Ma pyramide informatique PDF Download

Author: Centre de recherche, d'expérimentation et de production pour l'éducation et les loisirs
Publisher:
ISBN: 9782871278269
Category :
Languages : fr
Pages : 0

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Author: Karen Kelton
Publisher:
ISBN: 9781937963200
Category :
Languages : en
Pages :

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This textbook includes all 13 chapters of Français interactif. It accompanies www.laits.utexas.edu/fi, the web-based French program developed and in use at the University of Texas since 2004, and its companion site, Tex's French Grammar (2000) www.laits.utexas.edu/tex/ Français interactif is an open acess site, a free and open multimedia resources, which requires neither password nor fees. Français interactif has been funded and created by Liberal Arts Instructional Technology Services at the University of Texas, and is currently supported by COERLL, the Center for Open Educational Resources and Language Learning UT-Austin, and the U.S. Department of Education Fund for the Improvement of Post-Secondary Education (FIPSE Grant P116B070251) as an example of the open access initiative.

Author: Oliver Grau
Publisher: MIT Press
ISBN: 9780262572231
Category : Art
Languages : en
Pages : 438

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An overview of the art historical antecedents to virtual reality and the impact of virtual reality on contemporary conceptions of art. Although many people view virtual reality as a totally new phenomenon, it has its foundations in an unrecognized history of immersive images. Indeed, the search for illusionary visual space can be traced back to antiquity. In this book, Oliver Grau shows how virtual art fits into the art history of illusion and immersion. He describes the metamorphosis of the concepts of art and the image and relates those concepts to interactive art, interface design, agents, telepresence, and image evolution. Grau retells art history as media history, helping us to understand the phenomenon of virtual reality beyond the hype. Grau shows how each epoch used the technical means available to produce maximum illusion. He discusses frescoes such as those in the Villa dei Misteri in Pompeii and the gardens of the Villa Livia near Primaporta, Renaissance and Baroque illusion spaces, and panoramas, which were the most developed form of illusion achieved through traditional methods of painting and the mass image medium before film. Through a detailed analysis of perhaps the most important German panorama, Anton von Werner's 1883 The Battle of Sedan, Grau shows how immersion produced emotional responses. He traces immersive cinema through Cinerama, Sensorama, Expanded Cinema, 3-D, Omnimax and IMAX, and the head mounted display with its military origins. He also examines those characteristics of virtual reality that distinguish it from earlier forms of illusionary art. His analysis draws on the work of contemporary artists and groups ART+COM, Maurice Benayoun, Charlotte Davies, Monika Fleischmann, Ken Goldberg, Agnes Hegedues, Eduardo Kac, Knowbotic Research, Laurent Mignonneau, Michael Naimark, Simon Penny, Daniela Plewe, Paul Sermon, Jeffrey Shaw, Karl Sims, Christa Sommerer, and Wolfgang Strauss. Grau offers not just a history of illusionary space but also a theoretical framework for analyzing its phenomenologies, functions, and strategies throughout history and into the future.

Author: Murtha Baca
Publisher: American Library Association
ISBN: 9780838935644
Category : Architecture
Languages : en
Pages : 420

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In a visual and artifact-filled world, cataloging one-of-a-kind cultural objects without published guidelines and standards has been a challenge. Now for the first time, under the leadership of the Visual Resources Association, a cross-section of five visual and cultural heritage experts, along with scores of reviewers from varied institutions, have created a new data content standard focused on cultural materials. This cutting-edge reference offers practical resources for cataloging and flexibility to meet the needs of a wide range of institutions—from libraries to museums to archives. Consistently following these guidelines for selecting, ordering, and formatting data used to populate metadata elements in cultural materials' catalog records: Promotes good descriptive cataloging and reduces redundancy Builds a foundation of shared documentation Creates data sharing opportunities Enhances end-user access across institutional boundaries Complements existing standards (AACR) This is a must-have reference for museum professionals, visual resources curators, archivists, librarians and anyone who documents cultural objects (including architecture, paintings, sculpture, prints, manuscripts, photographs, visual media, performance art, archaeological sites, and artifacts) and their images.

Author: Joseph Davidovits
Publisher:
ISBN: 9782951482043
Category : Egyptology
Languages : en
Pages : 288

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In this book, Professor Joseph Davidovits explains the intriguing theory that made him famous. He shows how the Pyramids were built by using re-agglomerated stone (a natural limestone treated like a concrete), and not with huge carved blocks, hauled on fragile ramps. Archaeology bears him out, as well as hieroglyphic texts, scientific analysis, religious and historical facts. Several independant scientific studies reveal the ultimate proofs that the pyramids blocks are not natural. You may find various papers or opinions challenging the theory, but all prefer ignoring these analysis. Believing or not in the artificial stone theory is now simply irrelevant. It is a fact, a truth that is still fought by some people for irrational purposes. Here we finally have the first complete presentation on how and why the Egyptian pyramids were built. We discover its brilliant creator, the great scribe and architect, Imhotep. Joseph Davidovits sweeps aside the conventional image which cripples Egyptology and delivers a captivating and surprising view of Egyptian civilisation. He charts the rise of this technology, its apogee with the Pyramids at Giza, and the decline. Everything is logical and brilliant, everything fits into place. Chapter by chapter, the revelations are sensational, especially when Joseph Davidovits explains why the pharaohs stopped building great pyramids because of an over-exploitation of raw materials and a likely environmental disaster. We understand why Cheops and Ramses II represent two Egyptian civilisations completely different in their beliefs. On the one hand, the God Khnum mandates Cheops to build his pyramid in agglomerated stone, while on the other hand, the God Amun orders Ramses to carve stone for the temples of Luxor and Karnak. 30 years after the best seller book: The Pyramids: an enigma solved, after 30 years of new research, and new discoveries, you will understand why the theory is more alive than ever, why more and more scientists and archaeologists agree, simply because it is the truth.

Author: Giovanna Borradori
Publisher: University of Chicago Press
ISBN: 0226066657
Category : History
Languages : en
Pages : 225

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The idea for Philosophy in a Time of Terror was born hours after the attacks on 9/11 and was realized just weeks later when Giovanna Borradori sat down with Jürgen Habermas and Jacques Derrida in New York City, in separate interviews, to evaluate the significance of the most destructive terrorist act ever perpetrated. This book marks an unprecedented encounter between two of the most influential thinkers of our age as here, for the first time, Habermas and Derrida overcome their mutual antagonism and agree to appear side by side. As the two philosophers disassemble and reassemble what we think we know about terrorism, they break from the familiar social and political rhetoric increasingly polarized between good and evil. In this process, we watch two of the greatest intellects of the century at work.

Author: Library of Congress
Publisher:
ISBN:
Category : Monographic series
Languages : en
Pages : 882

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Author: Jozef M. A. Janssen
Publisher: Brill Archive
ISBN: 9789004058743
Category :
Languages : en
Pages : 272

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Author: John Coleman Darnell
Publisher: Yale Egyptology
ISBN: 1950343081
Category : History
Languages : en
Pages : 473

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The second monograph devoted to the work of the Theban Desert Road Survey presents the major rock inscriptions of the northwestern Theban Desert and the western hinterlands of Qamula. The material includes six larger sites and several smaller collections and individual inscriptions and images, sites discovered by the Theban Desert Road Survey over the course of approximately twelve field seasons. The major groupings of inscriptions, from south to north, are the rock shrine of Pahu and the inscriptions of Gebel Akhenaton, sites in the vicinity of the Wadi Himdaniya; a small but interesting collection of inscriptions near the Wadi Arqub Baghla, with two smaller, outlying sites; inscriptions of the Wadi Magar to the north, including the site of the great Predynastic tableau with its plethora of crocodiles, the associated vignette of Elephant-on-the-Gebel, along with the nearby Gebel Sutekh site, and smaller concentrations beyond; and finally the inscriptions of the area of the Matna el-Barqa. Highlights of the epigraphic material include new prayers to Amun and Hathor-one a genuine New Kingdom de profundis recording an appeal to Amun during a storm on the Nile-several important Predynastic and Protodynastic tableaux, and the only rock art depictions of Akhenaton in a true Amarna style.

Author:
Publisher:
ISBN:
Category : Middle Eastern philology
Languages : fr
Pages : 762

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