Love and Revolution in the Twentieth-Century Colonial and Postcolonial World PDF Download

Author: G. Arunima
Publisher: Springer Nature
ISBN: 3030795802
Category : History
Languages : en
Pages : 375

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Book Description
This book addresses emancipatory narratives from two main sites in the colonial world, the Indian and southern African subcontinents. Exploring how love and revolution interrelate, this volume is unique in drawing on theories of affect to interrogate histories of the political, thus linking love and revolution together. The chapters engage with the affinities of those who live with their colonial pasts: crises of expectations, colonial national convulsions, memories of anti-colonial solidarity, even shared radical libraries. It calls attention to the specific and singular way in which notions of ‘love of the world’ were born in a precise moment of anti-colonial struggle: a love of the world for which one would offer one’s life, and for which there had been little precedent in the history of earlier revolutions. It thus offers new ways of understanding the shifts in global traditions of emancipation over two centuries.

Author: Christiane-Marie Abu Sarah
Publisher: Bloomsbury Publishing
ISBN: 1350383775
Category : History
Languages : en
Pages : 265

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Book Description
In autumn 1951, a diverse array of Muslim, Christian, and Jewish students from clubs like the Muslim Brotherhood and the Worker's Vanguard launched a guerrilla struggle against British occupation of the Suez Canal Zone. Revolutionary Emotions in Cold War Egypt recovers this overshadowed revolution of 1951, and the part played by the “Canal struggle” in the overthrow of the Egyptian monarchy. In a study spanning a half-dozen international archives, the book delves into the divisive court cases and rousing club newspapers, intimate memoirs and personal poetry of Egyptian activists. These documents reveal that in the early years of the Cold War, morality tales and moral emotions were at the heart of the methods and the successes of Egyptian activists. What stories did activists tell, and how did the emotional appeals and “moral talk” of Islamist and communist clubs compare? How did Arabic-speaking populations negotiate moral norms, and what role did emotions like love, anger, and disgust play in political campaigns? Taking a journey through Islamic parables about perilous beaches, communist adaptations of Greek myths, and popular stories about Juha's Nail and Paul Revere's Ride through the Suez Canal, this book uncovers a rich history of activist storytelling. These practices uncover the mechanics of morality tales, and reveal how activists used narratives to convert emotion to motion and drive social change. Still vitally important for readers today, such findings shed light on how paramilitary groups and protest movements use moral appeals to attract support-and why activist campaigns become the controversial epicentre of polarizing emotional battles.

Author: Mallarika Sinha Roy
Publisher: Cambridge University Press
ISBN: 1009264095
Category : Literary Criticism
Languages : en
Pages : 147

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Book Description
Among the most significant playwrights and theatre-makers of postcolonial India, Utpal Dutt (1929–1993), was an early exponent of rethinking colonial history through political theatre. Dutt envisaged political theatre as part of the larger Marxist project, and his incorporation of new developments in Marxist thinking, including the contributions of Antonio Gramsci, makes it possible to conceptualise his protagonists as insurgent subalterns. A decolonial approach to staging history remained a significant element in Dutt's artistic project. This Element examines Dutt's passionate engagement with Marxism and explores how this sense of urgency was actioned through the writing and producing of plays about the peasant revolts and armed anti-colonial movements which took place during the period of British rule. Drawing on contemporary debates in political theatre regarding the autonomy of the spectator and the performance of history, the author locates Dutt's political theatre in a historical frame.

Author: Sharmila Purkayastha
Publisher: Cambridge University Press
ISBN: 1009392751
Category : Political Science
Languages : en
Pages : 338

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Book Description
An intervention in the field of dissenting writings by women political detainees in India in the 1970s, and it straddles three interlinked areas: politics, prison and writing. It focuses on writings arising out of Bengal's Naxalite movement (1967–1975) and from the pan-Indian period of Emergency (1975–1977).

Author: Feras Hammami
Publisher: Springer Nature
ISBN: 3030777081
Category : Social Science
Languages : en
Pages : 304

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Book Description
This book is about the entanglement of heritage and resistance in different situations of conflicts, and the opportunities this entanglement may provide for social justice. This entanglement is investigated in the different contributions through theoretical and empirical analyses of heritage-led resistance to neoliberal economic development, violation of the subaltern, authorised narratives and state-invented traditions, colonialism and settler colonialism, and even dominating discourses of social movement, to name just a few. Crossing the disciplinary boundaries of heritage and resistance studies, these analyses bring new insights into several timely debates, especially those concerned with the interrelated critical questions of displacement, gentrification, exclusion, marginalization, urbicide, spatial cleansing, dehumanization, alienation, ethnic cleansing and social injustice. Following our purposeful and future-driven approach, we wish to bring new energy to the field of heritage studies through the focus on the potential of heritage and resistance for hopeful change rather than adding to the field yet another overwhelming engagement with conflict and war.

Author: Antawan I. Byrd
Publisher: Yale University Press
ISBN: 030026688X
Category : Photography
Languages : en
Pages : 425

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Book Description
A roster of prominent artists, curators, and scholars offers a new, entirely contemporary approach to our understanding of photography and media Focusing on the Art Institute of Chicago's deep and varied collection of photographs, books and other printed matter, installation art, photobooks, albums, and time-based media, this ambitious, wide-ranging volume features short essays by prominent artists, curators, university professors, and independent scholars that explore topics essential to understanding photography and media today. The essays, organized around themes ranging from the expected to the esoteric, are paired with key objects from the collection in order to address issues of aesthetics, history, philosophy, power relations, production, and reception. More than 400 high-quality reproductions amplify the authors' arguments and suggest additional dialogues across conventional divisions of chronology, genre, geography, and technology. An introductory essay by Matthew S. Witkovsky traces the museum's history of acquisitions and how the evolution of the museum's collection reflects broader changes in the critical reception of the field of photography and media. Distributed for the Art Institute of Chicago

Author: Jack Goldstone
Publisher: Westview Press
ISBN:
Category : History
Languages : en
Pages : 416

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Book Description
Departing from the “Great Revolutions” tradition, Jack A. Goldstone, Ted Robert Gurr, and Farrokh Moshiri have drawn together a variety of area experts to examine contemporary revolutionary crises in light of recent social and political developments. The result is a wide-ranging compendium of cases placed in current theoretical perspective.The book opens with a survey of theories of revolutionary conflict, ranging from Marx and Engels to Skocpol and Tilly. Next, Goldstone lays out an analytical framework for understanding contemporary revolutions that traces a sequence from processes of state breakdown and the ensuing struggle for power to the process of state reconstruction. The framework is then used to examine ten very different revolutionary crises—in Vietnam, Nicaragua, Iran, Poland, Afghanistan, the Philippines, Cambodia, Zimbabwe, South Africa, and the Palestinian uprising in the West Bank and Gaza. Factors implicit in state breakdown and reconstruction such as political and fiscal crisis, elite divisions, and mass mobilization are highlighted in the analyses of the individual crises.The concluding chapter, coauthored by Gurr and Goldstone, compares the origins, dynamics, and outcomes of the revolutions in the case studies and applies the findings to ongoing and prospective cases. Taken together, the contributors' and editors' work shows that the end of the cold war does not signal the end of revolution and that with proper attention to certain conditions and factors, revolutionary “surprises''—such as those in Eastern Europe—need not catch us off guard in the years ahead.THIS PARAGRAPH FOR TEXT PROMOTION ONLYAppropriate for upper division courses in revolutions and social movements, Revolutions of the Late Twentieth Century is fully documented, illustrated with maps, figures, and comparative tables, and bolstered by chronologies to accompany each country-specific chapter.

Author: Prem Poddar
Publisher: Edinburgh University Press
ISBN: 0748650970
Category : Literary Criticism
Languages : en
Pages : 847

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Book Description
The first reference work to provide an integrated and authoritative body of information about the political, cultural and economic contexts of postcolonial literatures that have their provenance in the major European Empires of Belgium, Denmark, France, G

Author: Rashmi Varma
Publisher: Routledge
ISBN: 113680403X
Category : Literary Criticism
Languages : en
Pages : 239

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Book Description
This book considers twentieth and twenty-first century literary and cultural formations of the postcolonial city and the constitution of new subjects within it. Varma offers a reading of both historical and contemporary debates on urbanism through the filter of postcolonial fictions and the cultural fields surrounding and containing them. In particular, she presents a representational history of London, Nairobi and Bombay in the twentieth and twenty-first centuries and engages three key theoretical frameworks—the city within postcolonial theory and culture (its troubled salience in the construction of postcolonial public spheres and identities, from local, rural, ethnic/"tribal", and regional to "national", cosmopolitan and transnational subjects and spaces); postcolonial fictions as constituting a new world literary space and as a site of the articulation of contending narratives of urban space, global culture and postcolonial development; and postcolonial feminist citizenship as a universal political project challenging current neo-liberal and post neo-liberal contractions and eviscerations of public spaces and rights.

Author: Natalie Diaz
Publisher: Graywolf Press
ISBN: 1644451131
Category : Poetry
Languages : en
Pages : 116

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Book Description
WINNER OF THE 2021 PULITZER PRIZE IN POETRY FINALIST FOR THE 2020 NATIONAL BOOK AWARD FOR POETRY Natalie Diaz’s highly anticipated follow-up to When My Brother Was an Aztec, winner of an American Book Award Postcolonial Love Poem is an anthem of desire against erasure. Natalie Diaz’s brilliant second collection demands that every body carried in its pages—bodies of language, land, rivers, suffering brothers, enemies, and lovers—be touched and held as beloveds. Through these poems, the wounds inflicted by America onto an indigenous people are allowed to bloom pleasure and tenderness: “Let me call my anxiety, desire, then. / Let me call it, a garden.” In this new lyrical landscape, the bodies of indigenous, Latinx, black, and brown women are simultaneously the body politic and the body ecstatic. In claiming this autonomy of desire, language is pushed to its dark edges, the astonishing dunefields and forests where pleasure and love are both grief and joy, violence and sensuality. Diaz defies the conditions from which she writes, a nation whose creation predicated the diminishment and ultimate erasure of bodies like hers and the people she loves: “I am doing my best to not become a museum / of myself. I am doing my best to breathe in and out. // I am begging: Let me be lonely but not invisible.” Postcolonial Love Poem unravels notions of American goodness and creates something more powerful than hope—in it, a future is built, future being a matrix of the choices we make now, and in these poems, Diaz chooses love.