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Author: Museum of Modern Art (New York, N.Y.) Publisher: ISBN: Category : Art Languages : en Pages : 432
Book Description
Account of the rise of modernism in the art of Latin America, published to accompany the exhibition Latin American Artists of the Twentieth Century at The Museum of Modern Art, New York.
Author: Museum of Modern Art (New York, N.Y.) Publisher: ISBN: Category : Art Languages : en Pages : 432
Book Description
Account of the rise of modernism in the art of Latin America, published to accompany the exhibition Latin American Artists of the Twentieth Century at The Museum of Modern Art, New York.
Author: Tatiana Flores Publisher: Duke University Press ISBN: 9781934491577 Category : Art Languages : en Pages : 352
Book Description
Relational Undercurrents accompanies an exhibition by the same name that opens at the Museum of Latin American Art in Long Beach, California in September, 2017. The exhibition and edited volume call attention to the artistic production of the Caribbean islands and their diasporas, challenging the conventional geographic and conceptual boundaries of Latin America.
Author: Publisher: Turner (Spain) ISBN: Category : Art Languages : es Pages : 316
Book Description
From November 2006 to January 2007, Plataforma Puebla took over the oldest factory in Mexico, La Constancia in Puebla, for a large-scale exhibition showcasing more than 60 Latin American artists. The curators charted an artistic cartography of the city around the site, and made interventions that spilled over into the streets--altering traffic, inviting viewers to reevaluate the roles of landmarks, and highlighting connections between the landscape and its past. They connected viewers to alternate narratives that would otherwise have passed unnoticed, giving them a new experience of the same place without erasing or overwriting the existing one. Plataforma Puebla 2006 showcases participants including Teresa Margolles, Santiago Sierra, Francis Alÿs, Carlos Amorales, Thomas Glassford, Gabriel Orozco, Daniel Guzmán, Damián Ortega and Melanie Smith. It also includes essays on art and technology by curators Príamo Lozada and Bárbara Perea and additional texts by a host of international theorists, art historians, philosophers and the artists themselves.
Author: Andrea Giunta Publisher: Duke University Press ISBN: 082238969X Category : Art Languages : en Pages : 445
Book Description
The 1960s were heady years in Argentina. Visual artists, curators, and critics sought to fuse art and politics; to broaden the definition of art to encompass happenings and assemblages; and, above all, to achieve international recognition for new, cutting-edge Argentine art. A bestseller in Argentina, Avant-Garde, Internationalism, and Politics is an examination of the 1960s as a brief historical moment when artists, institutions, and critics joined to promote an international identity for Argentina’s visual arts. The renowned Argentine art historian and critic Andrea Giunta analyzes projects specifically designed to internationalize Argentina’s art and avant-garde during the 1960s: the importation of exhibitions of contemporary international art, the sending of Argentine artists abroad to study, the organization of prize competitions involving prestigious international art critics, and the export of exhibitions of Argentine art to Europe and the United States. She looks at the conditions that made these projects possible—not least the Alliance for Progress, a U.S. program of “exchange” and “cooperation” meant to prevent the spread of communism through Latin America in the wake of the Cuban Revolution—as well as the strategies formulated to promote them. She describes the influence of Romero Brest, prominent art critic, supporter of abstract art, and director of the Centro de Artes Visuales del Instituto Tocuato Di Tella (an experimental art center in Buenos Aires); various group programs such as Nueva Figuración and Arte Destructivo; and individual artists including Antonio Berni, Alberto Greco, León Ferrari, Marta Minujin, and Luis Felipe Noé. Giunta’s rich narrative illuminates the contentious postwar relationships between art and politics, Latin America and the United States, and local identity and global recognition.
Author: María Berríos Publisher: ISBN: Category : Art, Chilean Languages : es Pages : 662
Book Description
Analyzes the evolution of contemporary art in Chile from 1973 to 2007. This edition reproduces more than 500 color images of works by 74 contemporary artists (selected by editor Mosquera) including names such as: Juan Downey, Carlos Arias, (Santiago, Chile, 1964); Juan Castillo, (Antofagasta, 1952); Eugenio Dittborn, (Santiago, Chile, 1943); Paz Errzuriz, (Santiago, Chile, 1944); Volupsa Jarpa, (Rancagua, 1971); Carlos Leppe, (Santiago, Chile, 1952); and Carolina Ruff, (Santiago, Chile, 1973), as well as younger generation artists. The artists are presented in alphabetical order with brief introductory texts. Each reproduced work is rigorously documented with a caption that, in addition to providing the technical data offers the reader a description of the work for better comprehension. Six essays by noted critics and art historians: Guillermo Machuca, Mar̕a Berr̕os, Justo Pastor Mellado, Catalina Mena, Nelly Richard y Adriana V̀lads (description provided by vendor).
Author: Museum of Modern Art (New York, N.Y.)
Author: Museum of Modern Art (New York, N.Y.)
Author: Museo de Arte Moderno La Tertulia
Author: Tatiana Flores
Author: Benson Latin American Collection
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Author: 
Author: Andrea Giunta
Author: Ana Mendieta
Author: 
Author: María Berríos