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Author: Lucia Moholy Publisher: Silvana Editoriale ISBN: Category : Photography Languages : it Pages : 204
Book Description
Photographer, writer and intellectual, Lucia Moholy (born Lucia Schulz, Karolinenthal, Prague, 1894 - Zollikon, Zurich, 1989) is a central figure in the 20th century history of photography, although the fame of her husband, the renowned artist László Moholy-Nagy, overshadowed her work for a long time. Through her photographs, an example of the German avant-garde and of the Neue Sachlichkeit (New Objectivity), it is possible to understand the complexity of her artistic personality and to reconstruct the role she played in the cultural history of the past century. Her major photographic work is on the Bauhaus: pictures of the school, of teachers, objects and furniture are considered as true icons of modern times. The essays published in this volume allow us to understand and outline Lucia Moholy's complex artistic personality, thus giving her the correct place she is due in 20th century culture. 0Exhibition: Museo MAX, Chiasso, Italy (24.11.2012-31.1.2013).
Author: Lucia Moholy Publisher: Silvana Editoriale ISBN: Category : Photography Languages : it Pages : 204
Book Description
Photographer, writer and intellectual, Lucia Moholy (born Lucia Schulz, Karolinenthal, Prague, 1894 - Zollikon, Zurich, 1989) is a central figure in the 20th century history of photography, although the fame of her husband, the renowned artist László Moholy-Nagy, overshadowed her work for a long time. Through her photographs, an example of the German avant-garde and of the Neue Sachlichkeit (New Objectivity), it is possible to understand the complexity of her artistic personality and to reconstruct the role she played in the cultural history of the past century. Her major photographic work is on the Bauhaus: pictures of the school, of teachers, objects and furniture are considered as true icons of modern times. The essays published in this volume allow us to understand and outline Lucia Moholy's complex artistic personality, thus giving her the correct place she is due in 20th century culture. 0Exhibition: Museo MAX, Chiasso, Italy (24.11.2012-31.1.2013).
Author: Barry Bergdoll Publisher: The Museum of Modern Art ISBN: 9780870707582 Category : Art Languages : en Pages : 348
Book Description
The Bauhaus, the school of art and design founded in Germany in 1919 and shut down by the Nazis in 1933, brought together artists, architects and designers in an extraordinary conversation about modern art. Bauhaus 1919-1933, published to accompany a major multimedia exhibition at MoMA, is the first comprehensive treatment of the subject by MoMA since 1938 and offers a new generational perspective on the 20th century's most influential experiment in artistic education. It brings together works in a broad range of mediums, including industrial design, furniture, architecture, graphics, photography, textiles, ceramics, theatre and costume design, and painting and sculpture - many of which have rarely if ever been seen outside of Germany. Featuring about 400 colour plates and a rich range of documentary images, this publication includes two overarching images by the exhibition's curators, Leah Dickerman and Barry Bergdoll, concise interpretive essays on key objects by over twenty leading scholars, and an illustrated, narrative chronology.
Author: Mary Jo Bang Publisher: Graywolf Press ISBN: 1555979734 Category : Poetry Languages : en Pages : 89
Book Description
The exquisite new collection by the award-winning poet Mary Jo Bang, author of The Last Two Seconds and Elegy We were ridiculous—me, with my high jinks and hat. Him, with his boredom and drink. I look back now and see buildings so thick that the life I thought I was making then is nothing but interlocking angles and above them, that blot of gray sky I sometimes saw. Underneath is the edge of what wasn’t known then. When I would go. When I would come back. What I would be when. —from “One Glass Negative” A Doll for Throwing takes its title from the Bauhaus artist Alma Siedhoff-Buscher’s Wurfpuppe, a flexible and durable woven doll that, if thrown, would land with grace. A ventriloquist is also said to “throw” her voice into a doll that rests on the knee. Mary Jo Bang’s prose poems in this fascinating book create a speaker who had been a part of the Bauhaus school in Germany a century ago and who had also seen the school’s collapse when it was shut by the Nazis in 1933. Since this speaker is not a person but only a construct, she is also equally alive in the present and gives voice to the conditions of both time periods: nostalgia, xenophobia, and political extremism. The life of the Bauhaus photographer Lucia Moholy echoes across these poems—the end of her marriage, the loss of her negatives, and her effort to continue to make work and be known for having made it.
Author: Karl Blossfeldt Publisher: Courier Corporation ISBN: 9780486249902 Category : Design Languages : en Pages : 136
Book Description
Originally intended as reference for his work as architect, sculptor, and teacher, Blossfeldt's exquisite sharp-focus photo studies of plant form — leaves, buds, stems, seed pods, tendrils and twigs — won acclaim with publication of the 1928 edition of this book. 120 full-page black-and-white plates. Original introduction. Publisher's Note. Captions.
Author: Elizabeth Otto Publisher: Bloomsbury Publishing USA ISBN: 1501344773 Category : Art Languages : en Pages : 405
Book Description
A century after the Bauhaus's founding in 1919, this book reassesses it as more than a highly influential art, architecture, and design school. In myriad ways, emerging ideas about the body in relation to health, movement, gender, and sexuality were at the heart of art and life at the school. Bauhaus Bodies reassesses the work of both well-known Bauhaus members and those who have unjustifiably escaped scholarly scrutiny, its women in particular. In fourteen original, cutting-edge essays by established experts and emerging scholars, this book reveals how Bauhaus artists challenged traditional ideas about bodies and gender. Written to appeal to students, scholars, and the broad public, Bauhaus Bodies will be essential reading for anyone interested in modern art, architecture, design history, and gender studies; it will define conversations and debates during the 2019 centenary of the Bauhaus's founding and beyond.
Author: Maria Morris Hambourg Publisher: Metropolitan Museum of Art ISBN: 0870995502 Category : Photography, Artistic Languages : en Pages : 329
Book Description
A broad historical study of the provocative innovations of European and American photography between the World Wars. Presents more than 160 images from the Ford Motor Company Collection of photographs.
Author: T’ai Smith Publisher: U of Minnesota Press ISBN: 1452943222 Category : Art Languages : en Pages : 290
Book Description
The Bauhaus school in Germany has long been understood through the writings of its founding director, Walter Gropius, and well-known artists who taught there such as Wassily Kandinsky and László Moholy-Nagy. Far less recognized are texts by women in the school’s weaving workshop. In Bauhaus Weaving Theory, T’ai Smith uncovers new significance in the work the Bauhaus weavers did as writers. From colorful, expressionist tapestries to the invention of soundproofing and light-reflective fabric, the workshop’s innovative creations influenced a modernist theory of weaving. In the first careful examination of the writings of Bauhaus weavers, including Anni Albers, Gunta Stözl, and Otti Berger, Smith details how these women challenged assumptions about the feminine nature of their craft. As they harnessed the vocabulary of other disciplines like painting, architecture, and photography, Smith argues, the weavers resisted modernist thinking about distinct media. In parsing texts about tapestries and functional textiles, the vital role these women played in debates about medium in the twentieth century and a nuanced history of the Bauhaus comes to light. Bauhaus Weaving Theory deftly reframes the Bauhaus weaving workshop as central to theoretical inquiry at the school. Putting questions of how value and legitimacy are established in the art world into dialogue with the limits of modernism, Smith confronts the belief that the crafts are manual and technical but never intellectual arts.
Author: Mitra Abbaspour Publisher: Museum of Modern Art, New York ISBN: 9780870709418 Category : Photography Languages : en Pages : 400
Book Description
OBJECT:PHOTO shifts the dialogue about modernist photography from an emphasis on the subject and the image to the actual photographic object, created by a certain artist at a particular time and present today in its unique physicality. This shift is especially significant for a study of the period during which photography developed a distinctive formal language. A growing awareness of the rarity of images made between the two world wars has altered historians' considerations, encouraging new approaches privileging the originality of each work and the density of references each contains. This richly illustrated publication culminates a four-year collaborative research endeavor between The Museum of Modern Art's Departments of Photography and Conservation, and nearly 30 visiting scholars, on the material and aesthetic evolution of avant-garde photography in the early twentieth century. The 341 modernist photographs known as The Thomas Walther Collection, a major museum acquisition made in 2001, is presented in its entirety, establishing a new standard of depth for the medium. Essays by curators, researchers, and conservators consider the history of collecting from this era to the present and how deepening knowledge has shifted the perspective on the medium; the material facts of the Walther pictures as a baseline for understanding the development of photographic materials in this era; and how the intellectual formation of the writers of critical photographic publications of the era and the societal and cultural pressures of that historical moment inflected the photography's sense of its own history. Together with thematic, object-based case studies of groups of pictures that demonstrate new approaches in specific, divergent examples, these contributions reanimate the dialogue on this formative era in photography.
Author: Lucia Moholy
Author: Lucia Moholy
Author: Lucia Moholy
Author: Barry Bergdoll
Author: Mary Jo Bang
Author: Karl Blossfeldt
Author: Jeannine Fiedler
Author: Elizabeth Otto
Author: Maria Morris Hambourg
Author: T’ai Smith
Author: Mitra Abbaspour