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Author: Jacinto Benavente Publisher: Dover Publications ISBN: 9780486430867 Category : Foreign Language Study Languages : en Pages : 0
Book Description
One of Spain's most important dramatists of the twentieth century and winner of the Nobel Prize for literature in 1922, Jacinto Benavente y Martínez wrote more than 150 plays in his lifetime. The best known of these is Los intereses creados — a social satire in the guise of farce. Premiering in late 1907, the work was instantly acclaimed throughout Europe. Similar in structure to a puppet drama, the play incorporates such traditional characters from the commedia dell'arte as the Doctor, the Captain, Harlequin, Columbine, Pantaloon, and Punchinello — with Crispin, a crafty and deceitful servant, manipulating them with invisible strings in the fashion of a spectacular puppet master. A sparkling satire on selfishness and greed in the modern world, the drama is reprinted here in a dual-language edition that not only allows students of Spanish to read a brilliant playwright's masterpiece in the original, but also provides readers with an excellent English translation of a theatrical classic.
Author: Jacinto Benavente Publisher: Dover Publications ISBN: 9780486430867 Category : Foreign Language Study Languages : en Pages : 0
Book Description
One of Spain's most important dramatists of the twentieth century and winner of the Nobel Prize for literature in 1922, Jacinto Benavente y Martínez wrote more than 150 plays in his lifetime. The best known of these is Los intereses creados — a social satire in the guise of farce. Premiering in late 1907, the work was instantly acclaimed throughout Europe. Similar in structure to a puppet drama, the play incorporates such traditional characters from the commedia dell'arte as the Doctor, the Captain, Harlequin, Columbine, Pantaloon, and Punchinello — with Crispin, a crafty and deceitful servant, manipulating them with invisible strings in the fashion of a spectacular puppet master. A sparkling satire on selfishness and greed in the modern world, the drama is reprinted here in a dual-language edition that not only allows students of Spanish to read a brilliant playwright's masterpiece in the original, but also provides readers with an excellent English translation of a theatrical classic.
Author: Douglas Clayton Publisher: McGill-Queen's Press - MQUP ISBN: 0773564411 Category : Performing Arts Languages : en Pages : 388
Book Description
Douglas Clayton examines the tradition of commedia dell'arte as the Russian modernists inherited it, from its origins in Italian street theatre through its various transformations: in Italy (Gozzi and Goldini's plays); in France (the development of Pierrot and the restructuring of the plot); and in Germany (Tieck's and Hoffmann's metatheatre). He also analyses crucial texts by Gozzi, Lothar, Benavente, and Schnitzler that came to play a central role in the Russian theatre. Tracing the history of commedia dell'arte on the Russian stage, he demonstrates that the introduction of the tradition was theory-driven and discusses several milestone productions in the pre- and post-revolutionary period. Clayton examines the impact of commedia dell'arte, russified as the new theatrical genre of balagan, on both popular and lesser-known Russian playwrights, and, in conclusion, explores the significance of the commedia dell'arte as a theoretical underpinning for Sergei Eisenstein's theories of theatre and film.
Author: Angel Flores Publisher: Courier Corporation ISBN: 9780486268989 Category : Literary Collections Languages : en Pages : 500
Book Description
Richly varied collection of 10 plays from 16th through 20th centuries. The Vigilant Sentinel by Miguel de Cervantes; Fuente Ovejuna by Lope de Vega; Life Is a Dream by Pedro Calderon de la Barca; Blood Wedding by Federico García Lorca, 6 more. Preface by John Gassner. Introduction and notes on each play.
Author: Virginia Higginbotham Publisher: University of Texas Press ISBN: 029276149X Category : Literary Criticism Languages : en Pages : 200
Book Description
During the years since his death, Federico García Lorca, Spain's best-known twentieth-century poet and playwright, has generally been considered a writer of tragedy. Three of his major plays are fatalistic stories of suffering and death, and his poetry is filled with dread. Yet most of Lorca's dramatic production consists of comedies and farces. Throughout his poetry and prose, as well as in his most somber plays, runs an undercurrent of humor—dark irony and satire—that is in no way contradictory to his tragic view of life. On the contrary, as Virginia Higginbotham demonstrates, through humor Lorca defines, intensifies, and tries to come to terms with what he sees as the essentially hopeless condition of humankind. Although Lorca's comic moments and techniques have been discussed in isolated articles, the importance of humor has largely been ignored in the fundamental studies of his work. Higginbotham is concerned with Lorca's total output: lyric poetry, tragicomedies and farces, avant-garde prose and plays, puppet farces, and master plays. She describes Lorca's place in the mainstream of the Spanish theater and shows his relationship to some relevant non-Spanish dramatists. Furthermore, she discusses ways in which Lorca's work anticipates the modern theater of the absurd. The result is a comprehensive study of an important, but previously ignored, aspect of Lorca's work. The Comic Spirit of Federico García Lorca includes a Lorca chronology and an extensive bibliography.
Author: Jacinto Benavente
Author: Jacinto Benavente
Author: Jacinto Benavente
Author: Douglas Clayton
Author: Walter Fitzwilliam Starkie
Author: Angel Flores
Author: Jaime Luciano Balmes
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Author: Virginia Higginbotham