Book Description
En 2024 Paris accueillera les Jeux Olympiques et fêtera le sport sous tous ses aspects. INfluencia dans sa prochaine revue a voulu comprendre les valeurs et les messages derrière le mot «Olympisme», «une philosophie de vie, exaltant et combinant en un ensemble équilibré les qualités du corps, de la volonté et de l'esprit» : comment ils se transmettent à la société dans son ensemble ? Comment s'en emparent les écosystèmes (sport, économie, marques...). Source d'épanouissement, de rêves et d'émancipation pour certains, symbole de résilience et enjeu de santé pour d'autres, le sport est en effet un lieu de rencontre entre toutes les générations, les milieux et les territoires. Il est aussi un formidable terrain d'innovation.
Author: James S. Ackerman Publisher: MIT Press ISBN: 9780262011860 Category : Art Languages : en Pages : 356
Book Description
Twelve studies by eminent art historian James S. Ackerman. This collection contains studies written by art historian James Ackerman over the past decade. Whereas Ackerman's earlier work assumed a development of the arts as they responded to social, economic, political, and cultural change, his recent work reflects the poststructural critique of the presumption of progress that characterized Renaissance and modernist history and criticism. In this book he explores the tension between the authority of the past—which may act not only as a restraint but as a challenge and stimulus—and the potentially liberating gift of invention. He examines the ways in which artists and writers on art have related to ancestors and to established modes of representation, as well as to contemporary experiences. The "origins" studied here include the earliest art history and criticism; the beginnings of architectural drawing in the Middle Ages and Renaissance; Leonardo Da Vinci's sketches for churches, the first in the Renaissance to propose supporting domes on sculpted walls and piers; and the first architectural photographs. "Imitation" refers to artistic achievements that in part depended on the imitation of forms established in practices outside the fine arts, such as ancient Roman rhetoric and print media. "Conventions," like language, facilitate communication between the artist and viewer, but are both more universal (understood across cultures) and more fixed (resisting variation that might diminish their clarity). The three categories are closely linked throughout the book, as most acts of representation partake to some degree of all three.
Author: Lloyd Llewellyn-Jones Publisher: Classical Press of Wales ISBN: 1910589896 Category : History Languages : en Pages : 369
Book Description
Greek women routinely wore the veil. That is the unexpected finding of this meticulous study, one with interesting implications for the origins of Western civilisation. The Greeks, popularly (and rightly) credited with the invention of civic openness, are revealed as also part of a more Eastern tradition of seclusion. Llewellyn-Jones' work proceeds from literary and, notably, from iconographic evidence. In sculpture and vase painting it demonstrates the presence of the veil, often covering the head, but also more unobtrusively folded back onto the shoulders. This discreet fashion not only gave a priviledged view of the face to the ancient art consumer, but also, incidentally, allowed the veil to escape the notice of traditional modern scholarship. From Greek literary sources, the author shows that full veiling of the head and face was commonplace. He analyses the elaborate Greek vocabulary for veiling and explores what the veil meant to achieve. He shows that the veil was a conscious extension of the house and was often referred to as `tegidion', literally `a little roof'. Veiling was thus an ingeneous compromise; it allowed women to circulate in public while mainting the ideal of a house-bound existence. Alert to the different types of veil used, the author uses Greek and more modern evidence (mostly from the Arab world) to show how women could exploit and subvert the veil as a means of eloquent, sometimes emotional, communication. First published in 2003 and reissued as a paperback in 2010, Llewellyn-Jones' book has established itself as a central - and inspiring - text for the study of ancient women.
Author: Paul Cartledge Publisher: Cambridge University Press ISBN: 9780521525930 Category : History Languages : en Pages : 292
Book Description
'Kosmos' is the word the ancient Greeks used for human social order. It has therefore a special application to the Greeks' peculiar social and political unit of communal life that they called the 'polis'. Of the many hundreds of such units in classical Greece the best documented and the most complex was democratic Athens. The purpose of this collective 1998 volume is to re-evaluate the foundations of classical Athens' highly successful experiment in communal social existence. Topics addressed include religion and ritualization, political friendship and enmity, gender and sexuality, sports and litigation, and economic and symbolic exchange. The book aims to make a major contribution, theoretical as well as empirical, towards understanding how the social order of community life may be sustained and enhanced.
Author: James S. Ackerman Publisher: MIT Press ISBN: 9780262510776 Category : Architecture Languages : en Pages : 598
Book Description
These essays by one of America's foremost historians of art and architecture range over theory and criticism, the search for connections between art and science in the Renaissance, and specific works of Renaissance architecture. The largest group of essays, dealing with the character of Renaissance architecture, are models of art historical scholarship in their direct approach to identifying the essentials of a building and the social and intellectual context in which they should be viewed. Another group of essays explores encounters between the traditions of artistic practice and early optics and color theory. The three essays that begin this collection bring to light the intellectual and moral concerns that underlie all of Ackerman's art historical work.
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Author: Pierre Grouix
Author: Yvon Tranvouez
Author: James S. Ackerman
Author: Lloyd Llewellyn-Jones
Author: Paul Cartledge
Author: Alexander Gardner
Author: Petra Pakkanen
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Author: James S. Ackerman