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Author: Elyse Zorn Karlin Publisher: The Monacelli Press, LLC ISBN: 1580934048 Category : Antiques & Collectibles Languages : en Pages : 257
Book Description
A new perspective on woman’s role in the world of art jewelry at the turn of the twentieth century—from Art Nouveau in France and the Arts and Crafts movement in Britain, to Jugendstil in Germany and Austria, Louis Comfort Tiffany in New York, and American Arts and Crafts in Chicago—and the most extensive survey to date of the sheer diversity and beauty of art jewelry during this period. Accompanying a groundbreaking exhibition at The Richard H. Driehaus Museum in Chicago, this lavishly illustrated catalog showcases nearly two hundred stunning pieces from the Driehaus Collection and prominent national collections, many of which have never been seen by the public. Women were not only the intended wearers of art jewelry during the early twentieth century, but also an essential part of its creation. Their work—boldly artistic, exquisitely detailed, hand wrought, and inspired by nature—is now widely sought after by collectors and museums alike. From the world’s first independent female jewelry makers, to the woman as artistic motif, this jewelry reflected rapid changes in definitions of femininity and social norms. Essays by noted scholars explore five different areas of jewelry design and fabrication, and discuss the important female figures and historic social milieu associated with these movements—from the suffragists and the Rational Dress Society in England; to the Wiener Werkstätte and Gustav Klimt; and the Art Nouveau masters René Lalique and Alphonse Mucha, who depicted otherworldly women in jewelry for equally fascinating patrons like Sarah Bernhardt. The essays are illustrated by historic photographs and decorative arts of the period as well as the extraordinary pieces themselves: hair combs, bracelets, brooches, and tiaras executed in moonstones, translucent horn, enamel, opals, aquamarines, and much more. As Driehaus writes in his introduction to Maker & Muse, “Essential as these elements are, the metal and gemstones of a necklace—or a brooch or a bracelet—are like a canvas. It is the designer who evokes true greatness, beauty, and value from them. Neither monumental nor mass-produced, the object contains a memory of a particular artist’s skilled hand.”
Author: Elyse Zorn Karlin Publisher: The Monacelli Press, LLC ISBN: 1580934048 Category : Antiques & Collectibles Languages : en Pages : 257
Book Description
A new perspective on woman’s role in the world of art jewelry at the turn of the twentieth century—from Art Nouveau in France and the Arts and Crafts movement in Britain, to Jugendstil in Germany and Austria, Louis Comfort Tiffany in New York, and American Arts and Crafts in Chicago—and the most extensive survey to date of the sheer diversity and beauty of art jewelry during this period. Accompanying a groundbreaking exhibition at The Richard H. Driehaus Museum in Chicago, this lavishly illustrated catalog showcases nearly two hundred stunning pieces from the Driehaus Collection and prominent national collections, many of which have never been seen by the public. Women were not only the intended wearers of art jewelry during the early twentieth century, but also an essential part of its creation. Their work—boldly artistic, exquisitely detailed, hand wrought, and inspired by nature—is now widely sought after by collectors and museums alike. From the world’s first independent female jewelry makers, to the woman as artistic motif, this jewelry reflected rapid changes in definitions of femininity and social norms. Essays by noted scholars explore five different areas of jewelry design and fabrication, and discuss the important female figures and historic social milieu associated with these movements—from the suffragists and the Rational Dress Society in England; to the Wiener Werkstätte and Gustav Klimt; and the Art Nouveau masters René Lalique and Alphonse Mucha, who depicted otherworldly women in jewelry for equally fascinating patrons like Sarah Bernhardt. The essays are illustrated by historic photographs and decorative arts of the period as well as the extraordinary pieces themselves: hair combs, bracelets, brooches, and tiaras executed in moonstones, translucent horn, enamel, opals, aquamarines, and much more. As Driehaus writes in his introduction to Maker & Muse, “Essential as these elements are, the metal and gemstones of a necklace—or a brooch or a bracelet—are like a canvas. It is the designer who evokes true greatness, beauty, and value from them. Neither monumental nor mass-produced, the object contains a memory of a particular artist’s skilled hand.”
Author: Margaret Atwood Publisher: House of Anansi ISBN: 1770890106 Category : Literary Criticism Languages : en Pages : 446
Book Description
The fifty essays in Second Words span the period from 1962 to 1980 and reveal Margaret Atwood's views on feminism, Canadian literature, the creative process, nationalism, sexism, as well as critical commentary on such writers as Erica Jong, E. L. Doctorow, Northrop Frye, Roch Carrier, Marie-Claire Blais, Marge Piercy, Adrienne Rich, Sylvia Plath, and many more.
Author: Ruth Millington Publisher: Simon and Schuster ISBN: 1639361561 Category : Art Languages : en Pages : 311
Book Description
The fascinating true stories of thirty incredible muses—and their role in some of art history's most well-known masterpieces. We instantly recognize many of their faces from the world's most iconic artworks—but just who was Picasso's 'Weeping Woman'? Or the burglar in Francis Bacon's oeuvre? Why was Grace Jones covered in graffiti? Far from posing silently, muses have brought emotional support, intellectual energy, career-changing creativity, and practical help to artists. However, the perception of the muse is that of a passive, powerless model (usually young, attractive, and female) at the mercy of an influential and older male artist. Could this impression be incorrect and unfair? Is this trope a romanticized myth? Have people embraced, even sought, the status of muse? Most importantly, where would artists be without them? In Muse, Ruth Millington's goal is to re-assess and re-claim that word in a celebratory narrative that takes ownership and demonstrates how outdated the common perception of that word is. Muse also explores the idea of ‘muse’ in a different way and includes performance artists and celebrities, iconic figures we perhaps haven’t considered before as muses, such as Tilda Swinton and Grace Jones. By delving into the real-life relationships that models have held with the artists who immortalized them, it will expose the influential and active part they have played in contributing to the artwork they inspired, and explore the various ways people have subverted stereotypical ‘muse’ roles. From job supervisors to homeless men in Harlem, Muse will reveal the unexpected, overlooked, and forgotten models of art history. Through the stories of thirty remarkable lives, from performing muses to muses who have been turned into messages, this book will deconstruct reductive stereotypes of the muse, and reframe it as a momentous and empowered agent of art history.
Author: Ben Myers Publisher: Bonnier Zaffre ISBN: 1784189405 Category : Biography & Autobiography Languages : en Pages : 246
Book Description
This definitive work - the only book on Muse - tells the band's story, from their inception in the small coastal town of Teignmouth, Devon in the mid-1990s, through numerous incendiary live shows and grandiose, critically acclaimed albums, to their status as the biggest British rock band in the world.This best-selling book is now fully updated to include Muse's astonishing fourth album, Black Holes & Revelations, which is their biggest selling record to date, having shifted well over a million copies. Ploughing their own distinct musical furrow has finally reaped rich rewards for this trio of unlikely musical heroes, confirming the band as genuine modern day rock gods.In this definitive account, Ben Myers tells the Muse tale through exclusive interviews with the band and numerous associates, and also includes the author's eyewitness accounts at various stages along the way.Ben Myers is a highly respected music journalist whose work has appeared in numerous publications including Kerrang!, Melody Maker, Q, Uncut and Careless Talk Costs Lives. He has also written the bestselling book Green Day: American Idiots And The New Punk Explosion, as well as the acclaimed biographies John Lydon: Sex Pistols, PiL and Anti-Celebrity and System Of A Down: Right Here In Hollywood.
Author: Adele Marie Barker Publisher: Cambridge University Press ISBN: 1139433156 Category : Literary Criticism Languages : en Pages : 411
Book Description
A History of Women's Writing in Russia offers a comprehensive account of the lives and works of Russia's women writers. Based on original and archival research, this volume forces a re-examination of many of the traditionally held assumptions about Russian literature and women's role in the tradition. In setting about the process of reintegrating women writers into the history of Russian literature, contributors have addressed the often surprising contexts within which women's writing has been produced. Chapters reveal a flourishing literary tradition where none was thought to exist. They redraw the map defining Russia's literary periods, they look at how Russia's women writers articulated their own experience, and they reassess their relationship to the dominant male tradition. The volume is supported by extensive reference features including a bibliography and guide to writers and their works.
Author: Elyse Zorn Karlin
Author: Elyse Zorn Karlin
Author: 
Author: Margaret Atwood
Author: Martha C. Nussbaum
Author: Ruth Millington
Author: George Woodcock
Author: Leonid Latynin
Author: Mary C. Fenton
Author: Ben Myers
Author: Adele Marie Barker