Author:
Publisher:
ISBN:
Category : Trademarks
Languages : en
Pages : 774
Book Description
Official Gazette of the United States Patent and Trademark Office
Consumer Goods Europe
El Cantico de la Valkiria
Author: Sue Borrás
Publisher: Lulu.com
ISBN: 1291130128
Category : Fiction
Languages : es
Pages : 182
Book Description
Esta es mi humilde aportacion al mundo pagano que tanto me ha dado. Querido lector, utiliza la vista previa. Gracias y Bendito seas!
Publisher: Lulu.com
ISBN: 1291130128
Category : Fiction
Languages : es
Pages : 182
Book Description
Esta es mi humilde aportacion al mundo pagano que tanto me ha dado. Querido lector, utiliza la vista previa. Gracias y Bendito seas!
Operetta
Author: Robert Ignatius Letellier
Publisher: Cambridge Scholars Publishing
ISBN: 1443885088
Category : Music
Languages : en
Pages : 500
Book Description
Operetta developed in the second half of the 19th century from the French opéra-comique and the more lighthearted German Singspiel. As the century progressed, the serious concerns of mainstream opera were sustained and intensified, leaving a gap between opéra-comique and vaudeville that necessitated a new type of stage work. Jacques Offenbach, son of a Cologne synagogue cantor, established himself in Paris with his series of opéras-bouffes. The popular success of this individual new form of entertainment light, humorous, satirical and also sentimental led to the emergence of operetta as a separate genre, an art form with its own special flavour and concerns, and no longer simply a "little opera". Attempts to emulate Offenbach's success in France and abroad generated other national schools of operetta and helped to establish the genre internationally, in Spain, in England, and especially in Austria Hungary. Here it inspired works by Franz von Suppé and Johann Strauss II (the Golden Age), and later Franz Lehár and Emmerich Kálmán (the Silver Age). Viennese operetta flourished conterminously with the Habsburg Empire and the mystique of Vienna, but, after the First World War, an artistically vibrant Berlin assumed this leading position (with Paul Lincke, Leon Jessel and Edouard Künnecke). As popular musical tastes diverged more and more during the interwar years, with the advent of new influences—like those of cabaret, the revue, jazz, modern dance music and the cinema, as well as changing social mores—the operetta genre took on new guises. This was especially manifested in the musical comedy of London's West End and New York's Broadway, with their imitators generating a success that opened a new golden age for the reinvented genre, especially after the Second World War. This source book presents an overview of the operetta genre in all its forms. The second volume provides a survey of the national schools of Germany, Spain, England, America, the Slavonic countries (especially Russia), Hungary, Italy and Greece. The principal composers are considered in chronological sequence, with biographical material and a list of stage works, selected synopses and some commentary. This volume also contains a discography and an index covering both volumes (general entries, singers and theatres).
Publisher: Cambridge Scholars Publishing
ISBN: 1443885088
Category : Music
Languages : en
Pages : 500
Book Description
Operetta developed in the second half of the 19th century from the French opéra-comique and the more lighthearted German Singspiel. As the century progressed, the serious concerns of mainstream opera were sustained and intensified, leaving a gap between opéra-comique and vaudeville that necessitated a new type of stage work. Jacques Offenbach, son of a Cologne synagogue cantor, established himself in Paris with his series of opéras-bouffes. The popular success of this individual new form of entertainment light, humorous, satirical and also sentimental led to the emergence of operetta as a separate genre, an art form with its own special flavour and concerns, and no longer simply a "little opera". Attempts to emulate Offenbach's success in France and abroad generated other national schools of operetta and helped to establish the genre internationally, in Spain, in England, and especially in Austria Hungary. Here it inspired works by Franz von Suppé and Johann Strauss II (the Golden Age), and later Franz Lehár and Emmerich Kálmán (the Silver Age). Viennese operetta flourished conterminously with the Habsburg Empire and the mystique of Vienna, but, after the First World War, an artistically vibrant Berlin assumed this leading position (with Paul Lincke, Leon Jessel and Edouard Künnecke). As popular musical tastes diverged more and more during the interwar years, with the advent of new influences—like those of cabaret, the revue, jazz, modern dance music and the cinema, as well as changing social mores—the operetta genre took on new guises. This was especially manifested in the musical comedy of London's West End and New York's Broadway, with their imitators generating a success that opened a new golden age for the reinvented genre, especially after the Second World War. This source book presents an overview of the operetta genre in all its forms. The second volume provides a survey of the national schools of Germany, Spain, England, America, the Slavonic countries (especially Russia), Hungary, Italy and Greece. The principal composers are considered in chronological sequence, with biographical material and a list of stage works, selected synopses and some commentary. This volume also contains a discography and an index covering both volumes (general entries, singers and theatres).
Jewish Studies at the Turn of the Twentieth Century
Author: European Association for Jewish Studies. Congress
Publisher: BRILL
ISBN: 9789004115583
Category : Foreign Language Study
Languages : en
Pages : 726
Book Description
A cursed book. A missing professor. Some nefarious men in gray suits. And a dreamworld called the Troposphere? Ariel Manto has a fascination with nineteenth-century scientists—especially Thomas Lumas and The End of Mr. Y, a book no one alive has read. When she mysteriously uncovers a copy at a used bookstore, Ariel is launched into an adventure of science and faith, consciousness and death, space and time, and everything in between. Seeking answers, Ariel follows in Mr. Y’s footsteps: She swallows a tincture, stares into a black dot, and is transported into the Troposphere—a wonderland where she can travel through time and space using the thoughts of others. There she begins to understand all the mysteries surrounding the book, herself, and the universe. Or is it all just a hallucination? With The End of Mr. Y, Scarlett Thomas brings us another fast-paced mix of popular culture, love, mystery, and irresistible philosophical adventure.
Publisher: BRILL
ISBN: 9789004115583
Category : Foreign Language Study
Languages : en
Pages : 726
Book Description
A cursed book. A missing professor. Some nefarious men in gray suits. And a dreamworld called the Troposphere? Ariel Manto has a fascination with nineteenth-century scientists—especially Thomas Lumas and The End of Mr. Y, a book no one alive has read. When she mysteriously uncovers a copy at a used bookstore, Ariel is launched into an adventure of science and faith, consciousness and death, space and time, and everything in between. Seeking answers, Ariel follows in Mr. Y’s footsteps: She swallows a tincture, stares into a black dot, and is transported into the Troposphere—a wonderland where she can travel through time and space using the thoughts of others. There she begins to understand all the mysteries surrounding the book, herself, and the universe. Or is it all just a hallucination? With The End of Mr. Y, Scarlett Thomas brings us another fast-paced mix of popular culture, love, mystery, and irresistible philosophical adventure.
Jewish Studies at the Turn of the Twentieth Century
Author: Angel Sáenz-Badillos
Publisher: BRILL
ISBN: 9004663185
Category : Religion
Languages : en
Pages : 649
Book Description
In July of 1998 the European Association for Jewish Studies celebrated its Sixth Congress in Toledo, with almost four hundred participants. In these Proceedings 169 papers and communications read during the conference have been collected . By and large, they offer a broad, realistic perspective on the advances, achievements and anxieties of Judaic Studies at the turn of the 20th century, on the eve of the new millennium. They represent the point of view of the European scholars, enriched with notable contributions by colleagues from other continents. One volume (ISBN 978-90-04-11554-5) includes papers dealing with Jewish studies on biblical, rabbinical and medieval times, as well as with some general subjects, such as Jewish languages and bibliography. A second volume (ISBN 978-90-04-11558-3) is dedicated to the Judaism of modern times, from the Renaissance to our days.
Publisher: BRILL
ISBN: 9004663185
Category : Religion
Languages : en
Pages : 649
Book Description
In July of 1998 the European Association for Jewish Studies celebrated its Sixth Congress in Toledo, with almost four hundred participants. In these Proceedings 169 papers and communications read during the conference have been collected . By and large, they offer a broad, realistic perspective on the advances, achievements and anxieties of Judaic Studies at the turn of the 20th century, on the eve of the new millennium. They represent the point of view of the European scholars, enriched with notable contributions by colleagues from other continents. One volume (ISBN 978-90-04-11554-5) includes papers dealing with Jewish studies on biblical, rabbinical and medieval times, as well as with some general subjects, such as Jewish languages and bibliography. A second volume (ISBN 978-90-04-11558-3) is dedicated to the Judaism of modern times, from the Renaissance to our days.
Jewish Studies at the Turn of the Twentieth Century, Volume 1: Biblical, Rabbinical, and Medieval Studies
Author: European Association for Jewish Studies. Congress
Publisher: BRILL
ISBN: 9789004115545
Category : Religion
Languages : en
Pages : 664
Book Description
169 papers from the Toledo Congress of the European Association for Jewish Studies, offering a broad, realistic perspective on the advances, achievements and anxieties of Judaic Studies, from the Bible to our days, on the eve of the new millennium.
Publisher: BRILL
ISBN: 9789004115545
Category : Religion
Languages : en
Pages : 664
Book Description
169 papers from the Toledo Congress of the European Association for Jewish Studies, offering a broad, realistic perspective on the advances, achievements and anxieties of Judaic Studies, from the Bible to our days, on the eve of the new millennium.
Spanish Theatre 1920 - 1995
Author: Maria M Delgado
Publisher: Routledge
ISBN: 1134402171
Category : Performing Arts
Languages : en
Pages : 196
Book Description
Beginning with a reassessment of the 1920s and 30s, this text looks beyond a consideration of just the most successful Spanish playwrights of the time, and discusses also the work of directors, theorists, actors and designers.
Publisher: Routledge
ISBN: 1134402171
Category : Performing Arts
Languages : en
Pages : 196
Book Description
Beginning with a reassessment of the 1920s and 30s, this text looks beyond a consideration of just the most successful Spanish playwrights of the time, and discusses also the work of directors, theorists, actors and designers.
'Other' Spanish Theatres
Author: Maria M. Delgado
Publisher: Manchester University Press
ISBN: 9780719059766
Category : Literary Criticism
Languages : en
Pages : 356
Book Description
'Other' Spanish Theatres challenges established opinions on modern Iberian theatre through a consideration of the roles of contrasting figures and companies who have impacted upon both the practice and the perception of Spanish and European stages. In this broad and detailed study, Delgado selects six subjects which map out alternative readings of a nation's theatrical innovation through the last century. These six subjects include Margarita Xirgu, Enrique Rambal, María Casarest and Nuria Espert.
Publisher: Manchester University Press
ISBN: 9780719059766
Category : Literary Criticism
Languages : en
Pages : 356
Book Description
'Other' Spanish Theatres challenges established opinions on modern Iberian theatre through a consideration of the roles of contrasting figures and companies who have impacted upon both the practice and the perception of Spanish and European stages. In this broad and detailed study, Delgado selects six subjects which map out alternative readings of a nation's theatrical innovation through the last century. These six subjects include Margarita Xirgu, Enrique Rambal, María Casarest and Nuria Espert.