Mannerism: Text PDF Download

Author: Arnold Hauser
Publisher:
ISBN:
Category : Art and literature
Languages : en
Pages : 454

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Author: John Shearman
Publisher:
ISBN:
Category :
Languages : en
Pages : 0

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Author: Stefan Sperl
Publisher: Cambridge University Press
ISBN: 0521354854
Category : History
Languages : en
Pages : 242

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This book attempts to identify elements of mannerism and classicism in medieval Arabic poetry. Instead of focusing on rhetorical devices, as is conventional in such studies, the author carries out a structuralist analysis of complete poems.

Author: Maria Rika Maniates
Publisher: Manchester University Press
ISBN: 9780719007378
Category : Music
Languages : en
Pages : 714

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Author: Walter Friedlaender
Publisher: Columbia University Press
ISBN: 9780231083881
Category : Art
Languages : en
Pages : 150

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Here are presented two essays by one of the pioneers in the modern exploration of 16th century Italian art. The first, on the Kunstwissenschaft, v.XLVII; the second, on the style translated and published in a 1957 edition, of which this is a reprint (with inclusion of a 1964 foreword).

Author: Edward J. Dudley
Publisher: SUNY Press
ISBN: 9780791435250
Category : Literary Criticism
Languages : en
Pages : 340

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Traces the history of chivalric fiction in Western Europe, from the earliest Celtic tales to the conflict between romance and realism in Don Quixote.

Author: Eugenio Tanzi
Publisher:
ISBN:
Category : Insanity
Languages : en
Pages : 844

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Author: Sam Ladkin
Publisher: Oxford University Press
ISBN: 0192866729
Category : Literary Criticism
Languages : en
Pages : 377

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Frank O'Hara's New York School & Mid-Century Mannerism offers a ground-breaking account of the poet Frank O'Hara and the extraordinary cultural blossoming O'Hara catalysed, namely the mid-century experimental and multi-disciplinary arts scene, the New York School. Fresh accounts of canonical figures (Jackson Pollock, Willem de Kooning, George Balanchine, Fred Astaire) and original work on those too little discussed (Edwin Denby, Elaine de Kooning) resound with analysis of queer iconology from Michelangelo's David to James Dean. Sam Ladkin argues that O'Hara and the New York School revive Mannerism. Turning away from interpretations of O'Hara's Transcendentalism, Romanticism, or pastoralism, 'mid-century Mannerism' helps explain O'Hara's self-conscious style, its play with sweet and grand grace, contortion of conventional measure, risks with affectation, conceits, nonchalance, and scrambling of high/low culture. Mannerism clarifies the sociability implicit in the formal innovations of the New York School. The work also studies the kinship between art mediums by retooling rhetoric and recovering a perennial manneristic tendency beyond period style. Genealogies of grace, the figura serpentinata, sprezzatura, ornatus, and the marvellous exemplify qualities exhibited by O'Hara's New York School. Ladkin relates the essential role of dance in the New York School. O'Hara's reception has been tied to painting, predominantly Abstract Expressionism. He was also, however, a balletomane, a fan, for whom ballet was 'made up exclusively of qualities which other arts only aspire to in order to be truly modern.' Relaying ballet's Mannerist origins and aesthetics, and demonstrating its influence alongside Broadway and Hollywood musical-dance on art and poetry, completes the portrait of mid-century modernity.

Author: Mark Franko
Publisher: CUP Archive
ISBN: 9780521433921
Category : Music
Languages : en
Pages : 284

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Franko's analysis blends archival research with critical and cultural theory in order to resituate the burlesque tradition in its politically volatile context. Dance as Text thus provides a picture of the complex theoretical underpinnings of composite spectacle, the ideological tensions underlying experiments with autonomous dance, and finally, the subversiveness of Moliere's use of court ballet traditions.

Author: Tanya Chris
Publisher: TC Publishing
ISBN:
Category : Fiction
Languages : en
Pages : 199

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Book Description
Everyone in Highley eagerly anticipates the arrival of Reginald Abernathy, the new master of Albon Manor. Everyone, that is, except Lord William Bascomb. William knows he’ll be expected to woo Reginald’s sister, and he can't summon the interest for it. But when the Abernathys arrive at last, William discovers he’s interested after all—in Reginald. Reginald is the most handsome, most dashing, most intriguing man he’s ever known. Better yet, he seems to share William's preference for men. The addition of the Abernathys to Highley suits everyone. William’s sister adores Reginald’s, Aunt Harriet foresees many happy matches between the two families, William’s sister-in-law is pleased at the prospect of unloading her penniless relatives at last, and all the eligible ladies in Highley want the man who only has eyes for William. Against a backdrop of elegant balls and frolicking picnics, William and Reginald enjoy furtive moments of ecstasy until a scandal erupts, forcing William to choose between Reginald and the only life he’s ever known. See how many matches Aunt Harriet can make in this low-angst, warm and fuzzy Jane Austen-inspired M/M Regency romance.