Author: Thomas Irmer
Publisher: Verlag Theater der Zeit
ISBN: 3957492602
Category : Performing Arts
Languages : de
Pages : 188
Book Description
Luk Perceval hat nach zwanzig Jahren Arbeit im deutschen Theater – von der Berliner Schaubühne über die Münchner Kammerspiele zum Thalia Theater Hamburg – ein großes Kapitel abgeschlossen und mit der Rückkehr nach Belgien zugleich ein neues eröffnet. Das Arbeitsbuch bilanziert Percevals Theaterarbeit und entwirft mit ihm ein wesentliches Modell der Gegenwart: das Künstlertheater des 21. Jahrhunderts. Langjährige Arbeitspartner wie die Bühnenbildnerinnen Katrin Brack und Annette Kurz und die Perceval eng verbundenen Schauspieler Thomas Thieme und Patrycia Ziółkowska geben dazu Auskunft.
Luk Perceval
Author: Thomas Irmer
Publisher: Verlag Theater der Zeit
ISBN: 3957492602
Category : Performing Arts
Languages : de
Pages : 188
Book Description
Luk Perceval hat nach zwanzig Jahren Arbeit im deutschen Theater – von der Berliner Schaubühne über die Münchner Kammerspiele zum Thalia Theater Hamburg – ein großes Kapitel abgeschlossen und mit der Rückkehr nach Belgien zugleich ein neues eröffnet. Das Arbeitsbuch bilanziert Percevals Theaterarbeit und entwirft mit ihm ein wesentliches Modell der Gegenwart: das Künstlertheater des 21. Jahrhunderts. Langjährige Arbeitspartner wie die Bühnenbildnerinnen Katrin Brack und Annette Kurz und die Perceval eng verbundenen Schauspieler Thomas Thieme und Patrycia Ziółkowska geben dazu Auskunft.
Publisher: Verlag Theater der Zeit
ISBN: 3957492602
Category : Performing Arts
Languages : de
Pages : 188
Book Description
Luk Perceval hat nach zwanzig Jahren Arbeit im deutschen Theater – von der Berliner Schaubühne über die Münchner Kammerspiele zum Thalia Theater Hamburg – ein großes Kapitel abgeschlossen und mit der Rückkehr nach Belgien zugleich ein neues eröffnet. Das Arbeitsbuch bilanziert Percevals Theaterarbeit und entwirft mit ihm ein wesentliches Modell der Gegenwart: das Künstlertheater des 21. Jahrhunderts. Langjährige Arbeitspartner wie die Bühnenbildnerinnen Katrin Brack und Annette Kurz und die Perceval eng verbundenen Schauspieler Thomas Thieme und Patrycia Ziółkowska geben dazu Auskunft.
Directors’ Theatre
Author: Peter M. Boenisch
Publisher: Bloomsbury Publishing
ISBN: 1350316482
Category : Performing Arts
Languages : en
Pages : 480
Book Description
This extended new edition of a seminal text marks the 30th anniversary of the original book's major intervention in the discipline. Bradby and Williams' field-defining book introduced the continental-European approach to directing, recognising the work of the modern stage director as an artist in his or her own right for the first time. Now edited by Peter M. Boenisch in collaboration with David Williams, this new edition includes an additional four chapters by leading contemporary experts on theatre direction. Covering recent practices and developments, as well as new trends in the academic research on directing, Directors' Theatre interrogates working ethics and performance aesthetics, directors' work with actors as a central creative source and their responses to the ongoing reassessment of theatre's role and function in contemporary culture. This long-awaited reissue will make a classic, authoritative study on directors and directing accessible to a new generation of students, scholars and artists. It is essential reading for undergraduate and postgraduate students of Theatre, Performance Studies and Directing. New to this Edition: - Includes four new chapters written by leading contemporary experts on theatre direction: Patrice Pavis, Katalin Trencsényi, the research team of Luk Van den Dries, and DuškaRadosavljevic - New chapters discuss recent approaches and developments in theatre directing as well as research on directing, including artists such as Luk Perceval, Daniel Jeanneteau, Improbable and Ivo van Hove, while also introducing the development of theatre direction in Eastern Europe - The original text has been carefully revised by David Williams and chapters have been supplemented with new introductions and conclusions
Publisher: Bloomsbury Publishing
ISBN: 1350316482
Category : Performing Arts
Languages : en
Pages : 480
Book Description
This extended new edition of a seminal text marks the 30th anniversary of the original book's major intervention in the discipline. Bradby and Williams' field-defining book introduced the continental-European approach to directing, recognising the work of the modern stage director as an artist in his or her own right for the first time. Now edited by Peter M. Boenisch in collaboration with David Williams, this new edition includes an additional four chapters by leading contemporary experts on theatre direction. Covering recent practices and developments, as well as new trends in the academic research on directing, Directors' Theatre interrogates working ethics and performance aesthetics, directors' work with actors as a central creative source and their responses to the ongoing reassessment of theatre's role and function in contemporary culture. This long-awaited reissue will make a classic, authoritative study on directors and directing accessible to a new generation of students, scholars and artists. It is essential reading for undergraduate and postgraduate students of Theatre, Performance Studies and Directing. New to this Edition: - Includes four new chapters written by leading contemporary experts on theatre direction: Patrice Pavis, Katalin Trencsényi, the research team of Luk Van den Dries, and DuškaRadosavljevic - New chapters discuss recent approaches and developments in theatre directing as well as research on directing, including artists such as Luk Perceval, Daniel Jeanneteau, Improbable and Ivo van Hove, while also introducing the development of theatre direction in Eastern Europe - The original text has been carefully revised by David Williams and chapters have been supplemented with new introductions and conclusions
Theatermachine
Author: Magda Romanska
Publisher: Northwestern University Press
ISBN: 0810140268
Category : Performing Arts
Languages : en
Pages : 486
Book Description
Theatermachine: Tadeusz Kantor in Context is an in-depth, multidisciplinary compendium of essays that examine Kantor’s work through the prism of postmemory and trauma theory and in relation to Polish literature, Jewish culture, and Yiddish theater as well as the Japanese, German, French, Polish, and American avant-garde. Hans-Thies Lehmann’s theory of postdramatic theater and contemporary developments in critical theory—particularly Bill Brown’s thing theory, Bruno Latour’s actor network theory, and posthumanism—provide a previously unavailable vocabulary for discussion of Kantor’s theater.
Publisher: Northwestern University Press
ISBN: 0810140268
Category : Performing Arts
Languages : en
Pages : 486
Book Description
Theatermachine: Tadeusz Kantor in Context is an in-depth, multidisciplinary compendium of essays that examine Kantor’s work through the prism of postmemory and trauma theory and in relation to Polish literature, Jewish culture, and Yiddish theater as well as the Japanese, German, French, Polish, and American avant-garde. Hans-Thies Lehmann’s theory of postdramatic theater and contemporary developments in critical theory—particularly Bill Brown’s thing theory, Bruno Latour’s actor network theory, and posthumanism—provide a previously unavailable vocabulary for discussion of Kantor’s theater.
O, Louis
Author: Hugo Borst
Publisher: Random House
ISBN: 1473521424
Category : Sports & Recreation
Languages : en
Pages : 322
Book Description
‘Am I so smart or are you so stupid?’ – Louis van Gaal I started out wanting to write a book about Marco van Basten. I still do, but I dread the moment when I have to write something I know will make him unhappy. He’s not a man you wage war on. With Louis van Gaal it’s different: as a journalist he leaves you no choice. You’re not worthy of the name if you aren’t prepared to return fire when he starts yelling. Hugo Borst is an award-winning writer, journalist and TV pundit. He is also a close friend of Louis van Gaal. Well, he used to be. O, Louis is Hugo’s attempt to get to grips with this larger-than-life character. Full of outrageous stories and unintentionally hilarious encounters, Borst details his quest to understand the man and the breakdown in their friendship. He interviews an array of experts who each interpret the great manager from the perspective of their own field – a cleric, a politician, a psychiatrist, an impersonator, a theatre director, writers, poets and a trio of keen comic minds. Through these meetings as well as through his own encounters with Van Gaal, Borst is finally able to unlock the personality of this exceptional, talented, infuriating and even, occasionally, loveable man. ‘This book will sell well. Everything that has my face on it sells well’ – Louis van Gaal
Publisher: Random House
ISBN: 1473521424
Category : Sports & Recreation
Languages : en
Pages : 322
Book Description
‘Am I so smart or are you so stupid?’ – Louis van Gaal I started out wanting to write a book about Marco van Basten. I still do, but I dread the moment when I have to write something I know will make him unhappy. He’s not a man you wage war on. With Louis van Gaal it’s different: as a journalist he leaves you no choice. You’re not worthy of the name if you aren’t prepared to return fire when he starts yelling. Hugo Borst is an award-winning writer, journalist and TV pundit. He is also a close friend of Louis van Gaal. Well, he used to be. O, Louis is Hugo’s attempt to get to grips with this larger-than-life character. Full of outrageous stories and unintentionally hilarious encounters, Borst details his quest to understand the man and the breakdown in their friendship. He interviews an array of experts who each interpret the great manager from the perspective of their own field – a cleric, a politician, a psychiatrist, an impersonator, a theatre director, writers, poets and a trio of keen comic minds. Through these meetings as well as through his own encounters with Van Gaal, Borst is finally able to unlock the personality of this exceptional, talented, infuriating and even, occasionally, loveable man. ‘This book will sell well. Everything that has my face on it sells well’ – Louis van Gaal
Postdramatic Theatre and Form
Author: Michael Shane Boyle
Publisher: Bloomsbury Publishing
ISBN: 1350043176
Category : Performing Arts
Languages : en
Pages : 281
Book Description
Postdramatic theatre is an essential category of performance that challenges classical elements of drama, including the centrality of plot and character. Tracking key developments in contemporary European and North American performance, this collection redirects ongoing debates about postdramatic theatre, turning attention to the overlooked issue on which they hinge: form. Contributors draw on literary studies, film studies and critical theory to reimagine the formal aspects of theatre, such as space, media and text. The volume expands how scholars think of theatrical form, insisting that formalist analysis can be useful for studying the ways theatre is produced and consumed, and how theatre makers engage with other forms like dance and visual art. Chapters focus on a range of interdisciplinary artists including Tadeusz Kantor, Ann Liv Young and Ryan Trecartin and Lizzie Fitch, as well as theatre's enmeshment within institutional formations like funding agencies, festivals, real estate and healthcare. A timely investigation of the aesthetic structures and material conditions of contemporary performance, this collection refines what we mean, and what we don't, when we speak of postdramatic theatre.
Publisher: Bloomsbury Publishing
ISBN: 1350043176
Category : Performing Arts
Languages : en
Pages : 281
Book Description
Postdramatic theatre is an essential category of performance that challenges classical elements of drama, including the centrality of plot and character. Tracking key developments in contemporary European and North American performance, this collection redirects ongoing debates about postdramatic theatre, turning attention to the overlooked issue on which they hinge: form. Contributors draw on literary studies, film studies and critical theory to reimagine the formal aspects of theatre, such as space, media and text. The volume expands how scholars think of theatrical form, insisting that formalist analysis can be useful for studying the ways theatre is produced and consumed, and how theatre makers engage with other forms like dance and visual art. Chapters focus on a range of interdisciplinary artists including Tadeusz Kantor, Ann Liv Young and Ryan Trecartin and Lizzie Fitch, as well as theatre's enmeshment within institutional formations like funding agencies, festivals, real estate and healthcare. A timely investigation of the aesthetic structures and material conditions of contemporary performance, this collection refines what we mean, and what we don't, when we speak of postdramatic theatre.
Tropical Environments
Author: Martin Kellman
Publisher: Routledge
ISBN: 1134819595
Category : Science
Languages : en
Pages : 849
Book Description
Tropical Environments presents a comprehensive introduction to the complex systems of the tropics. Covering a broad, cross-regional range of humid through to semi-arid tropical climate zones, the book features a wealth of case studies drawn from throughout the tropical world. The authors tackle the major problems within the tropics, from complex biological interactions and soil nutrient deficiencies, offering a balanced integration of biophysical and human management issues.
Publisher: Routledge
ISBN: 1134819595
Category : Science
Languages : en
Pages : 849
Book Description
Tropical Environments presents a comprehensive introduction to the complex systems of the tropics. Covering a broad, cross-regional range of humid through to semi-arid tropical climate zones, the book features a wealth of case studies drawn from throughout the tropical world. The authors tackle the major problems within the tropics, from complex biological interactions and soil nutrient deficiencies, offering a balanced integration of biophysical and human management issues.
Performing New German Realities
Author: Lizzie Stewart
Publisher: Springer Nature
ISBN: 3030698483
Category : Performing Arts
Languages : en
Pages : 334
Book Description
'One in four people in Germany today have a so-called migration background, however, the relationship between theatre and migration there has only recently begun to take centre stage. Indeed, fifty years after large-scale Turkish labour migration to the Federal Republic of Germany began, theatre by Turkish-German artists is only now becoming a consistent feature of Germany’s influential state-funded theatrical landscape. Drawing on extensive archival and field work, this book asks where, when, why, and how plays engaging with the new realities of “postmigrant” Germany have been performed over the past 30 years. Focusing on plays by renowned artists Emine Sevgi Özdamar, and Feridun Zaimoglu/Günter Senkel, it asks which new realities have been scripted in the theatrical sphere in the process – in the imaginations of playwrights, readers, audience members; in the enactment and direction of scripts on stage; and in the performance of new institutional approaches and cultural policies. Highlighting the role this theatre has played in a larger, ongoing re-scripting of the German stage, this study presents a critical perspective on contemporary European theatre and opens innovative developments in the conceptualization of theatre and post/migration from the German context to English language readers.
Publisher: Springer Nature
ISBN: 3030698483
Category : Performing Arts
Languages : en
Pages : 334
Book Description
'One in four people in Germany today have a so-called migration background, however, the relationship between theatre and migration there has only recently begun to take centre stage. Indeed, fifty years after large-scale Turkish labour migration to the Federal Republic of Germany began, theatre by Turkish-German artists is only now becoming a consistent feature of Germany’s influential state-funded theatrical landscape. Drawing on extensive archival and field work, this book asks where, when, why, and how plays engaging with the new realities of “postmigrant” Germany have been performed over the past 30 years. Focusing on plays by renowned artists Emine Sevgi Özdamar, and Feridun Zaimoglu/Günter Senkel, it asks which new realities have been scripted in the theatrical sphere in the process – in the imaginations of playwrights, readers, audience members; in the enactment and direction of scripts on stage; and in the performance of new institutional approaches and cultural policies. Highlighting the role this theatre has played in a larger, ongoing re-scripting of the German stage, this study presents a critical perspective on contemporary European theatre and opens innovative developments in the conceptualization of theatre and post/migration from the German context to English language readers.
Doing Double Dutch
Author: Elke Brems
Publisher: Leuven University Press
ISBN: 9462700974
Category : Literary Criticism
Languages : en
Pages : 339
Book Description
The importance of a minor language in the field of world literature Dutch literature is increasingly understood as a network of texts and poetics connected to other languages and literatures through translations and adaptations. In this book, a team of international researchers explores how Dutch literary texts cross linguistic, historical, geophysical, political, religious, and disciplinary borders, and reflects on a wide range of methods for studying these myriad border crossings. As a result, this volume provides insight into the international dissemination of Dutch literature and the position of a smaller, less-translated language within the field of world literature. The title Doing Double Dutch evokes a popular rope-skipping game in which two people turn two long jump ropes in opposite directions while a third person jumps them. A fitting metaphor for how literature circulates internationally: two dynamic spheres, the source culture and the target culture, engage one another in a complex pattern of movement resulting in a new literary work, translation, or adaptation formed somewhere in the middle. Contributors: Chiara Beltrami Gottmer (American International School of Rotterdam), Peter Boot (Huygens ING), Pieter Boulogne (KU Leuven), Elke Brems (KU Leuven), Michel De Dobbeleer (University of Ghent), Caroline de Westenholz (Louis Couperus Museum), Gillis Dorleijn (University of Groningen), Wilken Engelbrecht (Palacký University Olomouc), Veerle Fraeters (University of Antwerp), Maud Gonne (KU Leuven), Christine Hermann (University of Vienna), Peter Kegel (Huygens ING), Tessa Lobbes (Utrecht University), Marijke Meijer Drees (University of Groningen), Reine Meylaerts (KU Leuven), Marco Prandoni (University of Bologna), Marion Prinse (Utrecht University), Orsolya Réthelyi (Eötvös Loránd University Budapest, Huygens ING), Diana Sanz Roig (Universitat Pompeu Fabra), Rita Schlusemann (Utrecht University), Matthieu Sergier (Université Saint Louis Brussels), Natalia Stachura (Adam Mickiewicz University in Poznan), Janek Urbaniak (University of Wrocław), Stéphanie Vanasten (UCL Louvain-la-Neuve), Ton van Kalmthout (Huygens ING), Suzanne van Putten-Brons, Herbert Van Uffelen (University of Vienna), Marc van Zoggel (Huygens ING), Nico Wilterdink (University of Amsterdam).
Publisher: Leuven University Press
ISBN: 9462700974
Category : Literary Criticism
Languages : en
Pages : 339
Book Description
The importance of a minor language in the field of world literature Dutch literature is increasingly understood as a network of texts and poetics connected to other languages and literatures through translations and adaptations. In this book, a team of international researchers explores how Dutch literary texts cross linguistic, historical, geophysical, political, religious, and disciplinary borders, and reflects on a wide range of methods for studying these myriad border crossings. As a result, this volume provides insight into the international dissemination of Dutch literature and the position of a smaller, less-translated language within the field of world literature. The title Doing Double Dutch evokes a popular rope-skipping game in which two people turn two long jump ropes in opposite directions while a third person jumps them. A fitting metaphor for how literature circulates internationally: two dynamic spheres, the source culture and the target culture, engage one another in a complex pattern of movement resulting in a new literary work, translation, or adaptation formed somewhere in the middle. Contributors: Chiara Beltrami Gottmer (American International School of Rotterdam), Peter Boot (Huygens ING), Pieter Boulogne (KU Leuven), Elke Brems (KU Leuven), Michel De Dobbeleer (University of Ghent), Caroline de Westenholz (Louis Couperus Museum), Gillis Dorleijn (University of Groningen), Wilken Engelbrecht (Palacký University Olomouc), Veerle Fraeters (University of Antwerp), Maud Gonne (KU Leuven), Christine Hermann (University of Vienna), Peter Kegel (Huygens ING), Tessa Lobbes (Utrecht University), Marijke Meijer Drees (University of Groningen), Reine Meylaerts (KU Leuven), Marco Prandoni (University of Bologna), Marion Prinse (Utrecht University), Orsolya Réthelyi (Eötvös Loránd University Budapest, Huygens ING), Diana Sanz Roig (Universitat Pompeu Fabra), Rita Schlusemann (Utrecht University), Matthieu Sergier (Université Saint Louis Brussels), Natalia Stachura (Adam Mickiewicz University in Poznan), Janek Urbaniak (University of Wrocław), Stéphanie Vanasten (UCL Louvain-la-Neuve), Ton van Kalmthout (Huygens ING), Suzanne van Putten-Brons, Herbert Van Uffelen (University of Vienna), Marc van Zoggel (Huygens ING), Nico Wilterdink (University of Amsterdam).
Ivo van Hove Onstage
Author: David Willinger
Publisher: Routledge
ISBN: 1351260065
Category : Performing Arts
Languages : en
Pages : 443
Book Description
Since his emergence from the Flemish avant-garde movement of the 1980s, Ivo van Hove's directorial career has crossed international boundaries, challenging established notions of theatre-making. He has brought radical interpretations of the classics to America and organic acting technique to Europe. Ivo van Hove Onstage is the first full English language study of one of theatre's most prominent iconoclasts. It presents a comprehensive, multifaceted account of van Hove's extraordinary work, including key productions, design innovations, his revolutionary approach to text and ambience, and his relationships with specific theatres and companies.
Publisher: Routledge
ISBN: 1351260065
Category : Performing Arts
Languages : en
Pages : 443
Book Description
Since his emergence from the Flemish avant-garde movement of the 1980s, Ivo van Hove's directorial career has crossed international boundaries, challenging established notions of theatre-making. He has brought radical interpretations of the classics to America and organic acting technique to Europe. Ivo van Hove Onstage is the first full English language study of one of theatre's most prominent iconoclasts. It presents a comprehensive, multifaceted account of van Hove's extraordinary work, including key productions, design innovations, his revolutionary approach to text and ambience, and his relationships with specific theatres and companies.
The Routledge Guide to William Shakespeare
Author: Robert Shaughnessy
Publisher: Routledge
ISBN: 1136855033
Category : Literary Criticism
Languages : en
Pages : 506
Book Description
Demystifying and contextualising Shakespeare for the twenty-first century, this book offers both an introduction to the subject for beginners as well as an invaluable resource for more experienced Shakespeareans. In this friendly, structured guide, Robert Shaughnessy: introduces Shakespeare’s life and works in context, providing crucial historical background looks at each of Shakespeare’s plays in turn, considering issues of historical context, contemporary criticism and performance history provides detailed discussion of twentieth-century Shakespearean criticism, exploring the theories, debates and discoveries that shape our understanding of Shakespeare today looks at contemporary performances of Shakespeare on stage and screen provides further critical reading by play outlines detailed chronologies of Shakespeare’s life and works and also of twentieth-century criticism The companion website at www.routledge.com/textbooks/shaughnessy contains student-focused materials and resources, including an interactive timeline and annotated weblinks.
Publisher: Routledge
ISBN: 1136855033
Category : Literary Criticism
Languages : en
Pages : 506
Book Description
Demystifying and contextualising Shakespeare for the twenty-first century, this book offers both an introduction to the subject for beginners as well as an invaluable resource for more experienced Shakespeareans. In this friendly, structured guide, Robert Shaughnessy: introduces Shakespeare’s life and works in context, providing crucial historical background looks at each of Shakespeare’s plays in turn, considering issues of historical context, contemporary criticism and performance history provides detailed discussion of twentieth-century Shakespearean criticism, exploring the theories, debates and discoveries that shape our understanding of Shakespeare today looks at contemporary performances of Shakespeare on stage and screen provides further critical reading by play outlines detailed chronologies of Shakespeare’s life and works and also of twentieth-century criticism The companion website at www.routledge.com/textbooks/shaughnessy contains student-focused materials and resources, including an interactive timeline and annotated weblinks.