Love and Conflict in Medieval Drama PDF Download

Author: Lynette Muir
Publisher: Cambridge University Press
ISBN: 0521827566
Category : Drama
Languages : en
Pages : 18

View

Book Description
A detailed study of the stories dramatised in Europe before 1500.

Author: Lynette R. Muir
Publisher: Palgrave
ISBN: 9780333325582
Category : History
Languages : en
Pages : 267

View

Book Description

Author: David Bevington
Publisher: Hackett Publishing
ISBN: 1624665667
Category : Drama
Languages : en
Pages : 1105

View

Book Description
This reprint (with updated 'Suggestions for Further Reading') of the Houghton Mifflin edition makes David Bevington's classic anthology of medieval drama available again at an affordable price.

Author: Nadia Thérèse van Pelt
Publisher: Routledge
ISBN: 042951414X
Category : History
Languages : en
Pages : 180

View

Book Description
Drama in Medieval and Early Modern Europe moves away from the customary conceptual framework that artificially separates ‘medieval’ from ‘early modern’ drama to explore the role of drama and spectacle in England, France, the Low Countries, Spain, Italy, Switzerland, and the German-speaking areas that now constitute Austria and Germany. This book investigates the ranges of dramatic and performative techniques and strategies that playmakers across Europe used to adapt their work to the changing contexts in which they performed, and to the changing or expanding audiences that they faced. It considers the different views expressed through drama and spectacle on shared historical events, how communities coped with similar issues and why they ritually recycled these themes through reinvented or alternative forms that replaced or existed alongside their predecessors. A wide variety of genres of play are discussed throughout, including visitatio sepulchri (visit to the tomb) plays; Easter and Passion plays and morality plays; the French civic mystère; Italian sacre rappresentazioni performed by choirboys in the context of the church; Bürgertheater from the Swiss Confederacy; drama performed for the purpose of royal entertainment and propaganda; May and summer games; and the commercial, professional theatre of Shakespeare and Lope de Vega. Examining the strength of drama in relation to the larger cultural forces to which it adapted, and demonstrating the use of social, political, economic, and artistic networks to educate and support the social structures of communities, Drama in Medieval and Early Modern Europe offers a broader understanding of a shared European past across the traditional chronological divide of 1500. It is ideal for students of social history, and the history of medieval and early modern drama or literature.

Author: Arthur F. Kinney
Publisher: John Wiley & Sons
ISBN: 1118823982
Category : Literary Criticism
Languages : en
Pages : 660

View

Book Description
A New Companion to Renaissance Drama provides an invaluable summary of past and present scholarship surrounding the most popular and influential literary form of its time. Original interpretations from leading scholars set the scene for important paths of future inquiry. A colorful, comprehensive and interdisciplinary overview of the material conditions of Renaissance plays, England's most important dramatic period Contributors are both established and emerging scholars, with many leading international figures in the discipline Offers a unique approach by organizing the chapters by cultural context, theatre history, genre studies, theoretical applications, and material studies Chapters address newest departures and future directions for Renaissance drama scholarship Arthur Kinney is a world-renowned figure in the field

Author:
Publisher:
ISBN:
Category : Languages, Modern
Languages : en
Pages : 2426

View

Book Description

Author: Helen Cooper
Publisher: Bloomsbury Publishing
ISBN: 1408138980
Category : Literary Criticism
Languages : en
Pages : 287

View

Book Description
Helen Cooper's unique study examines how continuations of medieval culture into the early modern period, forged Shakespeare's development as a dramatist and poet. Medieval culture pervaded his life and work, from his childhood, spent within reach of the last performances of the Coventry Corpus Christi plays, to his dramatisation of Chaucer in The Two Noble Kinsmen three years before his death. The world he lived in was still largely a medieval one, in its topography and its institutions. The language he spoke had been forged over the centuries since the Norman Conquest. The genres in which he wrote, not least historical tragedy, love-comedy and romance, were medieval inventions. A high proportion of his plays have medieval origins and he kept returning to Chaucer, acknowledged as the greatest poet in the English language. Above all, he grew up with an English tradition of drama developed during the Middle Ages that assumed that it was possible to stage anything - all time, all space. Shakespeare and the Medieval World provides a panoramic overview that opens up new vistas within his work and uncovers the richness of his inheritance.

Author: Joseph P. Dane
Publisher: Gale, Cengage Learning
ISBN: 1535852658
Category : Study Aids
Languages : en
Pages : 16

View

Book Description
Gale Researcher Guide for: The Languages, Codes, and Genres of Medieval Theater is selected from Gale's academic platform Gale Researcher. These study guides provide peer-reviewed articles that allow students early success in finding scholarly materials and to gain the confidence and vocabulary needed to pursue deeper research.

Author: S. P. Cerasano
Publisher: Fairleigh Dickinson Univ Press
ISBN: 0838642691
Category : English drama
Languages : en
Pages : 199

View

Book Description
MEDIEVAL AND RENAISSANCE DRAMA IN ENGLAND, now over twenty years in publication, is an international journal committed to the publication of essays and reviews relevant to drama and theatre history to 1642. MaRDiE 23 features essays by MacDonald P. Jackson on authorship as related to Shakespeare, Kyd, and Arden of Faversham. James Hirsh considers the editing of Hamlet's 'To be, or not to be' in light of both conventional and emerging editorial theory. Politics and prophecy, as they influence Friar Bacon and Friar Bungay is at the centre of Brian Walsh's contribution, while John Curran uses declamation as a rhetorical strategy in order to focus on character in the Fletcher-Massinger plays. Chris Fitter considers vagrancy and 'vestry values' in Shakespeare's As You Like It and June Schlueter reconsiders the matter of theatrical cartography and The View of London from the North. The collection of reviews range from books on early modern dietaries and Shakespeare's plays to those on male friendship and theatre economics.

Author:
Publisher:
ISBN:
Category : Civilization, Medieval
Languages : en
Pages : 234

View

Book Description
Includes a selection of papers presented at the Fifteenth-Century Symposia, 1977-