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Author: Cliff Truesdell Publisher: John Wiley & Sons ISBN: 0470165766 Category : Computers Languages : en Pages : 627
Book Description
This comprehensive guide shows you how to integrate a variety of production tools for the Mac OS X platform into all stages of audio production so that you can create and produce music. From single applications to complete suites, you’ll discover the software toolsets that are best for you and then discover how to incorporate them into a coherent workflow. Featuring best practices, real-world examples, and interviews with audio professionals, this book pulls together all the programs and tasks you need.
Author: Cliff Truesdell Publisher: John Wiley & Sons ISBN: 0470165766 Category : Computers Languages : en Pages : 627
Book Description
This comprehensive guide shows you how to integrate a variety of production tools for the Mac OS X platform into all stages of audio production so that you can create and produce music. From single applications to complete suites, you’ll discover the software toolsets that are best for you and then discover how to incorporate them into a coherent workflow. Featuring best practices, real-world examples, and interviews with audio professionals, this book pulls together all the programs and tasks you need.
Author: Slime Green Beats Publisher: Slime Green Beats ISBN: 0578817853 Category : Juvenile Nonfiction Languages : en Pages : 40
Book Description
Unleash your creative potential and start producing hip hop music today. This beginner’s guide breaks down the basics of music production and gives you the tools to start creating. Beat making isn’t a linear process, and there’s no exact science or method. Slime Green Beats provides a complete overview of the equipment, strategy, and mentality that you need to produce mind-blowing music, all without stifling your creativity. Whether you’re looking to produce your own music or start a career in music production, this handbook is a must-have. Learn beat making rules for different genres and musical styles, including hip hop, trap, R&B, and rap. You’ll learn: Setup - How to set up your home beat making studio - Tips for sound selection and melody creation - What drum layers make up a hip-hop beat - The stylistic difference between 808s and basslines Finishing - An introduction to mixing instrumentals - How to create vibrant, clean beats without over-compressing - Music theory rules for arranging - How to find and implement reliable feedback Sharing - Online marketing strategies for self-promotion - Email marketing tips to build industry connections - How to license, lease, and sell your beats - What to expect when selling exclusive beats, including track outs …And more! How to Make Beats explains music theory and technical software in easy-to-understand terms. The language of music production often feels elite, but Slime Green Beats breaks down barriers for new creators. Learn the lingo with an extensive terminology section in the back of the handbook and links to suggested resources. About the authors Slime Green Beats is led by 3E Wave and Stunna, two highly acclaimed music producers with an extensive fanbase on YouTube. With nearly a decade of beat making experience between them, their technical tips and recommendations are proven to work in the real world.
Author: Chris Middleton Publisher: Premier Press ISBN: 9781592001026 Category : Music Languages : en Pages : 192
Book Description
Electronic music and sound recording was truly reborn with the emergence of personal computing. Now, making music on a computer is getting easier and less expensive. New and improved compression algorithms allow for bandwidth-friendly transfer of audio over the Internet. "The Complete Guide to Digital Audio" covers all aspects of digital audio: hardware and software, sampling and recording, mixing and mastering, MIDI and sequencing, and much more. You'll learn: * Jargon busters on all the digital audio terms you need to know * Production tips and secrets from some of the world's top sound engineers * A tour of the major software package and tools * Insider views on audio in computer games * Full-color detailed illustrations * Advice from some of the leading authorities
Author: Julian Colbeck Publisher: Hal Leonard Corporation ISBN: 1480397237 Category : Music Languages : en Pages : 393
Book Description
(Technical Reference). More than simply the book of the award-winning DVD set, Art & Science of Sound Recording, the Book takes legendary engineer, producer, and artist Alan Parsons' approaches to sound recording to the next level. In book form, Parsons has the space to include more technical background information, more detailed diagrams, plus a complete set of course notes on each of the 24 topics, from "The Brief History of Recording" to the now-classic "Dealing with Disasters." Written with the DVD's coproducer, musician, and author Julian Colbeck, ASSR, the Book offers readers a classic "big picture" view of modern recording technology in conjunction with an almost encyclopedic list of specific techniques, processes, and equipment. For all its heft and authority authored by a man trained at London's famed Abbey Road studios in the 1970s ASSR, the Book is also written in plain English and is packed with priceless anecdotes from Alan Parsons' own career working with the Beatles, Pink Floyd, and countless others. Not just informative, but also highly entertaining and inspirational, ASSR, the Book is the perfect platform on which to build expertise in the art and science of sound recording.
Author: Colby Leider Publisher: McGraw Hill Professional ISBN: 9780071422864 Category : Antiques & Collectibles Languages : en Pages : 420
Book Description
"With this book, you can: turn your computer into a digital audio workstation ; record, mix and master any type of music on a PC or Mac ; choose key plug-ins and hardware ; practice and hone your skills with the included exercises ; find what you need to know about every major audio file format ; learn about the history of the digital audio workstation ; compose, create and mix new forms of music using digital audio workstation alone ; improve your project studio's acoustics inexpensively ; and much, much more." - back cover.
Author: Ragnhild Brøvig Publisher: MIT Press ISBN: 0262549638 Category : Music Languages : en Pages : 199
Book Description
How sonically distinctive digital “signatures”—including reverb, glitches, and autotuning—affect the aesthetics of popular music, analyzed in works by Prince, Lady Gaga, and others. Is digital production killing the soul of music? Is Auto-Tune the nadir of creative expression? Digital technology has changed not only how music is produced, distributed, and consumed but also—equally important but not often considered—how music sounds. In this book, Ragnhild Brøvig and Anne Danielsen examine the impact of digitization on the aesthetics of popular music. They investigate sonically distinctive “digital signatures”—musical moments when the use of digital technology is revealed to the listener. The particular signatures of digital mediation they examine include digital reverb and delay, MIDI and sampling, digital silence, the virtual cut-and-paste tool, digital glitches, microrhythmic manipulation, and autotuning—all of which they analyze in specific works by popular artists. Combining technical and historical knowledge of music production with musical analyses, aesthetic interpretations, and theoretical discussions, Brøvig and Danielsen offer unique insights into how digitization has changed the sound of popular music and the listener's experience of it. For example, they show how digital reverb and delay have allowed experimentation with spatiality by analyzing Kate Bush's “Get Out of My House”; they examine the contrast between digital silence and the low-tech noises of tape hiss or vinyl crackle in Portishead's “Stranger”; and they describe the development of Auto-Tune—at first a tool for pitch correction—into an artistic effect, citing work by various hip-hop artists, Bon Iver, and Lady Gaga.
Author: Tommy Swindali Publisher: Tommy Swindali ISBN: Category : Music Languages : en Pages : 21
Book Description
Everything You Need to Know You are about to discover proven steps and strategies from music producers on how to produce music, even if you have zero experience in recording and audio engineering. You will be able to learn everything you need to know in order to make your first single sound just the way you want it. In this book, you will to learn how to build your own studio and have the right gear and software in order to start creating music. You will also learn how to be a smart recording artist or give the right direction to performers whom you want to produce songs for. You Can Do It and We Will Show You How Your first home studio does not need to have all the top-of-the-line gear, you just need the basic stuff, for now. As long as you know how to use the most basic studio equipment, you will know what to do once you hit the big studio. We will make sure you know how to engineer all the tracks that you have recorded in order to make your first single sound just the way you want it. Here Is A Preview Of What You'll Learn. How to set up a studio and what equipment you need to use How to perform a song while in the studio How to create a final mix for your songs What Your Studio Should Have What is the Best DAW for You? Recording your First Single Mixing your First Song Create Music that will Get You Noticed And, much, much more.... Download your copy today!
Author: Spencer Salazar Publisher: Simon and Schuster ISBN: 1638353204 Category : Computers Languages : en Pages : 344
Book Description
Summary Programming for Musicians and Digital Artists: Creating Music with ChucK offers a complete introduction to programming in the open source music language ChucK. In it, you'll learn the basics of digital sound creation and manipulation while you discover the ChucK language. As you move example-by-example through this easy-to-follow book, you'll create meaningful and rewarding digital compositions and "instruments" that make sound and music in direct response to program logic, scores, gestures, and other systems connected via MIDI or the network. Purchase of the print book includes a free eBook in PDF, Kindle, and ePub formats from Manning Publications. About this Book A digital musician must manipulate sound precisely. ChucK is an audio-centric programming language that provides precise control over time, audio computation, and user interface elements like track pads and joysticks. Because it uses the vocabulary of sound, ChucK is easy to learn even for artists with little or no exposure to computer programming. Programming for Musicians and Digital Artists offers a complete introduction to music programming. In it, you'll learn the basics of digital sound manipulation while you learn to program using ChucK. Example-by-example, you'll create meaningful digital compositions and "instruments" that respond to program logic, scores, gestures, and other systems connected via MIDI or the network. You'll also experience how ChucK enables the on-the-fly musical improvisation practiced by communities of "live music coders" around the world. Written for readers familiar with the vocabulary of sound and music. No experience with computer programming is required. What's Inside Learn ChucK and digital music creation side-by-side Invent new sounds, instruments, and modes of performance Written by the creators of the ChucK language About the Authors Perry Cook, Ajay Kapur, Spencer Salazar, and Ge Wang are pioneers in the area of teaching and programming digital music. Ge is the creator and chief architect of the ChucK language. Table of Contents Introduction: ChucK programming for artistsPART 1 INTRODUCTION TO PROGRAMMING IN CHUCK Basics: sound, waves, and ChucK programming Libraries: ChucK's built-in tools Arrays: arranging and accessing your compositional data Sound files and sound manipulation Functions: making your own tools PART 2 NOW IT GETS REALLY INTERESTING! Unit generators: ChucK objects for sound synthesis and processing Synthesis ToolKit instruments Multithreading and concurrency: running many programs at once Objects and classes: making your own ChucK power tools Events: signaling between shreds and syncing to the outside world Integrating with other systems via MIDI, OSC, serial, and more
Author: Cliff Truesdell
Author: Cliff Truesdell
Author: Ian Waugh
Author: Slime Green Beats
Author: Chris Middleton
Author: Julian Colbeck
Author: Colby Leider
Author: Dennis DeSantis
Author: Ragnhild Brøvig
Author: Tommy Swindali
Author: Spencer Salazar