Author: Gwendolyn Wright
Publisher: University of Chicago Press
ISBN: 9780226908465
Category : Architecture
Languages : en
Pages : 400
Book Description
Politics and culture are at once semi-autonomous and intertwined. Nowhere is this more revealingly illustrated than in urban design, a field that encompasses architecture and social life, traditions and modernization. Here aesthetic goals and political intentions meet, sometimes in collaboration, sometimes in conflict. Here the formal qualities of art confront the complexities of history. When urban design policies are implemented, they reveal underlying aesthetic, cultural, and political dilemmas with startling clarity. Gwendolyn Wright focuses on three French colonies--Indochina, Morocco, and Madagascar--that were the most discussed, most often photographed, and most admired showpieces of the French empire in the early twentieth century. She explores how urban policy and design fit into the French colonial policy of "association," a strategy that accepted, even encouraged, cultural differences while it promoted modern urban improvements that would foster economic development for Western investors. Wright shows how these colonial cities evolved, tracing the distinctive nature of each locale under French imperialism. She also relates these cities to the larger category of French architecture and urbanism, showing how consistently the French tried to resolve certain stylistic and policy problems they faced at home and abroad. With the advice of architects and sociologists, art historians and geographers, colonial administrators sought to exert greater control over such matters as family life and working conditions, industrial growth and cultural memory. The issues Wright confronts--the potent implications of traditional norms, cultural continuity, modernization, and radical urban experiments--still challenge us today.
The Politics of Design in French Colonial Urbanism
Author: Gwendolyn Wright
Publisher: University of Chicago Press
ISBN: 9780226908465
Category : Architecture
Languages : en
Pages : 400
Book Description
Politics and culture are at once semi-autonomous and intertwined. Nowhere is this more revealingly illustrated than in urban design, a field that encompasses architecture and social life, traditions and modernization. Here aesthetic goals and political intentions meet, sometimes in collaboration, sometimes in conflict. Here the formal qualities of art confront the complexities of history. When urban design policies are implemented, they reveal underlying aesthetic, cultural, and political dilemmas with startling clarity. Gwendolyn Wright focuses on three French colonies--Indochina, Morocco, and Madagascar--that were the most discussed, most often photographed, and most admired showpieces of the French empire in the early twentieth century. She explores how urban policy and design fit into the French colonial policy of "association," a strategy that accepted, even encouraged, cultural differences while it promoted modern urban improvements that would foster economic development for Western investors. Wright shows how these colonial cities evolved, tracing the distinctive nature of each locale under French imperialism. She also relates these cities to the larger category of French architecture and urbanism, showing how consistently the French tried to resolve certain stylistic and policy problems they faced at home and abroad. With the advice of architects and sociologists, art historians and geographers, colonial administrators sought to exert greater control over such matters as family life and working conditions, industrial growth and cultural memory. The issues Wright confronts--the potent implications of traditional norms, cultural continuity, modernization, and radical urban experiments--still challenge us today.
Publisher: University of Chicago Press
ISBN: 9780226908465
Category : Architecture
Languages : en
Pages : 400
Book Description
Politics and culture are at once semi-autonomous and intertwined. Nowhere is this more revealingly illustrated than in urban design, a field that encompasses architecture and social life, traditions and modernization. Here aesthetic goals and political intentions meet, sometimes in collaboration, sometimes in conflict. Here the formal qualities of art confront the complexities of history. When urban design policies are implemented, they reveal underlying aesthetic, cultural, and political dilemmas with startling clarity. Gwendolyn Wright focuses on three French colonies--Indochina, Morocco, and Madagascar--that were the most discussed, most often photographed, and most admired showpieces of the French empire in the early twentieth century. She explores how urban policy and design fit into the French colonial policy of "association," a strategy that accepted, even encouraged, cultural differences while it promoted modern urban improvements that would foster economic development for Western investors. Wright shows how these colonial cities evolved, tracing the distinctive nature of each locale under French imperialism. She also relates these cities to the larger category of French architecture and urbanism, showing how consistently the French tried to resolve certain stylistic and policy problems they faced at home and abroad. With the advice of architects and sociologists, art historians and geographers, colonial administrators sought to exert greater control over such matters as family life and working conditions, industrial growth and cultural memory. The issues Wright confronts--the potent implications of traditional norms, cultural continuity, modernization, and radical urban experiments--still challenge us today.
Catalogue
Author: Harvard University. Graduate School of Design. Library
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 628
Book Description
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 628
Book Description
The City
Author: Jacques Lévy
Publisher: Routledge
ISBN: 135189269X
Category : Science
Languages : en
Pages : 705
Book Description
The spread of urbanization has transformed the concept of the city, but the way urban planners, urban scientists and, above all, urban dwellers address it has also changed, probably even more so. The city is thus a new topic for geography, a discipline that has experienced an ambiguous relationship to cities in the past. What kind of geography is required in order to bring fresh insight to this renewed field? Drawing together a wide range of texts from philosophers, sociologists and economist as well as geographers and urban planners, this volume provides a theoretical framework within which this question can begin to be explored.
Publisher: Routledge
ISBN: 135189269X
Category : Science
Languages : en
Pages : 705
Book Description
The spread of urbanization has transformed the concept of the city, but the way urban planners, urban scientists and, above all, urban dwellers address it has also changed, probably even more so. The city is thus a new topic for geography, a discipline that has experienced an ambiguous relationship to cities in the past. What kind of geography is required in order to bring fresh insight to this renewed field? Drawing together a wide range of texts from philosophers, sociologists and economist as well as geographers and urban planners, this volume provides a theoretical framework within which this question can begin to be explored.
Yilliği
Art Index
Author: Alice Maria Dougan
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 1464
Book Description
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 1464
Book Description
France
Author: Jean-Louis Cohen
Publisher: Reaktion Books
ISBN: 1780233949
Category : Architecture
Languages : en
Pages : 360
Book Description
Everyone knows Notre Dame, the Eiffel Tower, and the chateaux of the Loire Valley, but French architects have also produced some of the most iconic buildings of the twentieth century, playing a central role in the emergence and development of modernism. In France, Jean-Louis Cohen presents a complete narrative of the unfolding architectural modernity in the country, grappling not only with the buildings but also with the political and critical context surrounding them. Cohen examines the developments in urban design and architecture within France, depicting the continuities and breaks in French architecture since 1900 against a broader international background. Describing the systems of architectural exchange with other countries—including Italy, Germany, Russia, and the United States—he offers a new view on the ideas, projects, and buildings otherwise so often considered only from narrow nationalistic perspectives. Cohen also maps the problematic search for a national identity against the background of European rivalries and France’s colonial past. Drawing on a wealth of recent research, this authoritatively written book will challenge the way design professionals and historians view modern French architecture.
Publisher: Reaktion Books
ISBN: 1780233949
Category : Architecture
Languages : en
Pages : 360
Book Description
Everyone knows Notre Dame, the Eiffel Tower, and the chateaux of the Loire Valley, but French architects have also produced some of the most iconic buildings of the twentieth century, playing a central role in the emergence and development of modernism. In France, Jean-Louis Cohen presents a complete narrative of the unfolding architectural modernity in the country, grappling not only with the buildings but also with the political and critical context surrounding them. Cohen examines the developments in urban design and architecture within France, depicting the continuities and breaks in French architecture since 1900 against a broader international background. Describing the systems of architectural exchange with other countries—including Italy, Germany, Russia, and the United States—he offers a new view on the ideas, projects, and buildings otherwise so often considered only from narrow nationalistic perspectives. Cohen also maps the problematic search for a national identity against the background of European rivalries and France’s colonial past. Drawing on a wealth of recent research, this authoritatively written book will challenge the way design professionals and historians view modern French architecture.
Planning Paris Before Haussmann
Author: Nicholas Papayanis
Publisher: JHU Press
ISBN: 9780801879302
Category : Architecture
Languages : en
Pages : 362
Book Description
Publisher Description
Publisher: JHU Press
ISBN: 9780801879302
Category : Architecture
Languages : en
Pages : 362
Book Description
Publisher Description
Arts and Politics of the Situationist International 1957–1972
Author: Edward John Matthews
Publisher: Rowman & Littlefield
ISBN: 1793647097
Category : Art
Languages : en
Pages : 277
Book Description
Arts and Politics of the Situationist International contextualizes the SI within a comprehensive aesthetic and theoretical framework that integrates its concepts and practical activities with previous critical thinkers, political activists, artists, and poets. The SI belongs to a history of radical gestures and cultural practices concerned with re-imagining everyday life and overcoming alienation. This book regards the SI as a critical interdisciplinary endeavor in the history of consciousness, particularly as a moment in an ongoing western-European trajectory of aesthetic negation dating back to the early nineteenth century. The chapters search for origins of the SI in French Symbolist poetry, Dada and Surrealism, Hegelian-Marxism, and Lefebvrian social theory in an effort to provide a clearly-defined ‘something’ out of which the SI developed as an increasingly radical collective of artists, writers, and theorists.
Publisher: Rowman & Littlefield
ISBN: 1793647097
Category : Art
Languages : en
Pages : 277
Book Description
Arts and Politics of the Situationist International contextualizes the SI within a comprehensive aesthetic and theoretical framework that integrates its concepts and practical activities with previous critical thinkers, political activists, artists, and poets. The SI belongs to a history of radical gestures and cultural practices concerned with re-imagining everyday life and overcoming alienation. This book regards the SI as a critical interdisciplinary endeavor in the history of consciousness, particularly as a moment in an ongoing western-European trajectory of aesthetic negation dating back to the early nineteenth century. The chapters search for origins of the SI in French Symbolist poetry, Dada and Surrealism, Hegelian-Marxism, and Lefebvrian social theory in an effort to provide a clearly-defined ‘something’ out of which the SI developed as an increasingly radical collective of artists, writers, and theorists.
Forms of Experienced Environments
Author: Nathalie Blanc
Publisher: Cambridge Scholars Publishing
ISBN: 152754768X
Category : Art
Languages : en
Pages : 224
Book Description
This book explores ‘environmental forms’ in terms of their relationships to the socio-politico-ecological transformations currently in progress. Today, the environment is a central theme in political discourse, scientific work and everyday life. It is multi-dimensional: it is a living space, a socio-ecological system and a field of research and action. However, despite the presence and diversity of existing approaches, the ways in which policies address environmental issues remain mainly focused on control, highlighting the techno-ecological, managerial and curative dimensions of public actions. Although public action tends to instrumentalise the environment, the humanities and social sciences have initiated significant reflections in this field, proposing alternative ways of thinking about the environment in its multiple aspects and scales. As part of ‘another approach’ to the environment that mirrors contemporary developments, this book adopts a form-based approach which has been largely neglected by previous studies dealing with environmental themes. The analyses provided here will open up a new perspective on the relationships between people, aesthetics and environments, and are drawn from different schools of research, highlighting the huge potential of reading the environment through forms or, conversely, a reading of environmental forms.
Publisher: Cambridge Scholars Publishing
ISBN: 152754768X
Category : Art
Languages : en
Pages : 224
Book Description
This book explores ‘environmental forms’ in terms of their relationships to the socio-politico-ecological transformations currently in progress. Today, the environment is a central theme in political discourse, scientific work and everyday life. It is multi-dimensional: it is a living space, a socio-ecological system and a field of research and action. However, despite the presence and diversity of existing approaches, the ways in which policies address environmental issues remain mainly focused on control, highlighting the techno-ecological, managerial and curative dimensions of public actions. Although public action tends to instrumentalise the environment, the humanities and social sciences have initiated significant reflections in this field, proposing alternative ways of thinking about the environment in its multiple aspects and scales. As part of ‘another approach’ to the environment that mirrors contemporary developments, this book adopts a form-based approach which has been largely neglected by previous studies dealing with environmental themes. The analyses provided here will open up a new perspective on the relationships between people, aesthetics and environments, and are drawn from different schools of research, highlighting the huge potential of reading the environment through forms or, conversely, a reading of environmental forms.
Art in France, 1900-1940
Author: Christopher Green
Publisher: Yale University Press
ISBN: 9780300099089
Category : Art
Languages : en
Pages : 352
Book Description
This study sets developments within the frameworks both of their unstable social, political and intellectual world and of the official and independent institutions of art.
Publisher: Yale University Press
ISBN: 9780300099089
Category : Art
Languages : en
Pages : 352
Book Description
This study sets developments within the frameworks both of their unstable social, political and intellectual world and of the official and independent institutions of art.