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Love and Sexuality in Dystopian Fiction. An Analysis of "Brave New World" and "Nineteen Eighty-Four"

Love and Sexuality in Dystopian Fiction. An Analysis of Author: Lena Gräf
Publisher: GRIN Verlag
ISBN: 3668205132
Category : Literary Criticism
Languages : en
Pages : 24

Book Description
Seminar paper from the year 2015 in the subject English Language and Literature Studies - Literature, grade: 2,3, , language: English, abstract: This term paper is supposed to deal with how love and sex are depicted in “Brave New World” and “1984”, and if there are any similarities between them. Furthermore we will take a brief look at differences and similarities to love and sex in our society. What is the attitude towards marriage these days? And what is the role of love in all of that? After this we will then hopefully be able to identify what love and sex in dystopian fiction means. Ever since Thomas More’s “Utopia” love and sex have been a part of dystopian novels. In Thomas More’s times his depictions were ground breaking. Women were not allowed to marry until they were 18. In the past this was highly unusual, since most women married at the age of around 14. Furthermore divorce is forbidden, which, at this point, mirrors the time More lived in. This clearly influenced all the following writers of dystopian novels. They imagine a world that is negatively silhouetted against their own world. And since love is a big part of every society it is also a big part in every dystopian society. When looking for “the most famous dystopian novels” on Google, two that are immediately suggested are "Brave New World" by Aldous Huxley and "1984" by George Orwell. Both have one thing in common: their rather negative and, for us, rather unusual attitude towards love, relationships and sex.

Love and Sexuality in Dystopian Fiction. An Analysis of "Brave New World" and "Nineteen Eighty-Four"

Love and Sexuality in Dystopian Fiction. An Analysis of Author: Lena Gräf
Publisher: GRIN Verlag
ISBN: 3668205132
Category : Literary Criticism
Languages : en
Pages : 24

Book Description
Seminar paper from the year 2015 in the subject English Language and Literature Studies - Literature, grade: 2,3, , language: English, abstract: This term paper is supposed to deal with how love and sex are depicted in “Brave New World” and “1984”, and if there are any similarities between them. Furthermore we will take a brief look at differences and similarities to love and sex in our society. What is the attitude towards marriage these days? And what is the role of love in all of that? After this we will then hopefully be able to identify what love and sex in dystopian fiction means. Ever since Thomas More’s “Utopia” love and sex have been a part of dystopian novels. In Thomas More’s times his depictions were ground breaking. Women were not allowed to marry until they were 18. In the past this was highly unusual, since most women married at the age of around 14. Furthermore divorce is forbidden, which, at this point, mirrors the time More lived in. This clearly influenced all the following writers of dystopian novels. They imagine a world that is negatively silhouetted against their own world. And since love is a big part of every society it is also a big part in every dystopian society. When looking for “the most famous dystopian novels” on Google, two that are immediately suggested are "Brave New World" by Aldous Huxley and "1984" by George Orwell. Both have one thing in common: their rather negative and, for us, rather unusual attitude towards love, relationships and sex.

Sexual repression and its significance in Orwell's "Nineteen Eighty-Four" and Huxley's "Brave New World"

Sexual repression and its significance in Orwell's Author: Felix B.
Publisher: GRIN Verlag
ISBN: 3656817669
Category : Foreign Language Study
Languages : en
Pages : 22

Book Description
Seminar paper from the year 2011 in the subject Didactics for the subject English - Literature, Works, grade: 2,3, Ernst Moritz Arndt University of Greifswald, language: English, abstract: We all live in a society where the fear of the surveillance state is definitely valid. In a wide range of countries all over the world everyday life is monitored by cameras, credit card transactions, satellites or phone tapping to name but a few examples. ‘There are up to 4.2m CCTV cameras in Britain - about one for every 14 people’ according to an BBC News article from 2006. It’s safe to assume that this number increase steadily and is still higher up to the present day. More recently, the social network Facebook hit the headlines in view of the fact that an Austrian law student requested all information the company had on him. He later received a parcel including 800 pages of personal information detailing Facebook events he had responded to, places he had checked-in, IP addresses where he last used the site, and other private details. Most of the user data was actually deleted by the student but still available for the operators of the social network (cf. Cyrus Farivar 30.09.2011). It’s quite remarkable that these current issues of surveillance and data piracy are similarly picked up on dystopian novels at the beginning of the twentieth century. George Orwell's Nineteen Eighty-Four can be cited as one of the best examples and it sometimes seems that we are not far from Orwell’s world. The populace of his fictional society is monitored by a two-way telescreen in every condition of life. By doing this, The Party has wide influence on its adherent’s behaviour. One of the most significant aspects is thereby the manipulation and repression of human sexuality and its importance for the strong government. This is also true for the work of Aldous Huxley. His dystopian novel Brave New World was published nearly two decades before the origin of Orwell’s Nineteen Eighty-Four. Besides George Orwell, he is another significant English writer of the so-called dystopian fiction and with Brave New World he provided a good basis of comparison to Nineteen Eighty-Four. This term paper should examine differences and similarities between Huxley’s and Orwell’s visions of the future with focus on the aspect of sexual repression. Besides the comparison, this form of repression will be examined closely in view of its purpose for the existence of both fictional states. Starting from the background, different areas of life will be analysed in the main part before giving a comparison to our society today. In conclusion a review on the topic will be given.

Power, Language and Sexuality in Aldous Huxley's "Brave New World" and George Orwell's "Nineteen Eighty-four"

Power, Language and Sexuality in Aldous Huxley's Author: Dana Frei
Publisher:
ISBN:
Category :
Languages : en
Pages : 198

Book Description


Gale Researcher Guide for: Utopian and Dystopian Fiction: Aldous Huxley

Gale Researcher Guide for: Utopian and Dystopian Fiction: Aldous Huxley PDF Author: M. Keith Booker
Publisher: Gale, Cengage Learning
ISBN: 1535854537
Category : Study Aids
Languages : en
Pages : 10

Book Description
Gale Researcher Guide for: Utopian and Dystopian Fiction: Aldous Huxley is selected from Gale's academic platform Gale Researcher. These study guides provide peer-reviewed articles that allow students early success in finding scholarly materials and to gain the confidence and vocabulary needed to pursue deeper research.

Desire and Empathy in Twentieth-Century Dystopian Fiction

Desire and Empathy in Twentieth-Century Dystopian Fiction PDF Author: Thomas Horan
Publisher: Springer
ISBN: 3319706756
Category : Literary Criticism
Languages : en
Pages : 220

Book Description
This book assesses key works of twentieth-century dystopian fiction, including Katharine Burdekin’s Swastika Night, George Orwell’s Nineteen Eighty-Four, and Margaret Atwood’s The Handmaid’s Tale, to demonstrate that the major authors of this genre locate empathy and morality in eroticism. Taken together, these books delineate a subset of politically conscious speculative literature, which can be understood collectively as projected political fiction. While Thomas Horan addresses problematic aspects of this subgenre, particularly sexist and racist stereotypes, he also highlights how some of these texts locate social responsibility in queer and other non-heteronormative sexual relationships. In these novels, even when the illicit relationship itself is truncated, sexual desire fosters hope and community.

Beyond Smart Cities

Beyond Smart Cities PDF Author: José A. Ondiviela
Publisher: Springer Nature
ISBN: 3030833712
Category : Computers
Languages : en
Pages : 415

Book Description
Cities are experiencing unprecedented times. In addition of managing the best possible post-pandemic recovery, Cities are at the beginning of the 4th industrial revolution, and all want to play a relevant role in it. To achieve this, they must retain and attract the necessary talent. There is a fierce competition where cities transform to become as attractive as possible. But what makes a city attractive (from emotional and rational sides) to talented citizens? For mayors and city directors: how can I prepare my city for this goal? What kind of transformations in the medium-long term should I develop? And in the short term, what processes and technologies (SmartCity) should I put in place? And from the point of view of citizens: how do I choose the best city to develop my full potential? Which one offers me the best citizenship contract? Where am I going to enjoy the best services with the highest quality of life and lower taxes/cost of life? In addition, the city must be attractive, with a strong identity and dynamism and promising future. Can I find the cities that best suit my aesthetic and emotional preferences, and that also offer me the services that I consider a priority at the lowest cost to my pocket? Find all the answers in this book.

Collective Identity in Dystopian Fiction

Collective Identity in Dystopian Fiction PDF Author: Juston Goth
Publisher:
ISBN:
Category :
Languages : en
Pages : 68

Book Description


Brave New World

Brave New World PDF Author: Robert S. Baker
Publisher: Macmillan Reference USA
ISBN:
Category : Fiction
Languages : en
Pages : 174

Book Description
Written in an easy-to-read, accessible style by teachers with years of classroom experience, Masterwork Studies are guides to the literary works most frequently studied in high school. Presenting ideas that spark imaginations, these books help students to gain background knowledge on great literature useful for papers and exams. The goal of each study is to encourage creative thinking by presenting engaging information about each work and its author. This approach allows students to arrive at sound analyses of their own, based on in-depth studies of popular literature. Each volume: -- Illuminates themes and concepts of a classic text -- Uses clear, conversational language -- Is an accessible, manageable length from 140 to 170 pages -- Includes a chronology of the author's life and era -- Provides an overview of the historical context -- Offers a summary of its critical reception -- Lists primary and secondary sources and index

The End of Utopia

The End of Utopia PDF Author: Peter Edgerly Firchow
Publisher:
ISBN:
Category : Literary Criticism
Languages : en
Pages : 168

Book Description
Infocus Article - English Peter Firchow explores the modern literary style of Brave New World toprovide a critical analysis of the novel's composition. Among the thingsdiscussed are the construction of the opening chapers, the rich literaryallusions presented by Huxley, and the book's narrative structure. A Study of Aldous Huxley's Brave New World pp. 13-36.

We

We PDF Author: Yevgeny Zamyatin
Publisher: Diamond Pocket Books Pvt Ltd
ISBN: 9356844836
Category : Fiction
Languages : en
Pages : 258

Book Description
We is a dystopian novel written by Russian writer Yevgeny Zamyatin. Originally drafted in Russian, the book could be published only abroad. It was translated into English in 1924. Even as the book won a wide readership overseas, the author's satiric depiction led to his banishment under Joseph Stalin's regime in the then USSR. The book's depiction of life under a totalitarian state influenced the other novels of the 20th century. Like Aldous Huxley's Brave New World and George Orwell's Nineteen Eighty-four, We describes a future socialist society that has turned out to be not perfect but inhuman. Orwell claimed that Brave New World must be partly derived from We, but Huxley denied this. The novel is set in the future. D-503, a spacecraft engineer, lives in the One State which assists mass surveillance. Here life is scientifically managed. There is no way of referring to people except by their given numbers. The society is run strictly by reason as the primary justification for the construct of the society. By way of formulae and equations outlined by the One State, the individual's behaviour is based on logic.