Author: Christophe de Beaumont
Publisher:
ISBN:
Category :
Languages : fr
Pages : 20
Book Description
Mandement de Monseigneur l'archevêque de Paris ([i.e.] Christophe de Beaumont), portant condamnation d'un livre qui a pour titre: Emile, ou de l'Education, par J.J. Rousseau, Citoyen de Genève
Author: Christophe de Beaumont
Publisher:
ISBN:
Category :
Languages : fr
Pages : 20
Book Description
Publisher:
ISBN:
Category :
Languages : fr
Pages : 20
Book Description
Mandement de Monseigneur l'archevêque de Paris ([i.e.] Christophe de Beaumont), portant condamnation d'un livre qui a pour titre: Emile, ou de l'éducation, par J.J. Rousseau, citoyen de Genève, à Amsterdam, chez Jean Néaulme, libraire, 1762
Author: Christoph von Beaumont
Publisher:
ISBN:
Category :
Languages : fr
Pages : 20
Book Description
Publisher:
ISBN:
Category :
Languages : fr
Pages : 20
Book Description
Mandement de monseigneur l'archevesque de Paris
Author: Christophe de Beaumont
Publisher:
ISBN:
Category :
Languages : fr
Pages : 143
Book Description
Publisher:
ISBN:
Category :
Languages : fr
Pages : 143
Book Description
Narcissus, Or the Lover of Himself
Author: Jean-Jacques Rousseau
Publisher: Contra Mundum Press
ISBN: 9781940625133
Category : Drama
Languages : en
Pages : 128
Book Description
Narcissus, or The Lover of Himself is a play of staggering mediocrity. Jean-Jacques Rousseau, better known as a social thinker than as a playwright, claims to have written it as a young man of eighteen, some twenty years before it was performed for King Louis XV on December 18, 1752. It flopped and never saw the stage again in Rousseau's lifetime. In his preface to the play, penned after its failed production, Rousseau avows that he kept himself from publishing it for as long as he held onto some regard for his reputation as an author. This is a fairly measured judgment, for a work the caliber of Narcissus would certainly not bolster Rousseau's status. The plot, characters, language, and comedic elements come off as weak or incomplete. Hence, the reader (or spectator) could understandably question the play's merits, and the need to publish it. But had Narcissus never been, neither would its preface. This afterthought, two decades in the making, becomes, in many ways, a much more interesting opening act to the comedy that follows. It is rich in philosophy and criticism, madly buzzing with paranoia, and surprisingly convincing in its proposition that the arts and sciences, the pursuit of knowledge, the cultivation of letters, and all the trappings of civilization are destructive forces, harmful to man's morality. It is an apology for having experimented with writing literature in his foolish youth and, at the same time, a justification for the existence of his art. The preface, in which he writes, "I must, despite my reluctance, speak of myself," is fully narcissistic. Peering over Rousseau's shoulder, we, too, see his reflection: a man with reason on his side, standing against his enemies, his age, and, indeed, the world. Daniel Boden's translation of Narcissus and its preface is true to the voice, times, and incongruities of Rousseau. In the afterword that crowns this edition, Simon Critchley situates the play and preface in their historical context, makes connections to other works by Rousseau, comments on the philosophy put forward in the preface, reflects on what brings the classics to the stage, and proposes, quite simply, that theater is narcissism.
Publisher: Contra Mundum Press
ISBN: 9781940625133
Category : Drama
Languages : en
Pages : 128
Book Description
Narcissus, or The Lover of Himself is a play of staggering mediocrity. Jean-Jacques Rousseau, better known as a social thinker than as a playwright, claims to have written it as a young man of eighteen, some twenty years before it was performed for King Louis XV on December 18, 1752. It flopped and never saw the stage again in Rousseau's lifetime. In his preface to the play, penned after its failed production, Rousseau avows that he kept himself from publishing it for as long as he held onto some regard for his reputation as an author. This is a fairly measured judgment, for a work the caliber of Narcissus would certainly not bolster Rousseau's status. The plot, characters, language, and comedic elements come off as weak or incomplete. Hence, the reader (or spectator) could understandably question the play's merits, and the need to publish it. But had Narcissus never been, neither would its preface. This afterthought, two decades in the making, becomes, in many ways, a much more interesting opening act to the comedy that follows. It is rich in philosophy and criticism, madly buzzing with paranoia, and surprisingly convincing in its proposition that the arts and sciences, the pursuit of knowledge, the cultivation of letters, and all the trappings of civilization are destructive forces, harmful to man's morality. It is an apology for having experimented with writing literature in his foolish youth and, at the same time, a justification for the existence of his art. The preface, in which he writes, "I must, despite my reluctance, speak of myself," is fully narcissistic. Peering over Rousseau's shoulder, we, too, see his reflection: a man with reason on his side, standing against his enemies, his age, and, indeed, the world. Daniel Boden's translation of Narcissus and its preface is true to the voice, times, and incongruities of Rousseau. In the afterword that crowns this edition, Simon Critchley situates the play and preface in their historical context, makes connections to other works by Rousseau, comments on the philosophy put forward in the preface, reflects on what brings the classics to the stage, and proposes, quite simply, that theater is narcissism.
Voltaire's Marginalia on the Pages of Rousseau
Author: George Remington Havens
Publisher: Ardent Media
ISBN:
Category : Literary Criticism
Languages : fr
Pages : 208
Book Description
These marginal notes, by one man of genius on the work of another, touch upon nearly all of the most important phases of Rousseau's thought & many of those of Voltaire.
Publisher: Ardent Media
ISBN:
Category : Literary Criticism
Languages : fr
Pages : 208
Book Description
These marginal notes, by one man of genius on the work of another, touch upon nearly all of the most important phases of Rousseau's thought & many of those of Voltaire.
A Complete Dictionary of Music
Author: Jean-Jacques Rousseau
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 496
Book Description
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 496
Book Description
Registers of the French Churches of Bristol, Stonehouse, and Plymouth
Author: Charles Edmund Lart
Publisher:
ISBN:
Category : Bristol (England)
Languages : en
Pages : 650
Book Description
Publisher:
ISBN:
Category : Bristol (England)
Languages : en
Pages : 650
Book Description
Huguenot Pedigrees
Author: Charles Edmund Lart
Publisher:
ISBN:
Category : French
Languages : en
Pages : 140
Book Description
Publisher:
ISBN:
Category : French
Languages : en
Pages : 140
Book Description
Letters on the Elements of Botany
Author: Jean-Jacques Rousseau
Publisher:
ISBN:
Category : Botany
Languages : hr
Pages : 572
Book Description
Publisher:
ISBN:
Category : Botany
Languages : hr
Pages : 572
Book Description
CRITICAL HISTORY OF THE OLD TESTAMENT
Author: RICHARD. SIMON
Publisher:
ISBN: 9781033286210
Category :
Languages : en
Pages : 0
Book Description
Publisher:
ISBN: 9781033286210
Category :
Languages : en
Pages : 0
Book Description