this groundbreaking work intertwines analysis with practical details of film music composition. Aimed at a wide audience of composers, musicians, film historians, and fans, Composing for the Cinema contains a treasure trove of practical information and observations from a distinguished musicologist and one of the most accomplished composers on the international film scene.

Author: Abdelmalek Sayad
Publisher: John Wiley & Sons
ISBN: 1509534040
Category : Social Science
Languages : en
Pages : 360

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Book Description
This book is a major contribution to our understanding of the condition of the immigrant and it will transform the reader’s understanding of the issues surrounding immigration. Sayad’s book will be widely used in courses on race, ethnicity, immigration and identity in sociology, anthropology, cultural studies, politics and geography. an outstanding and original work on the experience of immigration and the kind of suffering involved in living in a society and culture which is not one’s own; describes how immigrants are compelled, out of respect for themselves and the group that allowed them to leave their country of origin, to play down the suffering of emigration; Abdelmalek Sayad, was an Algerian scholar and close associate of the French sociologist Pierre Bourdieu - after Sayad’s death, Bourdieu undertook to assemble these writings for publication; this book will transform the reader’s understanding of the issues surrounding immigration.