Author: John Gardner Wilkinson
Publisher: Cambridge University Press
ISBN: 1108066445
Category : History
Languages : en
Pages : 507
Book Description
First published in 1837, and highly influential thereafter, this well-illustrated three-volume work covers almost every aspect of ancient Egyptian life.
Manners and Customs of the Ancient Egyptians: Volume 2
Author: John Gardner Wilkinson
Publisher: Cambridge University Press
ISBN: 1108066445
Category : History
Languages : en
Pages : 507
Book Description
First published in 1837, and highly influential thereafter, this well-illustrated three-volume work covers almost every aspect of ancient Egyptian life.
Publisher: Cambridge University Press
ISBN: 1108066445
Category : History
Languages : en
Pages : 507
Book Description
First published in 1837, and highly influential thereafter, this well-illustrated three-volume work covers almost every aspect of ancient Egyptian life.
Manners and Customs of the Ancient Egyptians
Author: John Gardner Wilkinson
Publisher:
ISBN:
Category :
Languages : en
Pages : 486
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 486
Book Description
Manners and Customs of the Ancient Egyptians
Author: Sir John Gardner Wilkinson
Publisher:
ISBN:
Category : Agriculture
Languages : en
Pages : 466
Book Description
Publisher:
ISBN:
Category : Agriculture
Languages : en
Pages : 466
Book Description
An Account of the Manners and Customs of the Modern Egyptians
A Second Series of the Manners and Customs of the Ancient Egyptians Including Their Religion, Agriculture, &c., Derived from a Comparison of the Paintings, Sculptures, and Monuments Still Existing, with the Accounts of Ancient Authors by Sir J. Gardner Wilkinson
Manners and Customs of the Ancient Egyptians: Volume 1
Author: John Gardner Wilkinson
Publisher: Cambridge University Press
ISBN: 9781108066433
Category : Social Science
Languages : en
Pages : 0
Book Description
A pioneer of British Egyptology, Sir John Gardner Wilkinson (1797-1875) first travelled to Egypt in 1821, the year before Champollion published his breakthrough work on the Rosetta Stone. As public interest in Egypt grew, Wilkinson studied and sketched the country's major archaeological sites, most notably the tombs of Thebes. His Topography of Thebes and General View of Egypt (1835) and Modern Egypt and Thebes (1843) are also reissued in this series. This well-illustrated three-volume work, first published in 1837, remained for over a century a key text on the lives of ancient Egyptians. Writing in a popular genre that was normally focused on contemporary societies, Wilkinson covers areas ranging from daily life to funerary beliefs. His imaginative approach underpinned the book's considerable success. Volume 1 addresses the physical and human geography of ancient Egypt, with a historical narrative up to the point of its conquest by Alexander the Great.
Publisher: Cambridge University Press
ISBN: 9781108066433
Category : Social Science
Languages : en
Pages : 0
Book Description
A pioneer of British Egyptology, Sir John Gardner Wilkinson (1797-1875) first travelled to Egypt in 1821, the year before Champollion published his breakthrough work on the Rosetta Stone. As public interest in Egypt grew, Wilkinson studied and sketched the country's major archaeological sites, most notably the tombs of Thebes. His Topography of Thebes and General View of Egypt (1835) and Modern Egypt and Thebes (1843) are also reissued in this series. This well-illustrated three-volume work, first published in 1837, remained for over a century a key text on the lives of ancient Egyptians. Writing in a popular genre that was normally focused on contemporary societies, Wilkinson covers areas ranging from daily life to funerary beliefs. His imaginative approach underpinned the book's considerable success. Volume 1 addresses the physical and human geography of ancient Egypt, with a historical narrative up to the point of its conquest by Alexander the Great.
Manners and Customs of the Ancient Egyptians
Author: Sir John Gardner Wilkinson
Publisher:
ISBN:
Category : Egypt
Languages : en
Pages : 468
Book Description
Publisher:
ISBN:
Category : Egypt
Languages : en
Pages : 468
Book Description
The Lost Manuscript of Frédéric Cailliaud
Author: Frédéric Cailliaud
Publisher:
ISBN: 9774166167
Category : Art
Languages : en
Pages : 317
Book Description
The travel accounts of Frédéric Cailliaud were an important early contribution to the birth of Egyptology in the first half of the nineteenth century. But one of his major works was never published. For the first time here, his exquisite color plates are presented alongside a translation of his original French text. Arriving in Egypt in 1815, Cailliaud made copious notes on the flora and fauna, people and antiquities, and took a collection of over two thousand objects back to France. His beautifully rendered watercolors of scenes on ancient Egyptian tombs and temples show animated scenes of ancient daily life.
Publisher:
ISBN: 9774166167
Category : Art
Languages : en
Pages : 317
Book Description
The travel accounts of Frédéric Cailliaud were an important early contribution to the birth of Egyptology in the first half of the nineteenth century. But one of his major works was never published. For the first time here, his exquisite color plates are presented alongside a translation of his original French text. Arriving in Egypt in 1815, Cailliaud made copious notes on the flora and fauna, people and antiquities, and took a collection of over two thousand objects back to France. His beautifully rendered watercolors of scenes on ancient Egyptian tombs and temples show animated scenes of ancient daily life.
British Women Writers and the Reception of Ancient Egypt, 1840-1910
Author: Molly Youngkin
Publisher: Springer
ISBN: 1137566140
Category : Literary Criticism
Languages : en
Pages : 252
Book Description
Focusing on British women writers' knowledge of ancient Egypt, Youngkin shows the oftentimes limited but pervasive representations of ancient Egyptian women in their written and visual works. Images of Hathor, Isis, and Cleopatra influenced how British writers such as George Eliot and Edith Cooper came to represent female emancipation.
Publisher: Springer
ISBN: 1137566140
Category : Literary Criticism
Languages : en
Pages : 252
Book Description
Focusing on British women writers' knowledge of ancient Egypt, Youngkin shows the oftentimes limited but pervasive representations of ancient Egyptian women in their written and visual works. Images of Hathor, Isis, and Cleopatra influenced how British writers such as George Eliot and Edith Cooper came to represent female emancipation.
A history of art in ancient Egypt Vol.2 (of 2) (Illustrations)
Author: Georges Perrot
Publisher: A. C. ARMSTRONG AND SON
ISBN:
Category : History
Languages : en
Pages : 292
Book Description
The successful interpretation of the ancient writings of Egypt, Chaldæa, and Persia, which has distinguished our times, makes it necessary that the history of antiquity should be rewritten. Documents that for thousands of years lay hidden beneath the soil, and inscriptions which, like those of Egypt and Persia, long offered themselves to the gaze of man merely to excite his impotent curiosity, have now been deciphered and made to render up their secrets for the guidance of the historian. By the help of those strings of hieroglyphs and of cuneiform characters, illustrated by paintings and sculptured reliefs, we are enabled to separate the truth from the falsehood, the chaff from the wheat, in the narratives of the Greek writers who busied themselves with those nations of Africa and Asia which preceded their own in the ways of civilization. Day by day, as new monuments have been discovered and more certain methods of reading their inscriptions elaborated, we have added to the knowledge left us by Herodotus and Diodorus Siculus, to our acquaintance with those empires on the Euphrates and the Nile which were already in old age when the Greeks were yet struggling to emerge from their primitive barbarism. Even in the cases of Greece and Rome, whose histories are supplied in their main lines by their classic writers, the study of hitherto neglected writings discloses many new and curious details. The energetic search for ancient inscriptions, and the scrupulous and ingenious interpretation of their meaning, which we have witnessed and are witnessing, have revealed to us many interesting facts of which no trace is to be found in Thucydides or Xenophon, in Livy or Tacitus; enabling us to enrich with more than one feature the picture of private and public life which they have handed down to us. In the effort to embrace the life of ancient times as a whole, many attempts have been made to fix the exact place in it occupied by art, but those attempts have never been absolutely successful, because the comprehension of works of art, of plastic creations in the widest significance of that word, demands an amount of special knowledge which the great majority of historians are without; art has a method and language of its own, which obliges those who wish to learn it thoroughly to cultivate their taste by frequenting the principal museums of Europe, by visiting distant regions at the cost of considerable trouble and expense, by perpetual reference to the great collections of engravings, photographs, and other reproductions which considerations of space and cost prevent the savant from possessing at home. More than one learned author has never visited Italy or Greece, or has found no time to examine their museums, each of which contains but a small portion of the accumulated remains of antique art. Some connoisseurs do not even live in a capital, but dwell far from those public libraries, which often contain valuable collections, and sometimes—when they are not packed away in cellars or at the binder's—allow them to be studied by the curious.[2] The study of art, difficult enough in itself, is thus rendered still more arduous by the obstacles which are thrown in its way. The difficulty of obtaining materials for self-improvement in this direction affords the true explanation of the absence, in modern histories of antiquity, of those laborious researches which have led to such great results since Winckelmann founded the science of archæology as we know it. To be continue in this ebook...
Publisher: A. C. ARMSTRONG AND SON
ISBN:
Category : History
Languages : en
Pages : 292
Book Description
The successful interpretation of the ancient writings of Egypt, Chaldæa, and Persia, which has distinguished our times, makes it necessary that the history of antiquity should be rewritten. Documents that for thousands of years lay hidden beneath the soil, and inscriptions which, like those of Egypt and Persia, long offered themselves to the gaze of man merely to excite his impotent curiosity, have now been deciphered and made to render up their secrets for the guidance of the historian. By the help of those strings of hieroglyphs and of cuneiform characters, illustrated by paintings and sculptured reliefs, we are enabled to separate the truth from the falsehood, the chaff from the wheat, in the narratives of the Greek writers who busied themselves with those nations of Africa and Asia which preceded their own in the ways of civilization. Day by day, as new monuments have been discovered and more certain methods of reading their inscriptions elaborated, we have added to the knowledge left us by Herodotus and Diodorus Siculus, to our acquaintance with those empires on the Euphrates and the Nile which were already in old age when the Greeks were yet struggling to emerge from their primitive barbarism. Even in the cases of Greece and Rome, whose histories are supplied in their main lines by their classic writers, the study of hitherto neglected writings discloses many new and curious details. The energetic search for ancient inscriptions, and the scrupulous and ingenious interpretation of their meaning, which we have witnessed and are witnessing, have revealed to us many interesting facts of which no trace is to be found in Thucydides or Xenophon, in Livy or Tacitus; enabling us to enrich with more than one feature the picture of private and public life which they have handed down to us. In the effort to embrace the life of ancient times as a whole, many attempts have been made to fix the exact place in it occupied by art, but those attempts have never been absolutely successful, because the comprehension of works of art, of plastic creations in the widest significance of that word, demands an amount of special knowledge which the great majority of historians are without; art has a method and language of its own, which obliges those who wish to learn it thoroughly to cultivate their taste by frequenting the principal museums of Europe, by visiting distant regions at the cost of considerable trouble and expense, by perpetual reference to the great collections of engravings, photographs, and other reproductions which considerations of space and cost prevent the savant from possessing at home. More than one learned author has never visited Italy or Greece, or has found no time to examine their museums, each of which contains but a small portion of the accumulated remains of antique art. Some connoisseurs do not even live in a capital, but dwell far from those public libraries, which often contain valuable collections, and sometimes—when they are not packed away in cellars or at the binder's—allow them to be studied by the curious.[2] The study of art, difficult enough in itself, is thus rendered still more arduous by the obstacles which are thrown in its way. The difficulty of obtaining materials for self-improvement in this direction affords the true explanation of the absence, in modern histories of antiquity, of those laborious researches which have led to such great results since Winckelmann founded the science of archæology as we know it. To be continue in this ebook...