Author: British museum. Dept. of printed booksPublisher:
ISBN:
Category :
Languages : en
Pages : 520
Book Description
General catalogue of printed books
Author: British museum. Dept. of printed booksPublisher:
ISBN:
Category :
Languages : en
Pages : 520
Book Description
General Catalogue of Printed Books
Author: British Museum. Department of Printed BooksPublisher:
ISBN:
Category : English imprints
Languages : en
Pages : 520
Book Description
General Catalogue of Printed Books to 1955
Author: British Museum. Dept. of Printed BooksPublisher:
ISBN:
Category : English imprints
Languages : en
Pages : 1236
Book Description
L'Ultimo Giorno di Pompei. Dramma per musica da rappresentarsi nel Real Teatro di S. Carlo la sera de' 19 Novembre 1825, etc
Author: Andrea Leone TottolaL'ultimo giorno di Pompei dramma per musica da rappresentarsi nel Real Teatro di S. Carlo la sera de' 19 novembre 1825. Per festeggiare il fausto giorno onomastico di Sua Maestà Maria Isabella regina del Regno delle Due Sicilie [il dramma è composto dal sig. Andrea Leone Tottola
Author: Andrea Leone TottolaPoésie
Author: Alfred de MussetDrawings for Book Illustration
Author: David P. BeckerPublisher:
ISBN:
Category : Artists' preparatory studies
Languages : en
Pages : 136
Book Description
"The Frances L. Hofer Bequest of drawings came to Harvard in 1978. Numbering over 1500 pieces, it has enriched both The Houghton Library, which received the drawings for book illustration, and the Fogg Art Museum. Philip Hofer, who formed the collection, has been closely associated with both institutions throughout his long Harvard career ... In 1979 the Fogg Art Museum exhibited a selection of the master drawings it received from this bequest. Now, two years after Mrs Hofer's death, the Houghton Library is exhibiting for the first time a selection of fifty of the drawings for book illustration."--P. 7.
Comoediae
Author: TerenceSilent Printers
Author: Dennis E. RhodesPublisher: University of Toronto Press
ISBN:
Category : Design
Languages : en
Pages : 316
Book Description
PC-Aided Numerical Heat Transfer and Convective Flow is intended as a graduate course textbook for Mechanical and Chemical Engineering students as well as a reference book for practitioners interested in analytical and numerical treatments in the subject. The book is written so that the reader can use the enclosed diskette, with the aid of a personal computer, to systematically learn both analytical and numerical approaches associated with fluid flow and heat transfer without resorting to complex mathematical treatments. This is the first book that not only describes solution methodologies but also provides complete programs ranging from SOLODE to SAINTS for integration of Navier-Stokes equation. The book covers boundary layer flows to fully elliptic flows, laminar flows to turbulent flows, and free convection to forced convection. The student will learn about convection in porous media, a new field of rapid growth in contemporary heat transfer research. A basic knowledge of fluid mechanics and heat transfer is assumed. It is also assumed that the student knows the basics of Fortran and has access to a personal computer.The material can be presented in a one-semester course or with selective coverage in a seminar.
Debussy
Author: Stefan JarocińskiPublisher:
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 200
Book Description
From the first, Debussy's music lent itself to all kinds of convenient critical labels, of which the most fashionable has always been 'impressionist'. In this book the doyen of Polish musicologists examines Debussy's output against the twin backgrounds of his upbringing and of contemporary movements in the other arts besides music. He concludes that the 'impressionist' analogy between music and painting has been too deceptively obvious, and that the movement with which Debussy's art is most deeply impregnated is Symbolism. This he shows by a review of the general aesthetic ferments of this age, by close analysis of Debussy's music, his early works in particular, and by well-directed quotation from Debussy's own many writings on the subject. In the course of his argument he leads the reader down many unexpected bypaths in aesthetics; his book is both an original contribution to musicology and a philosophical meditation on the whole of the art of this unusually fertile and adventurous period.