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Author: Federico Giuntoli Publisher: St. Martin's Press ISBN: 9788876531545 Category : Religion Languages : it Pages : 452
Book Description
Peculiarità di questo studio è quella di occuparsi dell'intercettazione e delle possibili ermeneie di alcuni interventi redazionali post-esilici ravvisabili all'interno del cosiddetto "ciclo di Giacobbe" all'interno di documenti più antichi (cf. Gn 32,10-13 e Gn 48,15-16) e all'interno degli adattamenti editoriali di alcuni testi (cf. Gn 47,5-6 LXX/TM).
Author: Federico Giuntoli Publisher: St. Martin's Press ISBN: 9788876531545 Category : Religion Languages : it Pages : 452
Book Description
Peculiarità di questo studio è quella di occuparsi dell'intercettazione e delle possibili ermeneie di alcuni interventi redazionali post-esilici ravvisabili all'interno del cosiddetto "ciclo di Giacobbe" all'interno di documenti più antichi (cf. Gn 32,10-13 e Gn 48,15-16) e all'interno degli adattamenti editoriali di alcuni testi (cf. Gn 47,5-6 LXX/TM).
Author: Francesco Marco Aresu Publisher: University of Notre Dame Pess ISBN: 0268206473 Category : Literary Criticism Languages : en Pages : 416
Book Description
Manuscript Poetics explores the interrelationship between the material features of textual artifacts and the literary aspects of the medieval Italian texts they preserve. This original study is both an investigation into the material foundations of literature and a reflection on notions of textuality, writing, and media in late medieval and early modern Italy. Francesco Marco Aresu examines the book-objects of manuscripts and early printed editions, asking questions about the material conditions of production, circulation, and reception of literary works. He invites scholars to reconcile reading with seeing (and with touching) and to challenge contemporary presumptions about technological neutrality and the modes of interfacing and reading. Manuscript Poetics investigates the correspondences between textuality and materiality, content and medium, and visual-verbal messages and their physical support through readings of Dante Alighieri’s Vita nova, Giovanni Boccaccio’s Teseida, and Francesco Petrarca’s canzoniere (Rerum vulgarium fragmenta). Aresu shows that Dante, Boccaccio, and Petrarca evaluated and deployed the tools of scribal culture to shape, signal, or layer meanings beyond those they conveyed in their written texts. Medieval texts, Aresu argues, are uniquely positioned to provide this perspective, and they are foundational to the theoretical understanding of new forms and materials in our media-saturated contemporary world.
Author: Thomas E. Peterson Publisher: University of Toronto Press ISBN: 1487500025 Category : Literary Criticism Languages : en Pages : 342
Book Description
"Building on recent Petrarch scholarship and broader studies of medieval poetics, poetic narrativity and biblical intertextuality, this study argues that Petrarch's Rerum vulgarium fragmenta is an ordered and coherent work unified by narrative and theological structures. The author begins with the premise that the multiple voices of the Petrarchan figure (or subject) call for a reading informed by historical and autobiographical considerations. Within such a reading, the internal chronology of the work coincides with a temporal framework provided by Petrarch's Latin prose and poetry. Drawing on this material, he argues that Petrarch's derivations from early poets in the Italian vernacular, his Augustineanism and his humanism are manifest in the Fragmenta and contribute to its narrative and theological unity."--
Author: Simona Bianconi Publisher: Columbia University Press ISBN: 383826469X Category : Literary Criticism Languages : en Pages : 147
Book Description
Simona Bianconi explores the creative process of writing, its communicative aspects and the traces of the writer himself in his creations, as well as the effect writing has on the personality of the author.Through the analysis of texts by six outstanding protagonists of the Italian novel in the first half of the 20th century, Bianconi gives answers to fascinating questions that arise about its creators and encourages the reader to experience and understand writing as a revelation of creativity and life.L'invenzione letteraria può dare vita a un secondo scrittore, a sua volta all'opera. A sua volta colui che comunica al di là della parola, che si assume l'importante responsabilità della creazione, che intende lasciare traccia di sé. Da lui nasce il libro, sua sfida, sostegno, tormento; prova unica o reiterata. Come prende forma nel romanzo di primo grado la figura centrale dell'autore? Come si mostra l'immagine ammaliante del suo lavoro nelle storie di lotta e rinuncia, successo e mediocrità presentate? E qual è l'effetto della scrittura sul personaggio - anche nella sua interazione sociale - che, pure tra gravi ostacoli, la elegge tra le vie da percorrere e ne fa il proprio destino?Attraverso la lettura di testi di sei straordinari protagonisti del romanzo italiano nella prima metà del Novecento, ideatori di altrettanti artisti, donne e uomini, si è tentato di dare una risposta ad interrogativi seducenti che il lettore si pone.. In tal modo, penetrando il motivo dell'esperienza della letteratura, si giunge a toccare la scrittura come rivelazione e sigillo di vita.
Author: Graziella Parati Publisher: Rowman & Littlefield ISBN: 1611479517 Category : History Languages : en Pages : 183
Book Description
Italy and the Cultural Politics of World War I dialogues with the variety of texts recently published to commemorate the Great War. It explores Italian socialist pacifism, the role of women during the conflict and a dominant cultural movement, Futurism, whose leader, Filippo Tommaso Marinetti, glorified war and enlisted in the fight. Other soldiers created documents about the war that differ from the heroic and virile endeavor that Marinetti placed at the center of his works on war. Italy and the Cultural Politics of World War I pays attention to the representations of the soldiers through an analysis of their letters, dominated by descriptions of the terrible hunger they suffered. In contrast, popular film absorbed the cultural lessons in Marinetti's writings and represented soldiers as modernist heroes in comedies and dramas. However, film did not shy away from representing cowards who could only be baffoons and fools in propaganda films. In another medium, the concern was to publish texts that would serve the fighting soldier and inform readers about ideological and historical motivations for the conflict. The publishing industry supported national propaganda efforts. Only socialism could endanger anti-war publication, but after its initial opposition to the conflict, socialists occupied a neutral position. Italian socialism still remained the only European socialist party that did not renege its pacifism in order to embrace nationalism and the war, but it was also not in favor of actions that would sabotage in the Italian war industry. ltalian socialism is only one feature of Italian culture that was dramatically changed during the war. WWI impacted every aspect of Italian and of European cultures. For instance, as an essay in Italy and the Cultural Politics of World War I explores, the war industry needed workers. The solution was to bring Chinese men France to contribute in the war effort. After the war, they moved to other countries and in Milan, Italy, they founded one of the oldest Chinatowns in Europe, dramatically changing the human landscape of Italy as they later moved to other Italian cities. Italy and the Cultural Politics of World War I supplies essential research articles to the construction of an inclusive portrayal of WWI and Italian culture by deepening our understanding of the transformative role it played in 20th century Italy and Europe.
Author: John Picchione Publisher: University of Toronto Press ISBN: 9780802089946 Category : Literary Criticism Languages : en Pages : 276
Book Description
The debate on literature and the arts provoked by the Italian neoavant-garde (neoavanguardia) is undoubtedly one of the most animated and controversial the country has witnessed from World War II to the present. Comprising the period between the late 1950s and the late 1960s, the phenomenon of the neoavanguardia involved key writers, critics, and artists, both as insiders - Sanguineti, Balestrini, Guglielmi, Eco, and others - and adversaries such as Pasolini, Calvino, and Moravia. In The New Avant-Garde in Italy - the first book in English to document the movement - John Picchione's objective is twofold: to provide a comprehensive analysis of the theoretical tenets that inform the works of the neoavanguardia and to show how they are applied to the poetic practices of its authors. The neoavanguardia cannot, Picchione argues, be defined as a movement with a unified program expressed in the form of manifestos or shared theoretical principles. It experiences irreconcilable internal conflicts that are explored as a split between two main blocs - one that is tied to the project of modernity, the other to post-modern aesthetic postures. This study suggests that some of the contentious views proposed by the neoavanguardia anticipated a wide range of issues that continue to be significant and pressing to this day.
Author: Elena Lamberti Publisher: Rodopi ISBN: 9042025212 Category : History Languages : en Pages : 352
Book Description
The contributors to this volume approach the World Wars as complex and intertwined crossroads leading to the definition of a new European reality. While assessing the the way the memories of the two World Wars have been readjusted each time in relation to the evolving international historical setting and through various mediators of memory (cinema, literature, art and monuments), the various essays contribute to unveil a cultural panorama inhabited by contrasting memories.
Author: Federico Giuntoli
Author: Federico Giuntoli
Author: 
Author: Francesco Marco Aresu
Author: Martyn Lyons
Author: Stefano Brugnolo
Author: Thomas E. Peterson![Di chi tiene la penna: immagini di scrittori e scrittura nel romanzo italiano dal 1911 al 1942 [Italian-language Edition] PDF](https://books.google.com/books/content/images/frontcover/1k__BgAAQBAJ?fife=w80-h100)
Author: Simona Bianconi
Author: Graziella Parati
Author: John Picchione
Author: Elena Lamberti