Wrongful Damage to Property in Roman Law PDF Download

Author: Paul J. du Plessis
Publisher: Edinburgh University Press
ISBN: 1474434479
Category : Law
Languages : en
Pages : 283

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Book Description
Explores hieroglyphs as a metaphor for the relationship between new media and writing in British modernism.

Author: Biondo Biondi
Publisher:
ISBN:
Category : Civil law
Languages : it
Pages : 704

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Author: Gioseffo Zarlino
Publisher:
ISBN:
Category :
Languages : en
Pages : 294

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Author: Gioseffo Zarlino
Publisher: W. W. Norton
ISBN: 9780393008333
Category : Music
Languages : en
Pages : 294

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Book Description
Zarlino's Le Istitutioni harmoniche, published in 1558, is one of the most influential music treatises of all time. To his contemporaries it revealed the secrets of composition he had learned from Adrian Willaert, who brought to Italy the polyphonic art of the Netherlands. To the modern scholar Zarlino's treatise illumines the compositional technique of the golden age of vocal polyphony. The essence of this art is contained in Part III, "The Art of Counterpoint," which is here translated into English for the first time.

Author: Antonio Aloisi
Publisher: Hart Publishing
ISBN: 1509953183
Category : Law
Languages : en
Pages : 0

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Book Description
What effect do robots, algorithms, and online platforms have on the world of work? Using case studies and examples from across the EU, the UK, and the US, this book provides a compass to navigate this technological transformation as well as the regulatory options available, and proposes a new map for the era of radical digital advancements. From platform work to the gig-economy and the impact of artificial intelligence, algorithmic management, and digital surveillance on workplaces, technology has overwhelming consequences for everyone's lives, reshaping the labour market and straining social institutions. Contrary to preliminary analyses forecasting the threat of human work obsolescence, the book demonstrates that digital tools are more likely to replace managerial roles and intensify organisational processes in workplaces, rather than opening the way for mass job displacement. Can flexibility and protection be reconciled so that legal frameworks uphold innovation? How can we address the pervasive power of AI-enabled monitoring? How likely is it that the gig-economy model will emerge as a new organisational paradigm across sectors? And what can social partners and political players do to adopt effective regulation? Technology is never neutral. It can and must be governed, to ensure that progress favours the many. Digital transformation can be an essential ally, from the warehouse to the office, but it must be tested in terms of social and political sustainability, not only through the lenses of economic convenience. Your Boss Is an Algorithm offers a guide to explore these new scenarios, their promises, and perils.

Author: Nicola Vicentino
Publisher: Yale University Press
ISBN: 9780300066012
Category : Music
Languages : en
Pages : 562

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Book Description
First published in Rome in 1555, Nicola Vicentino's treatise was one of the most influential music theory texts of the sixteenth century. This translation by Maria Rika Maniates is the first English-language edition of Vicentino's important work. Unlike most early theorists, Vicentino did not simply summarize the practice of his time. His aim was to change how composers wrote and how musicians thought about music. His best-known contribution is the adaptation of the ancient Greek chromatic and enharmonic genera to modern polyphonic practice. But he also expressed the avant-garde's position on the relation between music and the subject matter and feelings of a secular or sacred text. He challenged the view that part writing always had to conform to the rules of counterpoint, asserting that license was permissible in order to express the feelings of a verbal text. In this he anticipated the manifestos of Vincenzo Galilei and Claudio Monteverdi. Maniates' introduction discusses Vicentino's life and work, the sources of his ideas in earlier theoretical literature, and the contemporary humanists from whom he may have learned.

Author: Gianfranco Cresciani
Publisher: Cambridge University Press
ISBN: 9780521537780
Category : History
Languages : en
Pages : 212

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Book Description
This 2003 book brings to life the important story of the Italo-Australian community.

Author: Martha Feldman
Publisher: Univ of California Press
ISBN: 0520310756
Category :
Languages : en
Pages : 569

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Book Description
Martha Feldman's exploration of sixteenth-century Venetian madrigals centers on the importance to the Venetians of Ciceronian rhetorical norms, which emphasized decorum through adherence to distinct stylistic levels. She shows that Venice easily adapted these norms to its long-standing mythologies of equilibrium, justice, peace, and good judgment. Feldman explains how Venetian literary theorists conceived variety as a device for tempering linguistic extremes and thereby maintaining moderation. She further shows how the complexity of sacred polyphony was adapted by Venetian music theorists and composers to achieve similar ends. At the same time, Feldman unsettles the kinds of simplistic alignments between the collectivity of the state and its artistic production that have marked many historical studies of the arts. Her rich social history enables a more intricate dialectics among sociopolitical formations; the roles of individual printers, academists, merchants, and others; and the works of composers and poets. City Culture offers a new model for situating aesthetic products in a specific time and place, one that sees expressive objects not simply against a cultural backdrop but within an integrated complex of cultural forms and discursive practices. This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1995.

Author: Glenda Sluga
Publisher: State University of New York Press
ISBN: 0791491420
Category : Social Science
Languages : en
Pages : 286

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Book Description
Focusing on the history of the "problem of Trieste" and the Italo-Yugoslav border, Glenda Sluga provides a framework for writing the history of places from a perspective sensitive to the politics of identity—whether national, ethnic, or gender. For most of this century, Trieste, a port city on the northeastern Adriatic, has been at the center of key European cultural and political questions. Scholars have commonly attributed Trieste's turbulent past to the intrinsic differences between local Italian and Slav populations. Ways of knowing Trieste and Triestines, and the ways in which that population could know itself, have been couched in narratives that reiterate the antithetical differences between Slav Eastern/Balkan Europeans and Italian Western Europeans, and constitute the East as the West's lesser "other." This book surveys the history of connections between conceptions of difference, identity, and sovereignty during the Hapsburg empire, liberal and Fascist Italy, the First and Second World Wars, the Cold War, and the post-Cold War period. It details the historical meaning and value accrued by those narratives of difference over the century, and their impact on concepts of sovereignty in the realms of national and international politics.

Author: Vincenzo Galilei
Publisher: Yale University Press
ISBN: 9780300090451
Category : Music
Languages : en
Pages : 464

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Book Description
Vincenzo Galilei, the father of the astronomer Galileo, was a guiding light of the Florentine Camerata. His Dialogue on Ancient and Modern Music, published in 1581 or 1582 and now translated into English for the first time, was among the most influential music treatises of his era. Galilei is best known for his rejection of modern polyphonic music in favor of Greek monophonic song. The treatise sheds new light on his importance, both as a musician who advocated a new philosophy of music history and theory based on an objective search for the truth, and as an experimental scientist who was one of the founders of modern acoustics.