Lost Secrets of Flemish Painting PDF Download

Author: Sir Théodore Turquet de Mayerne
Publisher:
ISBN: 9780971650008
Category : Painting
Languages : en
Pages : 386

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Author: Craig A. Hanson
Publisher: University of Chicago Press
ISBN: 0226315878
Category : Art
Languages : en
Pages : 343

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This study aims to overturn 20th-century criticism that cast the English virtuosi of the 17th and early 18th centuries as misguided dabblers, arguing that they were erudite individuals with solid grounding in the classics, deep appreciation for the arts and sincere curiosity about the natural world.

Author: Michael Price
Publisher: Page Publishing, Incorporated
ISBN: 9781682139073
Category :
Languages : en
Pages :

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Book Description
The two volumes are an in-depth examination of a lost painting tradition. The books examine how the physical properties of natural and mineral pigments such as azurite, lapis lazuli, malachite, or cinnabar used by artists of the European Renaissance shaped a painting process in which each painting required a thorough plan or composition which began with the geometry of the format (i.e. the proportion of height to width of a rectangle). Volume 1 presents the artist as a painter-craftsman with the preparation of natural colour from rocks and crystals and their application in appropriate binding mediums. The difference in colour quality between natural mineral pigments and modern synthetic paint is examined. Chapters include comprehensive step-by-step instruction for the contemporary artist and conservation scientist on how to prepare and paint with the incomparably luminous colours of the Renaissance palette, as well as the preparation of historical painting supports and grounds. Volume 2, the artist as a creative intellectual, links the painter's craft with the creative process and elucidates the degree of compositional planning starting with the painting's rectangular format. The demonstrated evidence for the application of Euclidean geometry is based upon exact measurements of painted surfaces on panels, X-radiographs, and infrared images from paintings. The final chapter concludes with the reasons for the demise of this painting tradition and how industrialization and the standardization of art materials led to a new painting tradition from the nineteenth century.

Author: Jane Jelley
Publisher: Oxford University Press
ISBN: 0192506919
Category : Art
Languages : en
Pages : 318

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Book Description
Johannes Vermeer's luminous paintings are loved and admired around the world, yet we do not understand how they were made. We see sunlit spaces; the glimmer of satin, silver, and linen; we see the softness of a hand on a lute string or letter. We recognise the distilled impression of a moment of time; and we feel it to be real. We might hope for some answers from the experts, but they are confounded too. Even with the modern technology available, they do not know why there is no evidence of any preliminary drawing; why there are shifts in focus; and why his pictures are unusually blurred. Some wonder if he might possibly have used a camera obscura to capture what he saw before him. The few traces Vermeer has left behind tell us little: there are no letters or diaries; and no reports of him at work. Jane Jelley has taken a new path in this detective story. A painter herself, she has worked with the materials of his time: the cochineal insect and lapis lazuli; the sheep bones, soot, earth, and rust. She shows us how painters made their pictures layer by layer; she investigates old secrets; and hears travellers' tales. She explores how Vermeer could have used a lens in the creation of his masterpieces. The clues were there all along. After all this time, now we can unlock the studio door, and catch a glimpse of Vermeer inside, painting light.

Author: Janice Neri
Publisher: U of Minnesota Press
ISBN: 0816667640
Category : Art
Languages : en
Pages : 265

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Book Description
How the picturing of insects inspired new ideas about art, science, nature, and commerce

Author: Mark Lamster
Publisher: Anchor
ISBN: 0307387356
Category : Biography & Autobiography
Languages : en
Pages : 346

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Book Description
Although his popularity is eclipsed by Rembrandt today, Peter Paul Rubens was revered by his contemporaries as the greatest painter of his era, if not of all history. His undeniable artistic genius, bolstered by a modest disposition and a reputation as a man of tact and discretion, made him a favorite among monarchs and political leaders across Europe—and gave him the perfect cover for the clandestine activities that shaped the landscape of seventeenth-century politics. In Master of Shadows, Mark Lamster brilliantly recreates the culture, religious conflicts, and political intrigues of Rubens’s time, following the painter from Antwerp to London, Madrid, Paris, and Rome and providing an insightful exploration of Rubens’s art as well as the private passions that influenced it.

Author:
Publisher: BRILL
ISBN: 9004324305
Category : Philosophy
Languages : en
Pages : 288

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Book Description
Archival Afterlives explores the posthumous fortunes of scientific and medical archives in early modern Britain. If early modern natural philosophers claimed all knowledge as their province, theirs was a paper empire. But how and why did naturalists engage with archives, and in particular, with the papers of their dead predecessors? This volume makes a firm case for expanding what counts as scientific labour, integrating scribes, archivist, library keepers, editors, and friends and family of deceased naturalists into the history of science. It shows how early modern natural philosophers pursued new natural knowledge in dialogue with their recent material past. Finally, it demonstrates the sustaining importance of archival institutions in the growth and development of the “New Sciences.” Contributors are: Arnold Hunt, Michael Hunter, Vera Keller, Carol Pal, Anna Marie Roos, Richard Serjeantson, Victoria Sloyan, Alison Walker, and Elizabeth Yale.

Author: Joyce Hill Stoner
Publisher: Routledge
ISBN: 1136000410
Category : Antiques & Collectibles
Languages : en
Pages : 917

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Book Description
Conservation of Easel Paintings is the first comprehensive text on the history, philosophy, and methods of treatment of easel paintings that combines both theory with practice. With contributions from an international group of experts and interviews with important artists, this volume provides an all-encompassing guide to necessary background knowledge in technical art history, artists' materials, scientific methods of examination and documentation, with sections that present varying approaches and methods for treatment, including consolidation, lining, cleaning, retouching, and varnishing. The book concludes with a section featuring issues of preventive conservation, storage, shipping, exhibition, lighting, safety issues, and public outreach. Conservation of Easel Paintings is a crucial resource in the training of conservation students and will provide generations of practicing paintings conservators and interested art historians, curators, directors, collectors, dealers, artists, and students of art and art history with invaluable information and guidance.

Author: Thomas Nail
Publisher:
ISBN: 0190924039
Category : Art
Languages : en
Pages : 433

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Book Description
We live in an age of the mobile image. The world today is absolutely saturated with images of all kinds circulating around the world at an incredible rate. The movement of the image has never been more extraordinary than it is today. This recent kinetic revolution of the image has enormous consequences not only for the way we think about contemporary art and aesthetics but also for art history as well. Responding to this historical moment, Theory of the Image offers a fresh new theory and history of art from the perspective of this epoch-defining mobility. The image has been understood in many ways, but it is rarely understood to be fundamentally in motion. The original and materialist approach is what defines Theory of the Image and what allows it to offer the first kinetic history of the Western art tradition. In this book, Thomas Nail further develops his larger philosophy of movement into a comprehensive "kinesthetic" of the moving image from prehistory to the present. The book concludes with a vivid analysis of the contemporary digital image and its hybridity, ultimately outlining new territory for research and exploration across aesthetics, art history, cultural theory, and media studies.

Author: Mihaela D. Leonida
Publisher: Springer Science & Business Media
ISBN: 3319048287
Category : Technology & Engineering
Languages : en
Pages : 143

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This book describes in detail the materials and techniques used by medieval iconographers. It offers information about the natural sources, the raw materials, the tools and the technologies involved in preparing them. The book allows entry into the secretive world of very knowledgeable and skilled artisans, about which very little is known. Topics covered include raw materials, pigments, binders, solvents, adhesives, inks and varnishes. Special chapters will be dedicated to the fresco technique as practiced by the early iconographers, grinding, painting on glass and the training/apprenticeship of these craftsmen.