Author: David DaymirringuPublisher:
ISBN:
Category :
Languages : en
Pages :
Book Description
David Malangi
Author: David DaymirringuDavid Malangi
Author: David MalangiIndigenous Intellectual Property
Author: Matthew RimmerPublisher: Edward Elgar Publishing
ISBN: 1781955905
Category : Law
Languages : en
Pages : 753
Book Description
Taking an interdisciplinary approach unmatched by any other book on this topic, this thoughtful Handbook considers the international struggle to provide for proper and just protection of Indigenous intellectual property (IP). In light of the United Nations Declaration on the Rights of Indigenous Peoples 2007, expert contributors assess the legal and policy controversies over Indigenous knowledge in the fields of international law, copyright law, trademark law, patent law, trade secrets law, and cultural heritage. The overarching discussion examines national developments in Indigenous IP in the United States, Canada, South Africa, the European Union, Australia, New Zealand, and Indonesia. The Handbook provides a comprehensive overview of the historical origins of conflict over Indigenous knowledge, and examines new challenges to Indigenous IP from emerging developments in information technology, biotechnology, and climate change. Practitioners and scholars in the field of IP will learn a great deal from this Handbook about the issues and challenges that surround just protection of a variety of forms of IP for Indigenous communities.
International Trade in Indigenous Cultural Heritage
Author: Christoph Beat GraberPublisher: Edward Elgar Publishing
ISBN: 0857938312
Category : Political Science
Languages : en
Pages : 535
Book Description
This text sets the standard for researchers working on the difficult issues raised by trade and commerce in indigenous cultural heritage.
Malangi, David
Author: No Ordinary Place
Author: David MalangiPublisher: University of Washington Press
ISBN:
Category : Art
Languages : en
Pages : 116
Book Description
No ordinary place celebrates the work of one of the most renowned bark painters of Arnhem Land, David Malangi Daymirriju.
Art and Performance in Oceania
Author: Barry CraigPublisher: University of Hawaii Press
ISBN: 9780824822835
Category : Performing Arts
Languages : en
Pages : 340
Book Description
The Fifth International Symposium of the Pacific Arts Association, titled "Art, Performance, and Society," called for papers in sessions dealing with "Production and Performance," "Social and Cultural Context," "The Record and the Remainder," and "The Mission of Museums." In all, some sixty papers were presented, twenty-four of which have been included in this book. The first two topics elicited several papers that explored the creative process, including the description and analysis of performance, and the taxonomy of objects used, the transmission of cultural knowledge, and the identity and work of individual artists. The second two topics provided the opportunity for papers on some significant early museum collectors and collections, various methods of documenting cultural material (such as photography), how cultural material has been and can be exhibited, and the role of museums and cultural centers in Pacific Island countries.
Museum Frictions
Author: Ivan KarpPublisher: Duke University Press
ISBN: 9780822338949
Category : Art
Languages : en
Pages : 642
Book Description
This third volume in a bestselling series on culture, society, and museums examines the effects of globalization on contemporary museum, heritage, and exhibition practices.
The Making of Indigenous Australian Contemporary Art
Author: Marie GeisslerPublisher: Cambridge Scholars Publishing
ISBN: 1527564274
Category : Art
Languages : en
Pages : 228
Book Description
This publication brings together existing research as well as new data to show how Arnhem Land bark painting was critical in the making of Indigenous Australian contemporary art and the self-determination agendas of Indigenous Australians. It identifies how, when and what the shifts in the reception of the art were, especially as they occurred within institutional exhibition displays. Despite key studies already being published on the reception of Aboriginal art in this area, the overall process is not well known or always considered, while the focus has tended to be placed on Western Desert acrylic paintings. This text, however represents a refocus, and addresses this more fully by integrating Arnhem Land bark painting into the contemporary history of Aboriginal art. The trajectory moves from its understanding as a form of ethnographic art, to seeing it as conceptual art and appreciating it for its cultural agency and contemporaneity.
Author: