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Author: Steven Stucky Publisher: Cambridge University Press ISBN: 9780521227995 Category : Biography & Autobiography Languages : en Pages : 360
Book Description
The composer Witold Lutostawski (born 1913) is one of the outstanding musical personalities of the twentieth century. In this critical biography Steven Stucky traces Lutostawski's development from the Stravinsky-influenced music of his student days to his emergence in the 1960s as a leading avant-gardist. Since the vicissitudes of cultural life in his native Poland have profoundly affected the composer's career, the book includes detailed accounts of Lutostawski's official censure for 'formalism' in the late 1940s and the leading role he later played in a flourishing Polish modernist movement. Both well-known works, such as the Concerto for Orchestra, Trois poemes d'Henri Michaux and the Second Symphony, and the lesser-known early music are considered in detail. Fragments of many compositions never before published in the West are included. There are also analytical summaries of each major work from Jeux véitiens (1961) to Mi-parti (1976).
Author: Steven Stucky Publisher: Cambridge University Press ISBN: 9780521227995 Category : Biography & Autobiography Languages : en Pages : 360
Book Description
The composer Witold Lutostawski (born 1913) is one of the outstanding musical personalities of the twentieth century. In this critical biography Steven Stucky traces Lutostawski's development from the Stravinsky-influenced music of his student days to his emergence in the 1960s as a leading avant-gardist. Since the vicissitudes of cultural life in his native Poland have profoundly affected the composer's career, the book includes detailed accounts of Lutostawski's official censure for 'formalism' in the late 1940s and the leading role he later played in a flourishing Polish modernist movement. Both well-known works, such as the Concerto for Orchestra, Trois poemes d'Henri Michaux and the Second Symphony, and the lesser-known early music are considered in detail. Fragments of many compositions never before published in the West are included. There are also analytical summaries of each major work from Jeux véitiens (1961) to Mi-parti (1976).
Author: Witold Lutosławski Publisher: Rowman & Littlefield ISBN: 081084804X Category : Music Languages : en Pages : 372
Book Description
The writings of twentieth-century Polish composer Witold Lutoslawski reveal many important aspects of his approach to music and his viewpoints as an artist and as a man. In Lutoslawski on Music, the first full collection of writings by this famous composer, Zbigniew Skowron has amassed an exciting assortment of essays, speeches, lectures, and articles, many of which are newly translated in English and previously unpublished. After an introductory autobiography, the writings, grouped in five parts, illustrate various aspects of the composer's creativity, and discuss musical form, compositional technique, and perception. Lutoslawski examines his own works as well as those of other composers, and expresses his views on crucial aspects of twentieth-century music, including the role of Schoenberg and Debussy and the impact of the western avant-garde of the 1950s. The book also contains Lutoslawski's Artistic Diary, his "notebook of ideas" written from 1959 to 1984 containing intensely personal reflections that do not appear in his public speeches and writings. Concluding with a select bibliography, this collection will give readers a unique and comprehensive overview of the man and his music, encouraging a full appreciation of Lutoslawski's compositional technique and aesthetic views, as well as his position in the history of twentieth-century music.
Author: Zbigniew Skowron Publisher: ISBN: 9780198166603 Category : Music Languages : en Pages : 400
Book Description
Lutoslawski Studies presents for the first time an overview of the great twentieth-century composer Witold Lutoslawski's works and his compositional style, focusing on areas such as the composer's aesthetics, the evolution of his style, and the compositional strategies which apply to broader periods of his creativity. The international team of contributors bring to this study the results of recent research, offering a broader approach that links many issues which have been treated selectively in former studies, as well as throwing new light on the essence of the composer's music and the way in which modern and traditional elements co-exist.
Author: Zbigniew Skowron Publisher: Scarecrow Press ISBN: 1461669448 Category : Music Languages : en Pages : 373
Book Description
The writings of twentieth-century Polish composer Witold Lutoslawski reveal many important aspects of his approach to music and his viewpoints as an artist and as a man. In Lutoslawski on Music, the first full collection of writings by this famous composer, Zbigniew Skowron has amassed an exciting assortment of essays, speeches, lectures, and articles, many of which are newly translated in English and previously unpublished. After an introductory autobiography, the writings, grouped in five parts, illustrate various aspects of the composer's creativity, and discuss musical form, compositional technique, and perception. Lutoslawski examines his own works as well as those of other composers, and expresses his views on crucial aspects of twentieth-century music, including the role of Schoenberg and Debussy and the impact of the western avant-garde of the 1950s. The book also contains Lutoslawski's Artistic Diary, his 'notebook of ideas' written from 1959 to 1984 containing intensely personal reflections that do not appear in his public speeches and writings. Concluding with a select bibliography, this collection will give readers a unique and comprehensive overview of the man and his music, encouraging a full appreciation of Lutoslawski's compositional technique and aesthetic views, as well as his position in the history of twentieth-century music.
Author: Alex Ross Publisher: Farrar, Straus and Giroux ISBN: 1429932880 Category : Music Languages : en Pages : 706
Book Description
Winner of the 2007 National Book Critics Circle Award for Criticism A New York Times Book Review Top Ten Book of the Year Time magazine Top Ten Nonfiction Book of 2007 Newsweek Favorite Books of 2007 A Washington Post Book World Best Book of 2007 In this sweeping and dramatic narrative, Alex Ross, music critic for The New Yorker, weaves together the histories of the twentieth century and its music, from Vienna before the First World War to Paris in the twenties; from Hitler's Germany and Stalin's Russia to downtown New York in the sixties and seventies up to the present. Taking readers into the labyrinth of modern style, Ross draws revelatory connections between the century's most influential composers and the wider culture. The Rest Is Noise is an astonishing history of the twentieth century as told through its music.
Author: Bálint András Varga Publisher: University Rochester Press ISBN: 1580463797 Category : Music Languages : en Pages : 356
Book Description
Do today's composers draw inspiration from life experiences? What has influenced recent composers? How essential is it for a composer to develop a personal style? This book reveals the spontaneous thoughts of some of the most famous composers from around the world about their own development as composers and their reactions to the outside world.
Author: Elliott Antokoletz Publisher: Univ of California Press ISBN: 9780520067479 Category : Biography & Autobiography Languages : en Pages : 380
Book Description
The basic principles of progression and the means by which tonality is established in Bartók's music remain problematical to many theorists. Elliott Antokoletz here demonstrates that the remarkable continuity of style in Bartók's evolution is founded upon an all-encompassing system of pitch relations in which one can draw together the diverse pitch formations in his music under one unified set of principles.
Author: Adrian Thomas Publisher: Cambridge University Press ISBN: 9781139441186 Category : Music Languages : en Pages : 420
Book Description
This book looks at Polish music since 1937 and its interaction with political and cultural turmoil. In Part I musical developments are placed in the context of the socio-political upheavals of inter-war Poland, Nazi occupation, and the rise and fall of the Stalinist policy of socialist realism (1948–54). Part II investigates the nature of the 'thaw' between 1954 and 1959, focusing on the role of the 'Warsaw Autumn' Festival. Part III discusses how composers reacted to the onset of serialism by establishing increasingly individual voices in the 1960s. In addition to a discussion of 'sonorism' (from Penderecki to Szalonek), it considers how different generations responded to the modernist aesthetic (Bacewicz and Lutoslawski, Baird and Serocki, Górecki and Krauze). Part IV views Polish music since the 1970s, including the issue of national identity and the arrival of a talented generation and its ironic, postmodern slant on the past.
Author: Melvin Berger Publisher: Courier Corporation ISBN: 0486316726 Category : Music Languages : en Pages : 502
Book Description
Authoritative guide presents 231 of the most frequently performed pieces by 55 composers. A must for music lovers and musicians alike. "No lover of chamber music should be without this Guide." — John Barkham Reviews.
Author: Steven Stucky
Author: Steven Stucky
Author: Witold Lutosławski
Author: Zbigniew Skowron
Author: Zbigniew Skowron
Author: Alex Ross
Author: Bálint András Varga
Author: Elliott Antokoletz
Author: Michael Leslie Klein
Author: Adrian Thomas
Author: Melvin Berger