Author: Maude Hicks Hickman
Publisher:
ISBN:
Category :
Languages : en
Pages : 24
Book Description
Magnolia's Magic, a One-act Play
The Pull Back
Author: Thomas Stewart Denison
Publisher:
ISBN:
Category :
Languages : en
Pages : 284
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 284
Book Description
Index to One-act Plays
An Index to One-act Plays--Supplement
Author: Hannah Logasa
Publisher:
ISBN:
Category : One-act plays
Languages : en
Pages : 568
Book Description
Publisher:
ISBN:
Category : One-act plays
Languages : en
Pages : 568
Book Description
Three to Get Ready
Aunt Fannie̕s Miracle
The Lost Star
Author: Walter E. Butts
Publisher:
ISBN:
Category : American drama
Languages : en
Pages : 32
Book Description
Publisher:
ISBN:
Category : American drama
Languages : en
Pages : 32
Book Description
Staging Separate Spheres
Author: Susanne Auflitsch
Publisher: Peter Lang Gmbh, Internationaler Verlag Der Wissenschaften
ISBN:
Category : Drama
Languages : en
Pages : 396
Book Description
During the first half of the 20th century approximately 10,000 short plays were written in the United States. This book examines twenty one-act plays by authors such as Mary Shaw, Susan Glaspell, and Charlotte Perkins Gilman, who wrote from such diverse backgrounds as women's clubs, art theaters, or commercial theaters. This study argues that the plays share a structural organization along spatial dichotomies of theatrical space within and theatrical space without. While some writers use the underlying structure of separate spheres and organize place and space in order to promote a broader definition of «domesticity», the spatial configurations in other plays are read as appropriations, affirmations, negotiations, subversions, or transgressions of the separate spheres dichotomy. Substantial bibliographies documenting the productivity of the one-act genre supplement this study.
Publisher: Peter Lang Gmbh, Internationaler Verlag Der Wissenschaften
ISBN:
Category : Drama
Languages : en
Pages : 396
Book Description
During the first half of the 20th century approximately 10,000 short plays were written in the United States. This book examines twenty one-act plays by authors such as Mary Shaw, Susan Glaspell, and Charlotte Perkins Gilman, who wrote from such diverse backgrounds as women's clubs, art theaters, or commercial theaters. This study argues that the plays share a structural organization along spatial dichotomies of theatrical space within and theatrical space without. While some writers use the underlying structure of separate spheres and organize place and space in order to promote a broader definition of «domesticity», the spatial configurations in other plays are read as appropriations, affirmations, negotiations, subversions, or transgressions of the separate spheres dichotomy. Substantial bibliographies documenting the productivity of the one-act genre supplement this study.