Los artistas y los límites en la conservación y restauración del arte contemporáneo PDF Download

Author: Joana Cristina Moreira Teixeira
Publisher:
ISBN: 9788480264303
Category :
Languages : es
Pages : 0

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Author: Jorge López Anaya
Publisher: Emece Editores
ISBN: 9789500428699
Category : Art, Modern
Languages : es
Pages : 315

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Author: Heinz Althöfer (ed.)
Publisher: Ediciones AKAL
ISBN: 9788470904233
Category : Art
Languages : es
Pages : 172

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Book Description
El presente libro ofrece una visión de conjunto sobre los materiales y las técnicas del arte contemporáneo desde principios del siglo hasta nuestros días, y muestra las posibilidades que tiene la restauración de este tipo de obras. A través de ejemplos prácticos, se describen las distintas opciones que ofrece la práctica de la restauración, en sus vertientes tradicional y moderna, para conservar correctamente el arte actual y sus nuevas tendencias.

Author: Sonia Santos Gómez
Publisher:
ISBN: 9788417767754
Category :
Languages : es
Pages : 112

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Book Description
La conservación-restauración del arte contemporáneo constituye un gran reto para el profesional dedicado a estas actividades debido a que, en la actualidad, cualquier material o mezcla de sustancias pueden haberse utilizado para configurar la obra. Se emplean desde materiales más tradicionales hasta los desarrollados más recientemente, como los polímeros sintéticos o algunas aleaciones metálicas, etcétera, e incluso ciertas obras han sido configuradas por organismos vivos. Por todo ello, el profesional conservador-restaurador ha de recurrir habitualmente al asesoramiento de personal provenient.

Author: María Berríos
Publisher:
ISBN:
Category : Art, Chilean
Languages : es
Pages : 662

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Book Description
Analyzes the evolution of contemporary art in Chile from 1973 to 2007. This edition reproduces more than 500 color images of works by 74 contemporary artists (selected by editor Mosquera) including names such as: Juan Downey, Carlos Arias, (Santiago, Chile, 1964); Juan Castillo, (Antofagasta, 1952); Eugenio Dittborn, (Santiago, Chile, 1943); Paz Errzuriz, (Santiago, Chile, 1944); Volupsa Jarpa, (Rancagua, 1971); Carlos Leppe, (Santiago, Chile, 1952); and Carolina Ruff, (Santiago, Chile, 1973), as well as younger generation artists. The artists are presented in alphabetical order with brief introductory texts. Each reproduced work is rigorously documented with a caption that, in addition to providing the technical data offers the reader a description of the work for better comprehension. Six essays by noted critics and art historians: Guillermo Machuca, Mar̕a Berr̕os, Justo Pastor Mellado, Catalina Mena, Nelly Richard y Adriana V̀lads (description provided by vendor).

Author: César Alierta
Publisher: Fundacion Telefonica
ISBN:
Category : Art, Cuban
Languages : en
Pages : 218

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Author:
Publisher: Centro Atlantico de Arte Moderno
ISBN:
Category : Art
Languages : es
Pages : 304

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Author: Mark Rothko
Publisher: Yale University Press
ISBN: 9780300114409
Category : Art
Languages : en
Pages : 204

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Book Description
The first collection of Mark Rothko's writings, which range the entire span of his career While the collected writings of many major 20th-century artists, including Barnett Newman, Robert Motherwell, and Ad Reinhardt, have been published, Mark Rothko's writings have only recently come to light, beginning with the critically acclaimed The Artist's Reality: Philosophies of Art. Rothko's other written works have yet to be brought together into a major publication. Writings on Art fills this significant void; it includes some 90 documents--including short essays, letters, statements, and lectures--written by Rothko over the course of his career. The texts are fully annotated, and a chronology of the artist's life and work is also included. This provocative compilation of both published and unpublished writings from 1934--69 reveals a number of things about Rothko: the importance of writing for an artist who many believed had renounced the written word; the meaning of transmission and transition that he experienced as an art teacher at the Brooklyn Jewish Center Academy; his deep concern for meditation and spirituality; and his private relationships with contemporary artists (including Newman, Motherwell, and Clyfford Still) as well as journalists and curators. As was revealed in Rothko's The Artist's Reality, what emerges from this collection is a more detailed picture of a sophisticated, deeply knowledgeable, and philosophical artist who was also a passionate and articulate writer.

Author:
Publisher:
ISBN:
Category : Art
Languages : es
Pages : 680

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Author: Thomas Hirschhorn
Publisher: MIT Press
ISBN: 0262316471
Category : Art
Languages : en
Pages : 439

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Book Description
Writings by Thomas Hirschhorn, collected for the first time, trace the development of the artist's ideas and artistic strategies. For the artist Thomas Hirschhorn, writing is a crucial tool at every stage of his artistic practice. From the first sketch of an idea to appeals to potential collaborators, from detailed documentation of projects to post-disassembly analysis, Hirschhorn's writings mark the trajectories of his work. This volume collects Hirschhorn's widely scattered texts, presenting many in English for the first time. In these writings, Hirschhorn discusses the full range of his art, from works on paper to the massive Presence and Production projects in public spaces. “Statements and Letters” address broad themes of aesthetic philosophy, politics, and art historical commitments. “Projects” consider specific artworks or exhibitions. “Interviews” capture the artist in dialogue with Benjamin Buchloh, Jacques Rancière, and others. Throughout, certain continuities emerge: Hirschhorn's commitment to quotidian materials; the centrality of political and economic thinking in his work; and his commitment to art in the public sphere. Taken together, the texts serve to trace the artist's ideas and artistic strategies over the past two decades. Critical Laboratory also reproduces, in color, 33 Ausstellungen im öffentlichen Raum 1998–1989, an out-of-print catalog of Hirschhorn's earliest works in public space.