Author: Tom Nurmi
Publisher: University of Virginia Press
ISBN: 0813945038
Category : Literary Criticism
Languages : en
Pages : 326
Book Description
What is Melville beyond the whale? Long celebrated for his stories of the sea, Melville was also fascinated by the interrelations between living species and planetary systems, a perspective informing his work in ways we now term "ecological." By reading Melville in the context of nineteenth-century science, Tom Nurmi contends that he may best be understood as a proto-ecologist who innovatively engages with the entanglement of human and nonhuman realms. Melville lived during a period in which the process of scientific specialization was well underway, while the integration of science and art was concurrently being addressed by American writers. Steeped in the work of Lyell, Darwin, and other scientific pioneers, he composed stories and verse that made the complexity of geological, botanical, and zoological networks visible to a broad spectrum of readers, ironically in the most "unscientific" forms of fiction and poetry. Set against the backdrop of Melville’s literary, philosophical, and scientific influences, Magnificent Decay focuses on four of his most neglected works— Mardi (1849), Pierre (1852), The Piazza Tales (1856), and John Marr (1888)—to demonstrate that, together, literature and science offer collective insights into the past, present, and future turbulence of the Anthropocene. Tracing the convergences of ecological and literary creativity, Melville’s lesser-read texts explore the complex interplay between inanimate matter, life, and human society across multiple scales and, in so doing, illustrate the value of literary art for representing ecological relationships.
Magnificent Decay
Author: Tom Nurmi
Publisher: University of Virginia Press
ISBN: 0813945038
Category : Literary Criticism
Languages : en
Pages : 326
Book Description
What is Melville beyond the whale? Long celebrated for his stories of the sea, Melville was also fascinated by the interrelations between living species and planetary systems, a perspective informing his work in ways we now term "ecological." By reading Melville in the context of nineteenth-century science, Tom Nurmi contends that he may best be understood as a proto-ecologist who innovatively engages with the entanglement of human and nonhuman realms. Melville lived during a period in which the process of scientific specialization was well underway, while the integration of science and art was concurrently being addressed by American writers. Steeped in the work of Lyell, Darwin, and other scientific pioneers, he composed stories and verse that made the complexity of geological, botanical, and zoological networks visible to a broad spectrum of readers, ironically in the most "unscientific" forms of fiction and poetry. Set against the backdrop of Melville’s literary, philosophical, and scientific influences, Magnificent Decay focuses on four of his most neglected works— Mardi (1849), Pierre (1852), The Piazza Tales (1856), and John Marr (1888)—to demonstrate that, together, literature and science offer collective insights into the past, present, and future turbulence of the Anthropocene. Tracing the convergences of ecological and literary creativity, Melville’s lesser-read texts explore the complex interplay between inanimate matter, life, and human society across multiple scales and, in so doing, illustrate the value of literary art for representing ecological relationships.
Publisher: University of Virginia Press
ISBN: 0813945038
Category : Literary Criticism
Languages : en
Pages : 326
Book Description
What is Melville beyond the whale? Long celebrated for his stories of the sea, Melville was also fascinated by the interrelations between living species and planetary systems, a perspective informing his work in ways we now term "ecological." By reading Melville in the context of nineteenth-century science, Tom Nurmi contends that he may best be understood as a proto-ecologist who innovatively engages with the entanglement of human and nonhuman realms. Melville lived during a period in which the process of scientific specialization was well underway, while the integration of science and art was concurrently being addressed by American writers. Steeped in the work of Lyell, Darwin, and other scientific pioneers, he composed stories and verse that made the complexity of geological, botanical, and zoological networks visible to a broad spectrum of readers, ironically in the most "unscientific" forms of fiction and poetry. Set against the backdrop of Melville’s literary, philosophical, and scientific influences, Magnificent Decay focuses on four of his most neglected works— Mardi (1849), Pierre (1852), The Piazza Tales (1856), and John Marr (1888)—to demonstrate that, together, literature and science offer collective insights into the past, present, and future turbulence of the Anthropocene. Tracing the convergences of ecological and literary creativity, Melville’s lesser-read texts explore the complex interplay between inanimate matter, life, and human society across multiple scales and, in so doing, illustrate the value of literary art for representing ecological relationships.
Magnificent Decay
Author: Tom Nurmi
Publisher:
ISBN: 9780813945026
Category : Ecocriticism
Languages : en
Pages :
Book Description
"This book examines some of Melville's less-read works in order to place him as an ecological writer"--
Publisher:
ISBN: 9780813945026
Category : Ecocriticism
Languages : en
Pages :
Book Description
"This book examines some of Melville's less-read works in order to place him as an ecological writer"--
Chambers's Journal
Early Modern Poetics in Melville and Poe
Author: William E. Engel
Publisher: Routledge
ISBN: 1317146867
Category : Literary Criticism
Languages : en
Pages : 204
Book Description
Bringing to bear his expertise in the early modern emblem tradition, William E. Engel traces a series of self-reflective organizational schemes associated with baroque artifice in the work of Herman Melville and Edgar Allan Poe. While other scholars have remarked on the influence of seventeenth-century literature on Melville and Poe, this is the first book to explore how their close readings of early modern texts influenced their decisions about compositional practice, especially as it relates to public performance and the exigencies of publication. Engel's discussion of the narrative structure and emblematic aspects of Melville's Piazza Tales and Poe's "The Raven" serve as case studies that demonstrate the authors' debt to the past. Focusing principally on the overlapping rhetorical and iconic assumptions of the Art of Memory and its relation to chiasmus, Engel avoids engaging in a simple account of what these authors read and incorporated into their own writings. Instead, through an examination of their predisposition toward an earlier model of pattern recognition, he offers fresh insight into the writers' understandings of mourning and loss, their use of allegory, and what they gained from their use of pseudonyms.
Publisher: Routledge
ISBN: 1317146867
Category : Literary Criticism
Languages : en
Pages : 204
Book Description
Bringing to bear his expertise in the early modern emblem tradition, William E. Engel traces a series of self-reflective organizational schemes associated with baroque artifice in the work of Herman Melville and Edgar Allan Poe. While other scholars have remarked on the influence of seventeenth-century literature on Melville and Poe, this is the first book to explore how their close readings of early modern texts influenced their decisions about compositional practice, especially as it relates to public performance and the exigencies of publication. Engel's discussion of the narrative structure and emblematic aspects of Melville's Piazza Tales and Poe's "The Raven" serve as case studies that demonstrate the authors' debt to the past. Focusing principally on the overlapping rhetorical and iconic assumptions of the Art of Memory and its relation to chiasmus, Engel avoids engaging in a simple account of what these authors read and incorporated into their own writings. Instead, through an examination of their predisposition toward an earlier model of pattern recognition, he offers fresh insight into the writers' understandings of mourning and loss, their use of allegory, and what they gained from their use of pseudonyms.
The Athenaeum
The Athenaeum
The Lyre. Select Extracts from the Ancient and Modern Poets, by A. and C. T. G. ... Second Edition
Author: Anne GAUNTLETT (and (Catharine, T.))
Publisher:
ISBN:
Category :
Languages : en
Pages : 238
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 238
Book Description
John Ingelsant [by J.H. Shorthouse].
Author: Joseph Henry Shorthouse
Publisher:
ISBN:
Category :
Languages : en
Pages : 284
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 284
Book Description
John Inglesant
Author: Joseph Henry Shorthouse
Publisher:
ISBN:
Category :
Languages : en
Pages : 478
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 478
Book Description
The Invincible Shovel (Light Novel) Vol. 3
Author: Yasohachi Tsuchise
Publisher: Seven Seas Entertainment
ISBN: 1645057151
Category : Young Adult Fiction
Languages : en
Pages : 257
Book Description
It's smooth sailing as Alan and crew cross the ocean in search of the next orb. No challenge can withstand the might of the strongest miner in the world and his invincible shovel. Even the devoted anti-shovel lady knight Catria is beginning to lose hope of ever saving the world from shovel contamination. But in order to beat this monster, she may have to become one herself!
Publisher: Seven Seas Entertainment
ISBN: 1645057151
Category : Young Adult Fiction
Languages : en
Pages : 257
Book Description
It's smooth sailing as Alan and crew cross the ocean in search of the next orb. No challenge can withstand the might of the strongest miner in the world and his invincible shovel. Even the devoted anti-shovel lady knight Catria is beginning to lose hope of ever saving the world from shovel contamination. But in order to beat this monster, she may have to become one herself!