Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Cinema and the Sandinistas PDF full book. Access full book title Cinema and the Sandinistas by Jonathan Buchsbaum. Download full books in PDF and EPUB format.
Author: Jonathan Buchsbaum Publisher: University of Texas Press ISBN: 0292783426 Category : Performing Arts Languages : en Pages : 348
Book Description
Following the Sandinista Revolution in 1979, young bohemian artists rushed to the newly formed Nicaraguan national film institute INCINE to contribute to "the recovery of national identity" through the creation of a national film project. Over the next eleven years, the filmmakers of INCINE produced over seventy films—documentary, fiction, and hybrids—that collectively reveal a unique vision of the Revolution drawn not from official FSLN directives, but from the filmmakers' own cinematic interpretations of the Revolution as they were living it. This book examines the INCINE film project and assesses its achievements in recovering a Nicaraguan national identity through the creation of a national cinema. Using a wealth of firsthand documentation—the films themselves, interviews with numerous INCINE personnel, and INCINE archival records—Jonathan Buchsbaum follows the evolution of INCINE's project and situates it within the larger historical project of militant, revolutionary filmmaking in Latin America. His research also raises crucial questions about the viability of national cinemas in the face of accelerating globalization and technological changes which reverberate far beyond Nicaragua's experiment in revolutionary filmmaking.
Author: Jonathan Buchsbaum Publisher: University of Texas Press ISBN: 0292783426 Category : Performing Arts Languages : en Pages : 348
Book Description
Following the Sandinista Revolution in 1979, young bohemian artists rushed to the newly formed Nicaraguan national film institute INCINE to contribute to "the recovery of national identity" through the creation of a national film project. Over the next eleven years, the filmmakers of INCINE produced over seventy films—documentary, fiction, and hybrids—that collectively reveal a unique vision of the Revolution drawn not from official FSLN directives, but from the filmmakers' own cinematic interpretations of the Revolution as they were living it. This book examines the INCINE film project and assesses its achievements in recovering a Nicaraguan national identity through the creation of a national cinema. Using a wealth of firsthand documentation—the films themselves, interviews with numerous INCINE personnel, and INCINE archival records—Jonathan Buchsbaum follows the evolution of INCINE's project and situates it within the larger historical project of militant, revolutionary filmmaking in Latin America. His research also raises crucial questions about the viability of national cinemas in the face of accelerating globalization and technological changes which reverberate far beyond Nicaragua's experiment in revolutionary filmmaking.
Author: Pamela Maria Smorkaloff Publisher: Routledge ISBN: 131794559X Category : Literary Criticism Languages : en Pages : 232
Book Description
This study examines the evolution of Cuban literature and culture from its origins in the 19th century to the present. The early sections analyze the relationship between literary production and universities, the printing press, the abolitionist movement and the exile community from 1810 through the post-war years. Subsequent sections trace literary life from the 1920s to 1958, focusing on the links between writers, readers, and the institutions that supported literary endeavors in the Cuban Republic. The remaining chapters address Cuban literary culture from 1959 through the 1990s. This first thorough study of Cuban print culture after the 1959 revolution fills a large gap in Latin American studies with original research in archives and journals. Analysis of the relationship between literature and contemporary Cuban society is grounded in the earliest Cuban vernacular literature born in the Spanish colony and redefined in the process of nation-building in the first half of the 20th century. The book also surveys Cuban literary production in the current period of transition, confronting issues of globalization, fragmentation, and Cuba's adjustment to a post-Cold War world.
Author: Karl Posso Publisher: University of Wales Press ISBN: 0708325386 Category : Literary Criticism Languages : en Pages : 248
Book Description
This volume reconsiders the work and cultural import of Adolfo Bioy Casares (1914-1999), who is best known for his collaborations with Jorge Luis Borges.
Author: John King Publisher: Cambridge University Press ISBN: 0521268494 Category : Literary Criticism Languages : en Pages : 246
Book Description
This book tells the story of Sur, Argentina's foremost literary and cultural journal of the twentieth century. Victoria Ocampo (its founder and lifelong editor) and Jorge Luis Borges (a regular and influential contributor) feature prominently in the story, while the contributions of other major writers (including Eduardo Mallea, William Faulkner, André Breton, Virginia Woolf, Alfonso Reyes, Octavio Paz, Waldo Frank, Aldous Huxley and Graham Greene) are discussed. Politically speaking, Sur represented a certain brand of liberalism, a resistance to populism and mass culture, and an attachment to elitist values which offended against the more dominant phases of Argentine thought, from Peronism to the varied forms of nationalism, socialism and Marxism. Dr King examines the journal's roots, its development and its demise, relating it to other journals circulating at the time, and highlighting vital issues debated in its pages, such as Argentine attitudes towards fascism during the Second World War.
Author: Leigh Mercer Publisher: Rowman & Littlefield ISBN: 1611483883 Category : Literary Criticism Languages : en Pages : 215
Book Description
Through the study of more than twenty novels produced in Spain from the 1840s to the 1920s, this book explores the literary means by which the social options available to modern Spanish bourgeois citizens were discursively constructed, occasionally before and often concomitantly to their production in reality. As a result, this study is concerned with the interplay of realism and reality in modern Spain. From the earliest folletines of the 1840s to the Modernist novels of the 1920s, the majority of novels written in this eighty-year period are what one might term novelas de costumbres contempor neas, or novels of contemporary customs, and therefore primarily concerned with faithfully copying and moreover influencing real social norms in the public sphere. In these pages, I argue that the spatial and behavioral discourses in the novels of contemporary customs offer a telling history of the evolving formulation of the Spanish bourgeoisie. The linking of novels and urbanism is hardly arbitrary in the context of nineteenth-century Spain. Urbanism, particularly in the nineteenth century, was as much a verbal construction as the novel, as proven by the lengthy treatises of such prominent Spanish bureaucrats, engineers, architects, and urban planners as Ram n de Mesonero Romanos, Ildefons Cerd and Carlos Mar a de Castro. For Spanish intellectuals of this era, city planning and the novel functioned as parallel, enmeshed discourses in which to work out what it meant to be middle class and the roles this class ought to play in contemporary society. In this way, they can be considered associated fields of discourse, in the sense described by Michel Foucault in The Archaeology of Knowledge. Foucault's treatise was a call for scholars to reexamine historical fields and question the historical grouping of knowledge(s) into certain discursive unities, and consider whether these might be broken up and new ones conceived. In this vein, this book undertakes a broader and more integrative view of the Spanish nineteenth century, calling into question the boundaries of fields such as etiquette and urban planning, or literature and touristic discourse.
Author: Joseph F. O'Callaghan Publisher: University of Pennsylvania Press ISBN: 0812245873 Category : History Languages : en Pages : 384
Book Description
By the middle of the fourteenth century, Christian control of the Iberian Peninsula extended to the borders of the emirate of Granada, whose Muslim rulers acknowledged Castilian suzerainty. No longer threatened by Moroccan incursions, the kings of Castile were diverted from completing the Reconquest by civil war and conflicts with neighboring Christian kings. Mindful, however, of their traditional goal of recovering lands formerly ruled by the Visigoths, whose heirs they claimed to be, the Castilian monarchs continued intermittently to assault Granada until the late fifteenth century. Matters changed thereafter, when Fernando and Isabel launched a decade-long effort to subjugate Granada. Utilizing artillery and expending vast sums of money, they methodically conquered each Naṣrid stronghold until the capitulation of the city of Granada itself in 1492. Effective military and naval organization and access to a diversity of financial resources, joined with papal crusading benefits, facilitated the final conquest. Throughout, the Naṣrids had emphasized the urgency of a jihād waged against the Christian infidels, while the Castilians affirmed that the expulsion of the "enemies of our Catholic faith" was a necessary, just, and holy cause. The fundamentally religious character of this last stage of conflict cannot be doubted, Joseph F. O'Callaghan argues.
Author: Zuzana M. Pick Publisher: University of Texas Press ISBN: 0292773242 Category : Performing Arts Languages : en Pages : 264
Book Description
During the 1967 festival of Latin American Cinema in Viña del Mar, Chile, a group of filmmakers who wanted to use film as an instrument of social awareness and change formed the New Latin American Cinema. Nearly three decades later, the New Cinema has produced an impressive body of films, critical essays, and manifestos that uses social theory to inform filmmaking practices. This book explores the institutional and aesthetic foundations of the New Latin American Cinema. Zuzana Pick maps out six areas of inquiry—history, authorship, gender, popular cinema, ethnicity, and exile—and explores them through detailed discussions of nearly twenty films and their makers, including Camila (María Luisa Bemberg), The Guns (Ruy Guerra), and Frida (Paul Leduc). These investigations document how the New Latin American Cinema has used film as a tool to change society, to transform national expressions, to support international differences, and to assert regional autonomy.
Author: Laura Fólica Publisher: John Benjamins Publishing Company ISBN: 9027260591 Category : Language Arts & Disciplines Languages : en Pages : 411
Book Description
While translation history, literary translation, and periodical publications have been extensively analyzed within the fields of Translation Studies, Comparative Literature, and Communication Sciences, the relationship between these three topics remains underexplored. Literary Translation in Periodicals argues that there is a pressing need for an analytical focus on translation in periodicals, a collaborative network of researchers, and a transnational and interdisciplinary approach. The book pursues two goals: (1) to highlight the innovative theoretical and methodological issues intrinsic to analyzing literary translation in periodical publications on a small and large scale, and (2) to contribute to a developing field by providing several case studies on translation in periodicals over a wide range of areas and periods (Europe, Latin America, and Asia in the 19th and 20th centuries) that go beyond the more traditional focus on national and European periodicals and translations. Combining qualitative and quantitative methods of analysis, as well as hermeneutical and sociological approaches, this book reviews conceptual and methodological tools and proposes innovative techniques, such as social network analysis, big data, and large-scale analysis, for tracing the history and evolution of literary translation in periodical publications.
Author: Jonathan Buchsbaum
Author: Jonathan Buchsbaum
Author: Pamela María Smorkaloff
Author: Pamela Maria Smorkaloff
Author: Karl Posso
Author: Federico Eguíluz
Author: John King
Author: Leigh Mercer
Author: Joseph F. O'Callaghan
Author: Zuzana M. Pick
Author: Laura Fólica