Manele in Romania PDF Download

Author: Margaret Beissinger
Publisher: Rowman & Littlefield
ISBN: 1442267089
Category : Music
Languages : en
Pages : 349

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Book Description
This edited volume examines manele (sing. manea), an urban Romanian song-dance ethnopop genre that combines local traditional and popular music with Balkan and Middle Eastern elements. The genre is performed primarily by male Romani musicians at weddings and clubs and appeals especially to Romanian and Romani youth. It became immensely popular after the collapse of communism, representing for many the newly liberated social conditions of the post-1989 world. But manele have also engendered much controversy among the educated and professional elite, who view the genre as vulgar and even “alien” to the Romanian national character. The essays collected here examine the “manea phenomenon” as a vibrant form of cultural expression that engages in several levels of social meaning, all informed by historical conditions, politics, aesthetics, tradition, ethnicity, gender, class, and geography.

Author: Ioana Szeman
Publisher: Berghahn Books
ISBN: 1785337319
Category : Social Science
Languages : en
Pages : 204

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Book Description
Based on over a decade of fieldwork conducted with urban Roma, Staging Citizenship offers a powerful new perspective on one of the European Union’s most marginal and disenfranchised communities. Focusing on “performance” broadly conceived, it follows members of a squatter’s settlement in Transylvania as they navigate precarious circumstances in a postsocialist state. Through accounts of music and dance performances, media representations, activism, and interactions with both non-governmental organizations and state agencies, author Ioana Szeman grounds broad themes of political economy, citizenship, resistance, and neoliberalism in her subjects’ remarkably varied lives and experiences.

Author: Heike Steinhoff
Publisher: Bloomsbury Publishing USA
ISBN: 1501370391
Category : Social Science
Languages : en
Pages : 432

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Book Description
Twenty-first century popular culture has given birth to a peculiar cultural figure: the hipster. Stereotypically associated with nerd glasses, beards and buns, boho clothing, and ironic T-shirts, hipsters represent a (post-)postmodern (post-)subculture whose style, aesthetics, and practices have increasingly become mainstream. Hipster Culture is the first comprehensive collection of original studies that address the hipster and hipster culture from a range of cultural studies perspectives. Analyzing the cultural, economic, aesthetic, and political meanings and implications of a wide range of phenomena prominently associated with hipster culture, the contributors bring their expertise and own research perspectives to bear, thus shaping the volume's transnational and intersectional approach. Chapters address global and local manifestations of hipster culture, processes of urban gentrification and cultural appropriation, alternative foodways and eclectic fashion styles, the significance of nostalgia, retro technologies and social media, and the aesthetics and cultural politics of literature, film, art, and music marked by self-reflexivity, irony, and a simultaneous longing for an earnest authenticity. Hipster Culture explores the diversification of hipster culture, sheds light on popular constructions of the hipster as cultural Other, and critically investigates hipster culture's entanglements with and challenges to dominant cultural discourses of gender, ethnicity, race, sexuality, age, religion, and nationality.

Author: Denise Roman
Publisher: Lexington Books
ISBN: 9780739121184
Category : Art
Languages : en
Pages : 206

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Book Description
Combining sharp observation, a native's ease in the city, and talent as a storyteller, Denise Roman spiritedly presents the myriad details and the diverging cultural strands of life in postcommunist Bucharest. Roman focuses on identity-formation and identity politics among youth, Jews, women, and queers.

Author: Andrei Gorzo
Publisher: Editura Universității „Lucian Blaga” din Sibiu
ISBN: 6061219598
Category : Performing Arts
Languages : en
Pages : 246

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Book Description
“A stellar representative of the New Romanian Cinema, Radu Jude also belongs to a select group of politically-minded East European filmmakers who have taken as their subject the nature of the media and the circulation of images (Vertov and Eisenstein, Dušan Makavejev, the Ukrainian documentari- an Sergei Loznitsa). For that reason, Andrei Gorzo and Veronica Lazăr’s Beyond the New Romanian Cinema: Romanian Culture, History, and the Films of Radu Jude is both welcome and essential.” / J. Hoberman, author of The Red Atlantis: Communist Culture in the Absence of Communism “Beyond the New Romanian Cinema: Romanian Culture, History, and the Films of Radu Jude delivers what it promises in its title, and offers more. It locates Radu Jude’s films against the backdrop of the New Romanian Cinema, a phenomenon which put Romanian cinema on the map of European and world cinema, arguing that Jude overcame a certain sterility and timidity of this movement by creating a very rich and versatile body of work, comprising films of different genres and formats. At the same time as offering a meticulous and thought-provoking analysis of Jude’s films, the authors use them to explore the strengths and limitations of the auteurist paradigm, both in Romania and more widely.” / Ewa Mazierska, Professor of Film Studies, University of Central Lancashire “This impressive study of filmmaker Radu Jude is invaluable not only for its acute critical observations, but also for its intelligent, informed commentary on Romanian cinema, culture, and society in general. I learned something impor- tant on virtually every page. Highly recommended.” / James Naremore, author of The Magic World of Orson Welles, Acting in the Cinema, and On Kubrick “Andrei Gorzo and Veronica Lazăr offer a comprehensive and refined analysis of the films of Radu Jude, a filmmaker who has emerged with one of the most uncompromising voices ranging from the farcical macabre political satire to a philosophical interrogation of representation, and who has addressed the most daring topics after the first wave of the so-called New Romanian Cinema. The monograph manages to combine a wide-angle film-historical and cultural perspective with an in-depth investigation unravelling the ways in which Jude’s cinema is ‘updating’ the legacy of European modernism in order to engage with pressing issues of Romanian culture and history.” / Ágnes Pethő, Professor of Film Studies, Sapientia Hungarian University of Transylvania

Author: Ivan Biliarsky
Publisher: Cambridge Scholars Publishing
ISBN: 1443837059
Category : History
Languages : en
Pages : 350

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Book Description
The overall character of the Black Sea region has been defined over time in various ways. For specialists in economy and trade, it has represented a region at the crossroads of the trade routes between Europe and Asia; for political scientists and historians, it has been a space of confrontation between the great terrestrial and naval powers; for the scholars attentive to its cultural dimensions, it has been a contact zone, a space of interaction between different peoples, religions and cultures. These attempts at a definition all revolve around an essential (and ambivalent) feature of the Black Sea as a factor of connection, a bridge, and at the same time a border, a dividing line between Europe and Asia, between the Baltic and the Mediterranean region. In this fluctuation between the two, the predominance of one over the other (“bridge” or “border”) has depended on a number of factors, first among them the distribution of power relations in the region. This volume, which originated in a symposium hosted by the New Europe College – Institute for Advanced Study in Bucharest, brings together contributions coming from scholars within the Black Sea region and outside it, in an attempt to look at the Balkans and Caucasus from a comparative and multi-disciplinary perspective, highlighting their differences, as well as their common features. The overarching question this volume and the papers included in it address – and leave open – is to what extent we are dealing with a coherent zone, whose past, present and future can legitimately be considered as being traversed by meaningful interrelations, suggesting a shared destiny.

Author: K. Fricker
Publisher: Springer
ISBN: 1137367989
Category : Music
Languages : en
Pages : 371

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Book Description
This fascinating and lively volume makes the case that the Eurovision Song Contest is an arena for European identification in which both national solidarity and participation in a European identity are confirmed, and a site where cultural struggles over the meanings, frontiers and limits of Europe are enacted.

Author: Ewa Mazierska
Publisher: Springer
ISBN: 3030170349
Category : Music
Languages : en
Pages : 243

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Book Description
This volume examines the transnational character of popular music since the Cold War era to the present. Bringing together the cross-disciplinary research of native scholars, Eastern European Popular Music in a Transnational Context expands our understanding of the movement of physical music, musicians and genres through the Iron Curtain and within the region of Eastern Europe. With case studies ranging from Goran Bregović, Czesław Niemen, the reception of Leonard Cohen in Poland, the Estonian punk scene to the Intervision Song Contest, the book discusses how the production and reception of popular music in the region has always been heavily influenced by international trends and how varied strategies allowed performers and fans to acquire cosmopolitan identities. Cross-disciplinary in nature, the investigations are informed by political, social and cultural history, reception studies, sociology and marketing and are largely based on archival research and interviews.

Author: Elke Weesjes
Publisher: Taylor & Francis
ISBN: 1040005500
Category : Music
Languages : en
Pages : 239

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Book Description
This edited volume concentrates on the period from the 1940s to the present, exploring how popular music forms such as blues, disco, reggae, hip hop, grime, metal and punk evolved and transformed as they traversed time and space. Within this framework, the collection traces how music and subcultures travel through, to and from democracies, autocracies and anocracies. The chosen approach is multidisciplinary and deliberately diverse. Using both archival sources and oral testimony from a wide variety of musicians, promoters, critics and members of the audience, contributors from a range of academic disciplines explore music and subcultural forms in countries across Asia, Europe, Oceania, North America and Africa. They investigate how far the meaning of music and associated subcultures change as they move from one context to another and consider whether they transcend or blur parameters of class, race, gender and sexuality.

Author: Jim Samson
Publisher: BRILL
ISBN: 9004250387
Category : Music
Languages : en
Pages : 749

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Book Description
This book asks how a study of many different musics in South East Europe can help us understand the construction of cultural traditions, East and West. It crosses boundaries of many kinds, political, cultural, repertorial and disciplinary. Above all, it seeks to elucidate the relationship between politics and musical practice in a region whose art music has been all but written out of the European story and whose traditional music has been subject to appropriation by one ideology after another. South East Europe, with its mix of ethnicities and religions, presents an exceptionally rich field of study in this respect. The book will be of value to anyone interested in intersections between pre-modern and modern cultures, between empires and nations and between culture and politics.