Author: Robert Gardner
Publisher:
ISBN:
Category : Performing Arts
Languages : en
Pages : 140
Book Description
Poet Seamus Heaney wrote of the "deep and literate gaze" Robert Gardner transmits "with an intensity that passes from the documentary into the visionary" in his film Forest of Bliss. A decade and a half after its making, it is recognized as a contemporary classic of nonfiction cinema. Making Forest of Bliss, the first in Harvard Film Archive's series "Voices and Visions in Film," presents a dialogue between Gardner and his colleague anthropologist Akos Ã-stör, illustrated with more than 150 images captured from the film. Recalling the conditions of its filming in Benares, India, in 1985, and presenting their moment-by-moment impressions upon watching it several years later, Gardner and Ã-stör probe questions of what it means to capture life and death on film and ponder how the filmmaker's intentions, choices necessitated by circumstance, and the serendipity of chance contribute to this endeavor. The resulting conversation is a lively exploration of issues philosophical, anthropological, andâe"above allâe"artistic. The volume contains an introduction by philosopher Stanley Cavell and includes a newly mastered DVD of the complete film.
Making Forest of Bliss
Author: Robert Gardner
Publisher:
ISBN:
Category : Performing Arts
Languages : en
Pages : 140
Book Description
Poet Seamus Heaney wrote of the "deep and literate gaze" Robert Gardner transmits "with an intensity that passes from the documentary into the visionary" in his film Forest of Bliss. A decade and a half after its making, it is recognized as a contemporary classic of nonfiction cinema. Making Forest of Bliss, the first in Harvard Film Archive's series "Voices and Visions in Film," presents a dialogue between Gardner and his colleague anthropologist Akos Ã-stör, illustrated with more than 150 images captured from the film. Recalling the conditions of its filming in Benares, India, in 1985, and presenting their moment-by-moment impressions upon watching it several years later, Gardner and Ã-stör probe questions of what it means to capture life and death on film and ponder how the filmmaker's intentions, choices necessitated by circumstance, and the serendipity of chance contribute to this endeavor. The resulting conversation is a lively exploration of issues philosophical, anthropological, andâe"above allâe"artistic. The volume contains an introduction by philosopher Stanley Cavell and includes a newly mastered DVD of the complete film.
Publisher:
ISBN:
Category : Performing Arts
Languages : en
Pages : 140
Book Description
Poet Seamus Heaney wrote of the "deep and literate gaze" Robert Gardner transmits "with an intensity that passes from the documentary into the visionary" in his film Forest of Bliss. A decade and a half after its making, it is recognized as a contemporary classic of nonfiction cinema. Making Forest of Bliss, the first in Harvard Film Archive's series "Voices and Visions in Film," presents a dialogue between Gardner and his colleague anthropologist Akos Ã-stör, illustrated with more than 150 images captured from the film. Recalling the conditions of its filming in Benares, India, in 1985, and presenting their moment-by-moment impressions upon watching it several years later, Gardner and Ã-stör probe questions of what it means to capture life and death on film and ponder how the filmmaker's intentions, choices necessitated by circumstance, and the serendipity of chance contribute to this endeavor. The resulting conversation is a lively exploration of issues philosophical, anthropological, andâe"above allâe"artistic. The volume contains an introduction by philosopher Stanley Cavell and includes a newly mastered DVD of the complete film.
Making Dead Birds
Author: Robert Gardner
Publisher: Peabody Museum of Archaeology and Ethnology, Harvard University Publications Department
ISBN:
Category : Performing Arts
Languages : en
Pages : 168
Book Description
Gardner's Dead Birds is one of the most highly acclaimed and controversial documentary films ever made. This account of the process of making the movie is also a thoughtful examination of what it meant to record the rituals of warrior-farmers in New Guinea and to present to the world a graphic story of their behavior as a window onto our own.
Publisher: Peabody Museum of Archaeology and Ethnology, Harvard University Publications Department
ISBN:
Category : Performing Arts
Languages : en
Pages : 168
Book Description
Gardner's Dead Birds is one of the most highly acclaimed and controversial documentary films ever made. This account of the process of making the movie is also a thoughtful examination of what it meant to record the rituals of warrior-farmers in New Guinea and to present to the world a graphic story of their behavior as a window onto our own.
Just Representations, First Edition
Author: Robert Gardner
Publisher: Lulu.com
ISBN: 0982865821
Category : Art
Languages : en
Pages : 310
Book Description
This book presents selected writings by acclaimed filmmaker Robert Gardner. There are journals written during filmmaking expeditions, observing and reacting to diverse ways of life. There are accounts of film projects envisioned and planned but not completed. There are essays on ways of life in premodern cultures that Gardner has observed firsthand. Also included are his voiceover narrations from the films "Dead Birds" "Rivers of Sand," which come to life in a new way on the page. In an interview, letters, and articles, Gardner addresses the subject of filmmaking and reflects on film's relation to anthropology and, more broadly, to the human project to understand reality. "A book of marvelous adventures with a camera and a series of meditations on diverse ways of life and making art by a wise and compassionate man." -Charles Simic
Publisher: Lulu.com
ISBN: 0982865821
Category : Art
Languages : en
Pages : 310
Book Description
This book presents selected writings by acclaimed filmmaker Robert Gardner. There are journals written during filmmaking expeditions, observing and reacting to diverse ways of life. There are accounts of film projects envisioned and planned but not completed. There are essays on ways of life in premodern cultures that Gardner has observed firsthand. Also included are his voiceover narrations from the films "Dead Birds" "Rivers of Sand," which come to life in a new way on the page. In an interview, letters, and articles, Gardner addresses the subject of filmmaking and reflects on film's relation to anthropology and, more broadly, to the human project to understand reality. "A book of marvelous adventures with a camera and a series of meditations on diverse ways of life and making art by a wise and compassionate man." -Charles Simic
Mindfulness, Bliss, and Beyond
Author: Brahm
Publisher: Simon and Schuster
ISBN: 0861712757
Category : Body, Mind & Spirit
Languages : en
Pages : 305
Book Description
"Better than sex!" That's how Ajahn Brahm describes meditation, and his enthusiasm is contagious. A self-described meditation junkie, Brahm, the author of the popular "Who Ordered This Truckload of Dung?, " shares his recipe for bliss in this practical, energizing new book. "The Meditator's Handbook" is a complete, stem-to-stern guide to the subject, with precise step-by-step instructions for traversing the stages of practice and overcoming obstacles. Drawing on his working-class roots, Brahm explains difficult concepts clearly and easily, so that beginners understand them, while those who already meditate gain new insight. Full of surprises, delightfully goofy humor, and entertaining stories that inspire, instruct, and illuminate, "The Meditator's Handbook" encourages novices and gives a shot in the arm to more experienced practitioners.
Publisher: Simon and Schuster
ISBN: 0861712757
Category : Body, Mind & Spirit
Languages : en
Pages : 305
Book Description
"Better than sex!" That's how Ajahn Brahm describes meditation, and his enthusiasm is contagious. A self-described meditation junkie, Brahm, the author of the popular "Who Ordered This Truckload of Dung?, " shares his recipe for bliss in this practical, energizing new book. "The Meditator's Handbook" is a complete, stem-to-stern guide to the subject, with precise step-by-step instructions for traversing the stages of practice and overcoming obstacles. Drawing on his working-class roots, Brahm explains difficult concepts clearly and easily, so that beginners understand them, while those who already meditate gain new insight. Full of surprises, delightfully goofy humor, and entertaining stories that inspire, instruct, and illuminate, "The Meditator's Handbook" encourages novices and gives a shot in the arm to more experienced practitioners.
The Invention of Hugo Cabret
Author: Brian Selznick
Publisher: Scholastic
ISBN: 1407166573
Category : Juvenile Fiction
Languages : en
Pages : 264
Book Description
An orphan and thief, Hugo lives in the walls of a busy train station. He desperately believes a broken automaton will make his dreams come true. But when his world collides with an eccentric girl and a bitter old man, Hugo's undercover life are put in jeopardy. Turn the pages, follow the illustrations and enter an unforgettable new world!
Publisher: Scholastic
ISBN: 1407166573
Category : Juvenile Fiction
Languages : en
Pages : 264
Book Description
An orphan and thief, Hugo lives in the walls of a busy train station. He desperately believes a broken automaton will make his dreams come true. But when his world collides with an eccentric girl and a bitter old man, Hugo's undercover life are put in jeopardy. Turn the pages, follow the illustrations and enter an unforgettable new world!
Writing and Seeing
Author: Rui Manuel G. de Carvalho Homem
Publisher: Rodopi
ISBN: 9042016981
Category : Art
Languages : en
Pages : 404
Book Description
The essays in this volume are informed by a variety of theoretical assumptions and of critical methodologies, but they all share an interest in the intersections of word and image in a variety of media. This unifying rationale secures the present collection's central position in the current critical context, defined as it predominantly is by ways of reading that are based on a relational nexus. The intertextual, the intermedial, the intersemiotic are indeed foregrounded and combined in these essays, conceptually as much as in the critical practices favoured by the various contributions. Studies of literature in its relation to pictorial genres enjoy a relative prominence in the volume - but the range of media and of approaches considered is broad enough to include photography, film, video, television, comic strips, animated film, public art, material culture. The backgrounds of contributors are likewise diverse - culturally, academically, linguistically. The volume combines contributions by prominent scholars and critics with essays by younger scholars, from a variety of backgrounds. The resulting plurality of perspective is indeed a source of new insights into the relations between writing and seeing, and it contributes to making this collection an exciting new contribution to word and image studies.
Publisher: Rodopi
ISBN: 9042016981
Category : Art
Languages : en
Pages : 404
Book Description
The essays in this volume are informed by a variety of theoretical assumptions and of critical methodologies, but they all share an interest in the intersections of word and image in a variety of media. This unifying rationale secures the present collection's central position in the current critical context, defined as it predominantly is by ways of reading that are based on a relational nexus. The intertextual, the intermedial, the intersemiotic are indeed foregrounded and combined in these essays, conceptually as much as in the critical practices favoured by the various contributions. Studies of literature in its relation to pictorial genres enjoy a relative prominence in the volume - but the range of media and of approaches considered is broad enough to include photography, film, video, television, comic strips, animated film, public art, material culture. The backgrounds of contributors are likewise diverse - culturally, academically, linguistically. The volume combines contributions by prominent scholars and critics with essays by younger scholars, from a variety of backgrounds. The resulting plurality of perspective is indeed a source of new insights into the relations between writing and seeing, and it contributes to making this collection an exciting new contribution to word and image studies.
The Magic of Awareness
Author: Anam Thubten
Publisher: Shambhala Publications
ISBN: 083482910X
Category : Religion
Languages : en
Pages : 161
Book Description
A Tibetan Buddhist teacher offers guidance on maintaining a state of awareness—demonstrating how enlightenment can be found at any time, in our everyday lives The paradox of awareness is very profound and yet very simple. It can't be described because it has no objective qualities and no limitation. Sometimes it comes naturally to the surface when we are fully in the present moment and no longer lost in thought or mental projections. Pure consciousness is neither high nor low, neither pleasant nor unpleasant, neither good nor bad. No matter where we are, no matter what we are doing, we always have an immediate access to that inner stillness. It can be experienced in an instant in all circumstances once we know how to pay attention to it. It is utterly peaceful and it is also insightful, so it sees through all illusions. Whenever there is a moment of being deluded, we can use that moment to practice settling in the very perfect sphere of the Buddha mind without trying to change anything. When we reside in that liberated mind, we find the very thing we have been seeking all along.
Publisher: Shambhala Publications
ISBN: 083482910X
Category : Religion
Languages : en
Pages : 161
Book Description
A Tibetan Buddhist teacher offers guidance on maintaining a state of awareness—demonstrating how enlightenment can be found at any time, in our everyday lives The paradox of awareness is very profound and yet very simple. It can't be described because it has no objective qualities and no limitation. Sometimes it comes naturally to the surface when we are fully in the present moment and no longer lost in thought or mental projections. Pure consciousness is neither high nor low, neither pleasant nor unpleasant, neither good nor bad. No matter where we are, no matter what we are doing, we always have an immediate access to that inner stillness. It can be experienced in an instant in all circumstances once we know how to pay attention to it. It is utterly peaceful and it is also insightful, so it sees through all illusions. Whenever there is a moment of being deluded, we can use that moment to practice settling in the very perfect sphere of the Buddha mind without trying to change anything. When we reside in that liberated mind, we find the very thing we have been seeking all along.
Still Points
Author: Adele Pressman
Publisher: Peabody Museum of Archaeology and Ethnology, Harvard University Publications Department
ISBN: 9780873658706
Category : Ethnology
Languages : en
Pages : 0
Book Description
Still Points is a collection of remarkable photographs taken by award-winning nonfiction filmmaker and author Robert Gardner during his anthropological and filming expeditions around the world. His images--from the Kalahari Desert, New Guinea, Colombia, India, Ethiopia, Niger, and other remote locations--are now in Harvard's Peabody Museum.
Publisher: Peabody Museum of Archaeology and Ethnology, Harvard University Publications Department
ISBN: 9780873658706
Category : Ethnology
Languages : en
Pages : 0
Book Description
Still Points is a collection of remarkable photographs taken by award-winning nonfiction filmmaker and author Robert Gardner during his anthropological and filming expeditions around the world. His images--from the Kalahari Desert, New Guinea, Colombia, India, Ethiopia, Niger, and other remote locations--are now in Harvard's Peabody Museum.
Muddied waters - the fictionalisation of ethnographis film
Ethnographic Film
Author: Karl G. Heider
Publisher: University of Texas Press
ISBN: 0292779399
Category : Performing Arts
Languages : en
Pages : 181
Book Description
From reviews of the first edition: “Ethnographic Film can rightly be considered a film primer for anthropologists.” —Choice “This is an interesting and useful book about what it means to be ethnographic and how this might affect ethnographic filmmaking for the better. It obviously belongs in all departments of anthropology, and most ethnographic filmmakers will want to read it.” —Ethnohistory Even before Robert Flaherty released Nanook of the North in 1922, anthropologists were producing films about the lifeways of native peoples for a public audience, as well as for research and teaching. Ethnographic Film (1976) was one of the first books to provide a comprehensive introduction to this field of visual anthropology, and it quickly became the standard reference. In this new edition, Karl G. Heider thoroughly updates Ethnographic Film to reflect developments in the field over the three decades since its publication, focusing on the work of four seminal filmmakers—Jean Rouch, John Marshall, Robert Gardner, and Timothy Asch. He begins with an introduction to ethnographic film and a history of the medium. He then considers many attributes of ethnographic film, including the crucial need to present "whole acts," "whole bodies," "whole interactions," and "whole people" to preserve the integrity of the cultural context. Heider also discusses numerous aspects of making ethnographic films, from ethics and finances to technical considerations such as film versus video and preserving the filmed record. He concludes with a look at using ethnographic film in teaching.
Publisher: University of Texas Press
ISBN: 0292779399
Category : Performing Arts
Languages : en
Pages : 181
Book Description
From reviews of the first edition: “Ethnographic Film can rightly be considered a film primer for anthropologists.” —Choice “This is an interesting and useful book about what it means to be ethnographic and how this might affect ethnographic filmmaking for the better. It obviously belongs in all departments of anthropology, and most ethnographic filmmakers will want to read it.” —Ethnohistory Even before Robert Flaherty released Nanook of the North in 1922, anthropologists were producing films about the lifeways of native peoples for a public audience, as well as for research and teaching. Ethnographic Film (1976) was one of the first books to provide a comprehensive introduction to this field of visual anthropology, and it quickly became the standard reference. In this new edition, Karl G. Heider thoroughly updates Ethnographic Film to reflect developments in the field over the three decades since its publication, focusing on the work of four seminal filmmakers—Jean Rouch, John Marshall, Robert Gardner, and Timothy Asch. He begins with an introduction to ethnographic film and a history of the medium. He then considers many attributes of ethnographic film, including the crucial need to present "whole acts," "whole bodies," "whole interactions," and "whole people" to preserve the integrity of the cultural context. Heider also discusses numerous aspects of making ethnographic films, from ethics and finances to technical considerations such as film versus video and preserving the filmed record. He concludes with a look at using ethnographic film in teaching.