Manfred's Pain PDF Download

Author: Robert McLiam Wilson
Publisher: Pan
ISBN:
Category : Fiction
Languages : en
Pages : 216

View

Book Description

Author: Robert McLiam Wilson
Publisher:
ISBN: 9780330324182
Category :
Languages : en
Pages : 197

View

Book Description

Author: Peter Cochran
Publisher: Cambridge Scholars Publishing
ISBN: 1443875112
Category : Drama
Languages : en
Pages : 270

View

Book Description
The play Manfred is one of Byron’s most famous and influential works. It established him throughout Europe as a bold, blasphemous genius. It inspired music by Tchaikovsky and Schumann, and was admired by, and influenced, Richard Wagner, whose uncle made one of its eighteen German translations. Going back to the primary manuscripts, Peter Cochran has created a new text of Manfred, so that it can at last be read as it left Byron’s pen, untouched by professional polishers, too anxious to impose a formal syntax on his fluent and spontaneous style. Cochran has – through a careful study of the original texts – decoded one hitherto-illegible note which throws light on Byron’s strange and elaborate demonology. Several essays cover the myriad sources of the play, and there are sections on its production history. Cochran ends with an amusing essay on how to, and how not to, bring Byron’s Manfred to the stage.

Author: George Gordon Lord Byron
Publisher: Broadview Press
ISBN: 1554813689
Category : Poetry
Languages : en
Pages : 146

View

Book Description
The quintessential depiction of the Byronic hero is accompanied in this edition by a substantial selection of contextual materials, including Byron’s original draft of the play’s conclusion; influences on the poem, such as Paradise Lost, Goethe’s Faust, and Vathek; further examples of the Byronic hero from the poet’s other writings; a selection of contemporary reviews; and an excerpt from Man-Fred, a dramatic parody in which the protagonist is reimagined as a chimney-sweep.

Author: Lord Byron
Publisher: Good Press
ISBN:
Category : Poetry
Languages : en
Pages : 366

View

Book Description
Manfred is a closet drama by Lord Byron. The main character is a Faustian noble man living in the Bernese Alps. Internally tortured by some mysterious guilt, which has to do with the death of his most beloved, Astarte, he uses his mastery of language and spell-casting to summon seven spirits, from whom he seeks forgetfulness. The spirits, who rule the various components of the corporeal world, are unable to control past events and thus cannot grant Manfred's plea. For some time, fate prevents him from escaping his guilt through suicide. Drama contains supernatural elements, in keeping with the popularity of the ghost story in England at the time. It is a typical example of a Gothic fiction.

Author: Peter Fang
Publisher: Lulu.com
ISBN: 0359460208
Category :
Languages : en
Pages : 504

View

Book Description

Author: Freya Manfred
Publisher: Minnesota Historical Society Press
ISBN: 9780873513722
Category : Biography & Autobiography
Languages : en
Pages : 230

View

Book Description
The author recounts the life and death of her father, the prolific and highly regarded author Frederick Manfred. Using family letters and passages from her father's novels as well as her own memories, she explores their personal and literary relationship, which spanned nearly five decades.

Author: George Gordon Byron Baron Byron
Publisher:
ISBN:
Category :
Languages : en
Pages : 360

View

Book Description

Author: Francesco Domenico Guerrazzi
Publisher:
ISBN:
Category : Benevento (Italy)
Languages : en
Pages : 468

View

Book Description

Author: Alan Richardson
Publisher: Penn State Press
ISBN: 9780271024509
Category : Literary Criticism
Languages : en
Pages : 240

View

Book Description
Certain works of Romantic drama&—Prometheus Unbound, Cain, The Cenci&—have received a good deal of critical attention, by as a whole the genre has been misunderstood and only slightly considered. Alan Richardson redresses a tradition of critical neglect by considering the works of Romantic drama not as failed stage-plays (&"closet drama&") but as constituting a new, distinctively Romantic genre. In turning from the contemporary stage&—which was marked by spectacle, rant, and melodrama&—the Romantic poets developed an altogether new kind of drama, one which they hoped could recapture the intensity of Shakespearean tragedy that Neoclassical writers had scarcely approached. Richardson calls this genre (after Byron) &"mental theater,&" both because its works are concerned with portraying the development of self-consciousness and because it fuses the subjectivity of lyric with the interaction of dramatic poetry. Moreover, these works are addressed directly to the mind of the reader, bypassing the medium of stage representation. This study places Romantic self-consciousness in a fundamentally new light. Far from uncritically pursuing an egoistic stance, the Romantics criticize through their poetic drama the attempt to attain psychic autonomy. The protagonists of Romantic drama are seduced by their antagonists into entering such a condition only to find in it a hollow, deathly isolation. They find in self-consciousness not their promised liberation, but a tormented fate modeled after that of their betrayers. Wordsworth, Byron, and Shelley delineate the limitations of &"Romantic&" self-consciousness in their works of mental theater; Shelley alone envisions their transcendence through his radical transformation of consciousness in the conclusion to Prometheus Unbound. This interpretation of mental theater will lead to a new evaluation of the Romantics as dramatic poets. It brings back to critical attention neglected but challenging works such as Byron's Heaven and Earth and Beddoes's Death's Jest-Book, and provides vital new perspectives on undervalued texts like Wordsworth's The Borderers and Byron's Manfred and Cain. It qualifies decades of critical speculation on &"Romantic individualism&" and &"Romantic consciousness,&" and helps return the ideal of imaginative sympathy to the central position held in the critical writings of the Romantics themselves. Finally, in emphasizing the dramatic quality of mental theater, it challenges the still-prevalent view that Romantic poetry in inherently lyrical in character. Scholars concerned with English Romantic drama, Romantic literature, and the Romantic period as well as English drama will find this work to be an important contribution to their understanding.