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Author: Gary Tomlinson Publisher: University of Chicago Press ISBN: 9780226807928 Category : History Languages : en Pages : 318
Book Description
Magic enjoyed a vigorous revival in sixteenth-century Europe, attaining a prestige lost for over a millennium and becoming, for some, a kind of universal philosophy. Renaissance music also suggested a form of universal knowledge through renewed interest in two ancient themes: the Pythagorean and Platonic "harmony of the celestial spheres" and the legendary effects of the music of bards like Orpheus, Arion, and David. In this climate, Renaissance philosophers drew many new and provocative connections between music and the occult sciences. In Music in Renaissance Magic, Gary Tomlinson describes some of these connections and offers a fresh view of the development of early modern thought in Italy. Raising issues essential to postmodern historiography—issues of cultural distance and our relationship to the others who inhabit our constructions of the past —Tomlinson provides a rich store of ideas for students of early modern culture, for musicologists, and for historians of philosophy, science, and religion. "A scholarly step toward a goal that many composers have aimed for: to rescue the idea of New Age Music—that music can promote spiritual well-being—from the New Ageists who have reduced it to a level of sonic wallpaper."—Kyle Gann, Village Voice "An exemplary piece of musical and intellectual history, of interest to all students of the Renaissance as well as musicologists. . . . The author deserves congratulations for introducing this new approach to the study of Renaissance music."—Peter Burke, NOTES "Gary Tomlinson's Music in Renaissance Magic: Toward a Historiography of Others examines the 'otherness' of magical cosmology. . . . [A] passionate, eloquently melancholy, and important book."—Anne Lake Prescott, Studies in English Literature
Author: Gary Tomlinson Publisher: University of Chicago Press ISBN: 9780226807928 Category : History Languages : en Pages : 318
Book Description
Magic enjoyed a vigorous revival in sixteenth-century Europe, attaining a prestige lost for over a millennium and becoming, for some, a kind of universal philosophy. Renaissance music also suggested a form of universal knowledge through renewed interest in two ancient themes: the Pythagorean and Platonic "harmony of the celestial spheres" and the legendary effects of the music of bards like Orpheus, Arion, and David. In this climate, Renaissance philosophers drew many new and provocative connections between music and the occult sciences. In Music in Renaissance Magic, Gary Tomlinson describes some of these connections and offers a fresh view of the development of early modern thought in Italy. Raising issues essential to postmodern historiography—issues of cultural distance and our relationship to the others who inhabit our constructions of the past —Tomlinson provides a rich store of ideas for students of early modern culture, for musicologists, and for historians of philosophy, science, and religion. "A scholarly step toward a goal that many composers have aimed for: to rescue the idea of New Age Music—that music can promote spiritual well-being—from the New Ageists who have reduced it to a level of sonic wallpaper."—Kyle Gann, Village Voice "An exemplary piece of musical and intellectual history, of interest to all students of the Renaissance as well as musicologists. . . . The author deserves congratulations for introducing this new approach to the study of Renaissance music."—Peter Burke, NOTES "Gary Tomlinson's Music in Renaissance Magic: Toward a Historiography of Others examines the 'otherness' of magical cosmology. . . . [A] passionate, eloquently melancholy, and important book."—Anne Lake Prescott, Studies in English Literature
Author: Dennis Alexander Publisher: Alfred Music ISBN: 9781457413445 Category : Music Languages : en Pages : 28
Book Description
The exciting pieces in these collections are designed to entertain, reinforce and enhance the important music and technical skills being studied during the early levels. Students will develop their own magical imaginations with the repertoire contained in this series.
Author: Ida Lichter Publisher: SelectBooks, Inc. ISBN: 1590793234 Category : Music Languages : en Pages : 263
Book Description
Great music has the power to transform. Understanding and appreciating classical music can enlighten, uplift, and educate not only the intellect but the soul. In The Secret Magic of Music, classical music devotee and psychiatrist Ida Lichter uncovers a more accessible side of music. By providing the performers’ insights, Lichter provides a special look into how great music can bring happiness and spiritual meaning to its listeners.
Author: Shannon Scott Publisher: Beachhouse Pub Llc ISBN: 9781933067490 Category : Juvenile Fiction Languages : en Pages : 24
Book Description
Maka didn't talk much, but he loved to sing. Wherever he went, his beloved 'ukulele was by his side. And whenever he started to play and sing his song, "The Maka Shaka Shuffle," people would stop what they were doing and sing along¿ Point your thumb, now point your pinky. Shake it back and forth and give a little winky. It's the Maka Shaka Shuffle, oh yeah. The Maka Shaka Shuffle, uh huh. One day, a very big and very hungry pua'a entered his village and started chasing all his friends. Shy little Maka did the only thing he knew how and bravely saved his village from destruction. An audio CD with an original song by Domonic Vespoli, "Maka the Music Maker," and a reading by author Shannon Scott is included.
Author: Penelope Gouk Publisher: ISBN: 9780300073836 Category : History Languages : en Pages : 308
Book Description
The role of natural magic in the rise of seventeenth-century experimental science has been the subject of lively controversy for several decades. Now Penelope Gouk introduces a new element into the debate: how music mediated between these two domains. Arguing that changing musical practice in sixteenth-century Europe affected seventeenth-century English thought on science and magic, she maps the various relationships among these apparently separate disciplines.Gouk explores these relationships in several ways. She adopts the methods of social geography to discuss the disciplinary, social, and intellectual overlapping of music, science, and natural magic. She gives a historical account of the emergence of acoustics in English science, the harmonically based physics of Robert Hooke, and the position of harmonics within Newton's transformation of natural philosophy. And she provides a gallery of images in which contemporary representations of instruments, practices, and concepts demonstrate the way in which,musical models informed and transformed those of natural philosophy. Gouk shows that as the "occult" features of music became subject to the new science of experimentation, and as their causes became evident, so natural magic was pushed outside the realms of scientific discourse.
Author: Reynold Weidenaar Publisher: Reynold Weidenaar ISBN: 9780810826922 Category : Music Languages : en Pages : 442
Book Description
A valuable resource for the history of the telharmonium, a 200-ton musical behemoth that was intended to replace orchestral music at the beginning of this century.
Author: Geoff Easeman Publisher: The Magic Music Company ISBN: 0992882605 Category : Music Languages : en Pages : 77
Book Description
Everyone knows that learning is easy and comes naturally when we’re having fun! Magic Music on the Guitar is a vibrant fresh approach to learning guitar. It's a bright fantasy and magic themed comic book so it’s fun to read and follow. It's also in delicious harmony with your child’s individual learning style to motivate them. To discover improvement easily. So they can achieve phenomenal results quickly! Using lots of examples they can play along to, it shows your child how to read and write music and play riffs; how to achieve a clear understanding of the relationships between notes, chords and scales...and sharps and flats too. It shows them different types of chords and how to remember them and even how to write their own songs! It's a valuable reference for classroom tuition as well as private home learning environments. It also follows closely the requirements of the National Curriculum for music education in UK schools.
Author: Gary Tomlinson
Author: Gary Tomlinson
Author: Dennis Alexander
Author: Ida Lichter
Author: Juanita S. Wescott
Author: Harvey Kubernik
Author: Betty Ann Schwartz
Author: Shannon Scott
Author: Penelope Gouk
Author: Reynold Weidenaar
Author: Geoff Easeman