Author: VIDYA DEHEJIA
Publisher: Publications Division Ministry of Information & Broadcasting
ISBN: 8123026226
Category :
Languages : en
Pages : 250
Book Description
The book offers its readers an enlivening introduction to the various art forms exhibited in temples,mosques,caves,shrines and ancient monuments of India. The author Vidya Dehejia takes us on a journey of rediscovery through a representative selection of sites from Elephanta on the West coast to Konarak on the East,from the Himalayan ranges in the North to Srirangam in the South-all in the time spam from 1st century B.C. to 18th century A.D. Due importance has been given to particular art sites and objects, in selecting monuments reflective of the art of different parts of the country.Each theme has been prefaced with a general introduction to its artistic style.The book is richly illustrated,well researched and written in a vivid and lucid style,which speaks of the author's deep grasp of her subject.
Looking Again at Indian Art
Author: VIDYA DEHEJIA
Publisher: Publications Division Ministry of Information & Broadcasting
ISBN: 8123026226
Category :
Languages : en
Pages : 250
Book Description
The book offers its readers an enlivening introduction to the various art forms exhibited in temples,mosques,caves,shrines and ancient monuments of India. The author Vidya Dehejia takes us on a journey of rediscovery through a representative selection of sites from Elephanta on the West coast to Konarak on the East,from the Himalayan ranges in the North to Srirangam in the South-all in the time spam from 1st century B.C. to 18th century A.D. Due importance has been given to particular art sites and objects, in selecting monuments reflective of the art of different parts of the country.Each theme has been prefaced with a general introduction to its artistic style.The book is richly illustrated,well researched and written in a vivid and lucid style,which speaks of the author's deep grasp of her subject.
Publisher: Publications Division Ministry of Information & Broadcasting
ISBN: 8123026226
Category :
Languages : en
Pages : 250
Book Description
The book offers its readers an enlivening introduction to the various art forms exhibited in temples,mosques,caves,shrines and ancient monuments of India. The author Vidya Dehejia takes us on a journey of rediscovery through a representative selection of sites from Elephanta on the West coast to Konarak on the East,from the Himalayan ranges in the North to Srirangam in the South-all in the time spam from 1st century B.C. to 18th century A.D. Due importance has been given to particular art sites and objects, in selecting monuments reflective of the art of different parts of the country.Each theme has been prefaced with a general introduction to its artistic style.The book is richly illustrated,well researched and written in a vivid and lucid style,which speaks of the author's deep grasp of her subject.
Looking at Indian Art of the Northwest Coast
Author: Hilary Stewart
Publisher: D & M Publishers
ISBN: 9781926706368
Category : Art
Languages : en
Pages : 116
Book Description
Bold, inventive indigenous art of the Northwest Coast is distinguished by its sophistication and complexity. It is also composed of basically simple elements which, guided by a rich mythology, create images of striking power. In Looking at Indian Art of the Northwest Coast, Hilary Stewart introduces the elements of style; interprets the myths and legends which shape the motifs; and defines and illustrates the stylistic differences between the major cultural groupings. Raven, Thunderbird, Killer Whale, Bear: all the traditional forms are here, deftly analyzed by a professional writer and artist who has a deep understanding of this powerful culture.
Publisher: D & M Publishers
ISBN: 9781926706368
Category : Art
Languages : en
Pages : 116
Book Description
Bold, inventive indigenous art of the Northwest Coast is distinguished by its sophistication and complexity. It is also composed of basically simple elements which, guided by a rich mythology, create images of striking power. In Looking at Indian Art of the Northwest Coast, Hilary Stewart introduces the elements of style; interprets the myths and legends which shape the motifs; and defines and illustrates the stylistic differences between the major cultural groupings. Raven, Thunderbird, Killer Whale, Bear: all the traditional forms are here, deftly analyzed by a professional writer and artist who has a deep understanding of this powerful culture.
Looking Again at Indian Art
Author: Vidya Dehejia
Publisher: New Delhi : Publications Division, Ministry of Information and Broadcasting
ISBN:
Category : Art
Languages : en
Pages : 208
Book Description
Publisher: New Delhi : Publications Division, Ministry of Information and Broadcasting
ISBN:
Category : Art
Languages : en
Pages : 208
Book Description
Northwest Coast Indian Art
Author: Bill Holm
Publisher: University of Washington Press
ISBN: 0295999500
Category : Art
Languages : en
Pages : 145
Book Description
The 50th anniversary edition of this classic work on the art of Northwest Coast Indians now offers color illustrations for a new generation of readers along with reflections from contemporary Northwest Coast artists about the impact of this book. The masterworks of Northwest Coast Native artists are admired today as among the great achievements of the world’s artists. The painted and carved wooden screens, chests and boxes, rattles, crest hats, and other artworks display the complex and sophisticated northern Northwest Coast style of art that is the visual language used to illustrate inherited crests and tell family stories. In the 1950s Bill Holm, a graduate student of Dr. Erna Gunther, former Director of the Burke Museum, began a systematic study of northern Northwest Coast art. In 1965, after studying hundreds of bentwood boxes and chests, he published Northwest Coast Indian Art: An Analysis of Form. This book is a foundational reference on northern Northwest Coast Native art. Through his careful studies, Bill Holm described this visual language using new terminology that has become part of the established vocabulary that allows us to talk about works like these and understand changes in style both through time and between individual artists’ styles. Holm examines how these pieces, although varied in origin, material, size, and purpose, are related to a surprising degree in the organization and form of their two-dimensional surface decoration. The author presents an incisive analysis of the use of color, line, and texture; the organization of space; and such typical forms as ovoids, eyelids, U forms, and hands and feet. The evidence upon which he bases his conclusions constitutes a repository of valuable information for all succeeding researchers in the field. Replaces ISBN 9780295951027
Publisher: University of Washington Press
ISBN: 0295999500
Category : Art
Languages : en
Pages : 145
Book Description
The 50th anniversary edition of this classic work on the art of Northwest Coast Indians now offers color illustrations for a new generation of readers along with reflections from contemporary Northwest Coast artists about the impact of this book. The masterworks of Northwest Coast Native artists are admired today as among the great achievements of the world’s artists. The painted and carved wooden screens, chests and boxes, rattles, crest hats, and other artworks display the complex and sophisticated northern Northwest Coast style of art that is the visual language used to illustrate inherited crests and tell family stories. In the 1950s Bill Holm, a graduate student of Dr. Erna Gunther, former Director of the Burke Museum, began a systematic study of northern Northwest Coast art. In 1965, after studying hundreds of bentwood boxes and chests, he published Northwest Coast Indian Art: An Analysis of Form. This book is a foundational reference on northern Northwest Coast Native art. Through his careful studies, Bill Holm described this visual language using new terminology that has become part of the established vocabulary that allows us to talk about works like these and understand changes in style both through time and between individual artists’ styles. Holm examines how these pieces, although varied in origin, material, size, and purpose, are related to a surprising degree in the organization and form of their two-dimensional surface decoration. The author presents an incisive analysis of the use of color, line, and texture; the organization of space; and such typical forms as ovoids, eyelids, U forms, and hands and feet. The evidence upon which he bases his conclusions constitutes a repository of valuable information for all succeeding researchers in the field. Replaces ISBN 9780295951027
Indian Art
A Concise History of Indian Art
Author: Roy C. Craven
Publisher:
ISBN:
Category : Art, Indic
Languages : en
Pages : 252
Book Description
Publisher:
ISBN:
Category : Art, Indic
Languages : en
Pages : 252
Book Description
5000 Years of Indian Art
Author: Sushma Bahl
Publisher: Roli Books
ISBN: 9788174368539
Category : Art
Languages : en
Pages : 0
Book Description
This visually stunning book is a rare example of a volume that offers a panoramic view of Indian art from the pre-historic times to contemporary period.
Publisher: Roli Books
ISBN: 9788174368539
Category : Art
Languages : en
Pages : 0
Book Description
This visually stunning book is a rare example of a volume that offers a panoramic view of Indian art from the pre-historic times to contemporary period.
Indian Art
Author: Partha Mitter
Publisher: Oxford University Press, USA
ISBN: 9780192842213
Category : Art
Languages : en
Pages : 295
Book Description
This concise yet lively new survey guides the reader through 5,000 years of Indian art and architecture. A rich artistic tradition is fully explored through the Hindu, Buddhist, Islamic, Colonial, and contemporary periods, incorporating discussion of modern Bangladesh and Pakistan, tribal artists, and the decorative arts. Combining a clear overview with fascinating detail, Mitter succeeds in bringing to life the true diversity of Indian culture. The influence of Islam on the Mughal court, which produced the world-famous Taj Mahal and exquisite miniature paintings, is closely examined. More recently, he discusses the nationalist and global concerns of contemporary art, including the rise of female artists, the stunning architecture of Charles Correa, and the vibrant art scene. The very particular character of Indian art is set within its cultural and religious milieu, raising important issues about the profound differences between Western and Indian ideas of beauty and eroticism in art.
Publisher: Oxford University Press, USA
ISBN: 9780192842213
Category : Art
Languages : en
Pages : 295
Book Description
This concise yet lively new survey guides the reader through 5,000 years of Indian art and architecture. A rich artistic tradition is fully explored through the Hindu, Buddhist, Islamic, Colonial, and contemporary periods, incorporating discussion of modern Bangladesh and Pakistan, tribal artists, and the decorative arts. Combining a clear overview with fascinating detail, Mitter succeeds in bringing to life the true diversity of Indian culture. The influence of Islam on the Mughal court, which produced the world-famous Taj Mahal and exquisite miniature paintings, is closely examined. More recently, he discusses the nationalist and global concerns of contemporary art, including the rise of female artists, the stunning architecture of Charles Correa, and the vibrant art scene. The very particular character of Indian art is set within its cultural and religious milieu, raising important issues about the profound differences between Western and Indian ideas of beauty and eroticism in art.
The Body Adorned
Author: Vidya Dehejia
Publisher: Columbia University Press
ISBN: 9780231512664
Category : History
Languages : en
Pages : 262
Book Description
The sensuous human form-elegant and eye-catching-is the dominant feature of premodern Indian art. From the powerful god Shiva, greatest of all yogis and most beautiful of all beings, to stone dancers twisting along temple walls, the body in Indian art is always richly adorned. Alankara (ornament) protects the body and makes it complete and attractive; to be unornamented is to invite misfortune. In The Body Adorned, Vidya Dehejia, who has dedicated her career to the study of Indian art, draws on the literature of court poets, the hymns of saints and acharyas, and verses from inscriptions to illuminate premodern India's unique treatment of the sculpted and painted form. She focuses on the coexistence of sacred and sensuous images within the common boundaries of Buddhist, Jain, and Hindu "sacred spaces," redefining terms like "sacred" and "secular" in relation to Indian architecture. She also considers the paradox of passionate poetry, in which saints praised the sheer bodily beauty of the divine form, and nonsacred Rajput painted manuscripts, which freely inserted gods into the earthly realm of the courts. By juxtaposing visual and literary sources, Dehejia demonstrates the harmony between the sacred and the profane in classical Indian culture. Her synthesis of art, literature, and cultural materials not only generates an all-inclusive picture of the period but also revolutionizes our understanding of the cultural ethos of premodern India.
Publisher: Columbia University Press
ISBN: 9780231512664
Category : History
Languages : en
Pages : 262
Book Description
The sensuous human form-elegant and eye-catching-is the dominant feature of premodern Indian art. From the powerful god Shiva, greatest of all yogis and most beautiful of all beings, to stone dancers twisting along temple walls, the body in Indian art is always richly adorned. Alankara (ornament) protects the body and makes it complete and attractive; to be unornamented is to invite misfortune. In The Body Adorned, Vidya Dehejia, who has dedicated her career to the study of Indian art, draws on the literature of court poets, the hymns of saints and acharyas, and verses from inscriptions to illuminate premodern India's unique treatment of the sculpted and painted form. She focuses on the coexistence of sacred and sensuous images within the common boundaries of Buddhist, Jain, and Hindu "sacred spaces," redefining terms like "sacred" and "secular" in relation to Indian architecture. She also considers the paradox of passionate poetry, in which saints praised the sheer bodily beauty of the divine form, and nonsacred Rajput painted manuscripts, which freely inserted gods into the earthly realm of the courts. By juxtaposing visual and literary sources, Dehejia demonstrates the harmony between the sacred and the profane in classical Indian culture. Her synthesis of art, literature, and cultural materials not only generates an all-inclusive picture of the period but also revolutionizes our understanding of the cultural ethos of premodern India.
Elements of Indian Art
Author: Swarajya Prakash Gupta
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 218
Book Description
The Work Studies Basic Principles Of Ancient Indian Art And Architecture. It Deals With Hindu Thinking And Practice Of Art Including The Hindu View Of Godhead, Iconography And Iconometry And Symbols And Symbolism In Hindu Art. It Surveys Indian Art And Temple Architecture From The Ancient Times And Makes Comparative Studies Of Religious Art In India.
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 218
Book Description
The Work Studies Basic Principles Of Ancient Indian Art And Architecture. It Deals With Hindu Thinking And Practice Of Art Including The Hindu View Of Godhead, Iconography And Iconometry And Symbols And Symbolism In Hindu Art. It Surveys Indian Art And Temple Architecture From The Ancient Times And Makes Comparative Studies Of Religious Art In India.