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Author: Esa Kirkkopelto Publisher: Taylor & Francis ISBN: 1040227937 Category : Performing Arts Languages : en Pages : 233
Book Description
How can the dichotomy between body and language be overcome by means of the performing arts? What does the art of performing contribute to philosophical, ethical, and political thinking today? This book is a study of the body and language on the stage. Inspired by contemporary artistic research and performance philosophy, Esa Kirkkopelto proposes a new understanding of embodiment that has no direct counterpart in existing philosophies of the body, in natural science, or in everyday experience. The way a performer imagines their body in performance breaks with body–language dichotomies, so language and body can be conceived as co-original phenomena, beyond their anthropomorphic framing. Once we recognize the native relationship between body and language, we can acquire an evolutive perspective which reaches beyond ontological or transcendental paradigms, towards a more linguistic and corporeal coexistence of diverse beings. This book shows how radically different the universe appears when conceived through the performing body. It addresses artists and philosophers alike.
Author: Esa Kirkkopelto Publisher: Taylor & Francis ISBN: 1040227937 Category : Performing Arts Languages : en Pages : 233
Book Description
How can the dichotomy between body and language be overcome by means of the performing arts? What does the art of performing contribute to philosophical, ethical, and political thinking today? This book is a study of the body and language on the stage. Inspired by contemporary artistic research and performance philosophy, Esa Kirkkopelto proposes a new understanding of embodiment that has no direct counterpart in existing philosophies of the body, in natural science, or in everyday experience. The way a performer imagines their body in performance breaks with body–language dichotomies, so language and body can be conceived as co-original phenomena, beyond their anthropomorphic framing. Once we recognize the native relationship between body and language, we can acquire an evolutive perspective which reaches beyond ontological or transcendental paradigms, towards a more linguistic and corporeal coexistence of diverse beings. This book shows how radically different the universe appears when conceived through the performing body. It addresses artists and philosophers alike.
Author: Clayton Koelb Publisher: Cornell University Press ISBN: 150174397X Category : Language Arts & Disciplines Languages : en Pages : 296
Book Description
Where do writers of fiction get their ideas? Clayton Koelb here takes issue with those who regard inspiration or imitation as primary forces influencing literary invention. He finds that another mechanism, which he calls "rhetorical construction," underlies much fiction and some nonfiction as well. Rhetorical construction, Koelb says, is a way of producing writing out of reading. The rhetorical writer begins by discovering an interpretive crux in a familiar text-a passage from the Bible, for example, or a commonplace expression—and then proceeds to imagine a fictional situation in which all the meanings of the passage, contradictory though they may seem, may be realized. According to Koelb, "inventions of reading" do not stop with the discovery of the eternal and inevitable deconstructibility of language; they somehow generate an urge to put language back together through the invention of a fictional world. Among the texts he discusses are writings by Boccaccio, Rabelais, Goethe, Schiller, Kleist, Hawthorne, Hans Christian Andersen Nietzsche, Kafka, Calvino, and Flannery O'Connor.
Author: Derek Thiess Publisher: Lexington Books ISBN: 0739196189 Category : Literary Criticism Languages : en Pages : 185
Book Description
The writer of alternate history asks “what if?” What if one historical event were different, what would the world look like today? In a similar way, the postmodern philosopher of history suggests that history is literature, or that if we read certain historical details differently we would get a distinctly different interpretation of past events. While the science fiction alternate history means to illuminate the past, to increase our understanding of past events, however, the postmodern approach to history typically suggests that such understanding is impossible. To the postmodern philosopher, history is like literature in that it does not offer the reader access to the past, but only an interesting story. Building on criticism that suggests personal psychological reasons for this obscuring the past, and using a literary theory of readership, this book challenges the postmodern approach to history. It channels the speculative power of science fiction to read the works of postmodern philosophy of history as alternate histories themselves, and to map the limits and pathology of their forgetful reading of the past.
Author: Robert C. Figueira Publisher: Routledge ISBN: 1317079728 Category : History Languages : en Pages : 219
Book Description
'I study power' - so Robert Louis Benson described his work as a scholar of medieval history. This volume unites papers by a number of his students dealing with matters central to Benson's historical interests - ecclesiastical institutions and administration, emperorship and papacy, canon law, political ideology, and historiography. The justification and exercise of political power is considered in two chapters that look at how the hagiography of a late Roman military saint, Maurice, was harnessed in the 11th century to the discussion of the power exercised by both emperor and pope, and how both pious purpose and political pretext animated the Hohenstaufen emperors' suppression of heresy. Three subsequent chapters focus on the Church: a study of the legal commentaries that taught that the 'authority to bind and loose' in a specific ecclesiastical matter could be determined by the opinions of 'the elders of the province'; an argument that Innocent III's administration of the Roman church represented a model for the ordering of all Christian society; and an inquiry into the doctrinal formation of the 'territorial principle' in the exercise of jurisdiction by papal legates. The late Middle Ages provides the focus for two additional studies, namely an exploration of the issues of power and authority in the charitable institutions of Cologne in the 13th-14th centuries, and the argument that the current desire for universal standards of governmental conduct in the area of basic human rights hearkens back to natural law theory as outlined in the 15th century by Nicholas of Cusa. Two historiographical studies round out the volume: an estimation of modern research regarding the political theology of late antiquity, and a reflection on Benson's own contribution to historical scholarship. Together, these papers both epitomize and further develop Benson's distinctive approach to the study of the Middle Ages, while themselves making their own important contribution.
Author: Clayton Koelb Publisher: Cornell University Press ISBN: 1501745964 Category : Language Arts & Disciplines Languages : en Pages : 283
Book Description
In the first book to study Franz Kafka from the perspective of modern rhetorical theory, Clayton Koelb explores such questions as how Kafka understood the reading process, how he thematized the problematic of reading, and how his highly distinctive style relates to what Koelb describes as the "passion of reading."
Author: David Gerrold Publisher: BenBella Books, Inc. ISBN: 1939529506 Category : Fiction Languages : en Pages : 249
Book Description
David Gerrold burst onto the science fiction scene in the late sixties with more Hugo and Nebula nominations than any other writer had ever received at the beginning of his career. His first collection of stories, With a Finger in My I, showcased his remarkable range. The jewel in that collection was "In the Deadlands," a bizarre and disturbing journey into a landscape of madness—not so much a story as a sculpture made of words. Nominated for the Nebula award for best novelette of the year, "In the Deadlands" has been out of print for 40 years. This new collection contains all the stories from With a Finger in My I, plus four other works written in the same period, with revealing notes from the author.
Author: Pier Massimo Forni Publisher: University of Pennsylvania Press ISBN: 1512804274 Category : Literary Criticism Languages : en Pages : 176
Book Description
Selected by Choice magazine as an Outstanding Academic Book for 1996 The Decameron is a narrative account of a situation in which narration takes place-a collection of one hundred stories set within a larger story. As a group of young men and women fleeing the plague trade stories to pass the time of crisis, storytelling occurs in a social context that allows for comment upon the tales by the tellers themselves, in a setting that elicits one story in return for another. In his close and original analysis, Pier Massimo Forni uses the notion of rhetoric as a guiding principle for a critical assessment of the Decameron. He explores the discursive tools with which the narrators connect the contents of their stories to their audience's environment, and goes on to argue that the book is significantly marked by Boccaccio's habit of exploring the narrative potential of rhetorical forms. By showing how the Decameron marks a new stage in the development of vernacular realism, Forni also charts a new course in Boccaccio criticism. Viewing the cultural and rhetorical context of the medieval masterpiece from a fresh perspective, he offers intriguing insights into the functioning of Boccaccio's narrative. Adventures in Speech maps the cognitive poetic processes that rule the complex authorial network of relationships involving speech, event, received culture, and narrative objects.
Author: LindaL. Carroll Publisher: Routledge ISBN: 1351548980 Category : Art Languages : en Pages : 258
Book Description
Taking as axiomatic the concept that artistic output does not simply reflect culture but also shapes it, the essays in this interdisciplinary collection take a holistic approach to the cultural fashioning of sexualities, drawing on visual art, theatre, music, and literature, in sacred and secular contexts. Although there is diversity in disciplinary approach, the interpretations and readings offered in each essay have a historical basis. Approaching the topic from the point of view of both visual and auditory media, this volume paints a comprehensive picture of artists? challenges to erotic boundaries, and contributes to new historicizing thinking on sexualities. Collectively, the essays demonstrate the role played by artistic production-visual arts, literature, theatre and music-in fashioning, policing, and challenging early modern sexual boundaries, and thus help to identify the ways in which the arts contributed to both the disciplining and the exploration of a range of sexualities.
Author: Esa Kirkkopelto
Author: Esa Kirkkopelto
Author: Clayton Koelb
Author: Clayton Koelb
Author: Derek Thiess
Author: Robert C. Figueira
Author: Clayton Koelb
Author: David Gerrold
Author: Lee Byron Jennings
Author: Pier Massimo Forni
Author: LindaL. Carroll