Author: Roger Bacon
Publisher:
ISBN:
Category : Philosophy
Languages : la
Pages : 608

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Book Description

Author: Tennessee Valley Authority
Publisher:
ISBN:
Category : Electric utilities
Languages : en
Pages : 136

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Author: Carlos F Daganzo
Publisher: World Scientific
ISBN: 9813224118
Category : Transportation
Languages : en
Pages : 512

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Book Description
This unique book explains how to think systematically about public transportation through the lens of physics models. The book includes aspects of system design, resource management, operations and control. It presents both, basic theories that reveal fundamental issues, and practical recipes that can be readily used for real-world applications. The principles conveyed in this book cover not only traditional transit modes such as subways, buses and taxis but also the newer mobility services that are being enabled by advances in telematics and robotics.Although the book is rigorous, it includes numerous exercises and a presentation style suitable for senior undergraduate or entry-level graduate students in engineering. The book can also serve as a reference for transportation professionals and researchers keen in this field.

Author: Carlos Amorales
Publisher: Artimo
ISBN:
Category : Art
Languages : en
Pages : 228

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Book Description
Artists' book on the work of Carlos Amorales focusing on his persona based series Los Amorales.

Author: Margaret Bond
Publisher: Oxford University Press - Children
ISBN: 0198418299
Category :
Languages : en
Pages : 116

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Book Description
Get to grips with set texts and be fully prepared for the AS/A Level exam with the Modern Languages Oxford Literature Companions. The Companions are written by experienced lecturers, teachers and examiners and provide comprehensive coverage of characters, themes, plot, language and context with activities in Spanish to consolidate your knowledge of the text. There are also extensive sections on exam preparation and response planning, with a bank of annotated sample answers and practice questions. This guide covers La casa de Bernarda Alba by Federico García Lorca. Modern Languages Oxford Literature Companions are also available for selected French and German set texts.

Author:
Publisher:
ISBN: 9788861300668
Category : Automobiles
Languages : en
Pages : 0

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Book Description
This catalogue illustrates the creative life of the most prestigious European and American car manufacturers and their models, from the end of the 1940s to the present day.

Author: Henri Michaux
Publisher:
ISBN: 9781939663061
Category : Poetry
Languages : en
Pages : 0

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Book Description
Life in the Folds, originally published in French in 1949, is the Belgian-born author and artist Henri Michaux's (1899-1984) most direct exploration of the many forms of suffering, a laboratory of fantastical, destructive energies in which the poet presents his methods for dealing with the world around him. The first two sections offer such items as the Slapping Gun and the Man Sling (in the section "Freedom of Action") to the scenarios that call for defensive measures such as the "Constellation of Jabs" and the visceral "Blow of Fatigue" (in the section "Apparitions"). Also included is one of Michaux's more complex fantastical-anthropological travelogues, "Portrait of the Meidosems," an account of the ways and manners of a population of vague ectoplasmic figures, anguished filaments of sorts that struggle to exist but are never allowed to sit still. This volume charts a turning point in Michaux's life and in the world, where his earlier depictions of visualized psychology and suffering found representation in a traumatized Europe. Imbued by the war years, the Occupation and the horror of the concentration camps, Life in the Foldsbears the scars of Michaux's own personal catastrophe--the loss of his wife, who had died of "atrocious burns" the previous year--and concludes with the autobiographical text, "Old Age of Pollagoras," a wearied testament uttered before a haunted "plain of death."

Author: Mary Sarotte
Publisher: Basic Books (AZ)
ISBN: 0465064949
Category : History
Languages : en
Pages : 322

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Book Description
On the night of November 9, 1989, massive crowds surged toward the Berlin Wall, drawn by an announcement that caught the world by surprise: East Germans could now move freely to the West. The Wall—infamous symbol of divided Cold War Europe—seemed to be falling. But the opening of the gates that night was not planned by the East German ruling regime—nor was it the result of a bargain between either Ronald Reagan or George H.W. Bush and Soviet leader Mikhail Gorbachev. It was an accident. In The Collapse, prize-winning historian Mary Elise Sarotte reveals how a perfect storm of decisions made by daring underground revolutionaries, disgruntled Stasi officers, and dictatorial party bosses sparked an unexpected series of events culminating in the chaotic fall of the Wall. With a novelist’s eye for character and detail, she brings to vivid life a story that sweeps across Budapest, Prague, Dresden, and Leipzig and up to the armed checkpoints in Berlin. We meet the revolutionaries Roland Jahn, Aram Radomski, and Siggi Schefke, risking it all to smuggle the truth across the Iron Curtain; the hapless Politburo member Günter Schabowski, mistakenly suggesting that the Wall is open to a press conference full of foreign journalists, including NBC’s Tom Brokaw; and Stasi officer Harald Jäger, holding the fort at the crucial border crossing that night. Soon, Brokaw starts broadcasting live from Berlin’s Brandenburg Gate, where the crowds are exulting in the euphoria of newfound freedom—and the dictators are plotting to restore control. Drawing on new archival sources and dozens of interviews, The Collapse offers the definitive account of the night that brought down the Berlin Wall.

Author: Helen Palmer
Publisher: A&C Black
ISBN: 1472521897
Category : Philosophy
Languages : en
Pages : 281

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Book Description
This book is an original exploration of Deleuze's dynamic philosophies of space, time and language, bringing Deleuze and futurism together for the first time. Helen Palmer investigates both the potential for creative novelty and the pitfalls of formalism within both futurist and Deleuzian linguistic practices. Through creative and rigorous analyses of Russian and Italian futurist manifestos, the 'futurist' aspects of Deleuze's language and thought are drawn out. The genre of the futurist manifesto is a literary and linguistic model which can be applied to Deleuze's work, not only at times when he writes explicitly in the style of a manifesto but also in his earlier writings such as Difference and Repetition (1968) and The Logic of Sense (1969). The way in which avant-garde manifestos often attempt to perform and demand their aims simultaneously, and the problems which arise due to this, is an operation which can be perceived in Deleuze's writing. With a particular focus on Russian zaum, the book negotiates the philosophy behind futurist 'nonsense' language and how Deleuze propounds analogous goals in The Logic of Sense. This book critically engages with Deleuze's poetics, ultimately suggesting that multiple linguistic models operate synecdochically within his philosophy.

Author: David Rodowick
Publisher: Duke University Press
ISBN: 9780822327226
Category : Art
Languages : en
Pages : 300

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Book Description
In Reading the Figural, or, Philosophy after the New Media D. N. Rodowick applies the concept of “the figural” to a variety of philosophical and aesthetic issues. Inspired by the aesthetic philosophy of Jean-François Lyotard, the figural defines a semiotic regime where the distinction between linguistic and plastic representation breaks down. This opposition, which has been the philosophical foundation of aesthetics since the eighteenth century, has been explicitly challenged by the new electronic, televisual, and digital media. Rodowick—one of the foremost film theorists writing today—contemplates this challenge, describing and critiquing the new regime of signs and new ways of thinking that such media have inaugurated. To fully comprehend the emergence of the figural requires a genealogical critique of the aesthetic, Rodowick claims. Seeking allies in this effort to deconstruct the opposition of word and image and to create new concepts for comprehending the figural, he journeys through a range of philosophical writings: Thierry Kuntzel and Marie-Claire Ropars-Wuilleumier on film theory; Jacques Derrida on the deconstruction of the aesthetic; Siegfried Kracauer and Walter Benjamin on the historical image as a utopian force in photography and film; and Gilles Deleuze and Michel Foucault on the emergence of the figural as both a semiotic regime and a new stratagem of power coincident with the appearance of digital phenomena and of societies of control. Scholars of philosophy, film theory, cultural criticism, new media, and art history will be interested in the original and sophisticated insights found in this book.