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Author: Margaret Edson Publisher: Farrar, Straus and Giroux ISBN: 1466871830 Category : Drama Languages : en Pages : 99
Book Description
Winner of the 1999 Pulitzer Prize for Drama, the New York Drama Critics Circle Award, the Drama Desk Award, the Outer Critics Circle Award, the Lucille Lortel Award, and the Oppenheimer Award. Adapted to an Emmy Award-winning television movie, directed by Mike Nichols, starring Emma Thompson. Margaret Edson's powerfully imagined Pulitzer Prize–winning play examines what makes life worth living through her exploration of one of existence's unifying experiences—mortality—while she also probes the vital importance of human relationships. What we as her audience take away from this remarkable drama is a keener sense that, while death is real and unavoidable, our lives are ours to cherish or throw away—a lesson that can be both uplifting and redemptive. As the playwright herself puts it, "The play is not about doctors or even about cancer. It's about kindness, but it shows arrogance. It's about compassion, but it shows insensitivity." In Wit, Edson delves into timeless questions with no final answers: How should we live our lives knowing that we will die? Is the way we live our lives and interact with others more important than what we achieve materially, professionally, or intellectually? How does language figure into our lives? Can science and art help us conquer death, or our fear of it? What will seem most important to each of us about life as that life comes to an end? The immediacy of the presentation, and the clarity and elegance of Edson's writing, make this sophisticated, multilayered play accessible to almost any interested reader. As the play begins, Vivian Bearing, a renowned professor of English who has spent years studying and teaching the intricate, difficult Holy Sonnets of the seventeenth-century poet John Donne, is diagnosed with advanced ovarian cancer. Confident of her ability to stay in control of events, she brings to her illness the same intensely rational and painstakingly methodical approach that has guided her stellar academic career. But as her disease and its excruciatingly painful treatment inexorably progress, she begins to question the single-minded values and standards that have always directed her, finally coming to understand the aspects of life that make it truly worth living.
Author: Margaret Edson Publisher: Farrar, Straus and Giroux ISBN: 1466871830 Category : Drama Languages : en Pages : 99
Book Description
Winner of the 1999 Pulitzer Prize for Drama, the New York Drama Critics Circle Award, the Drama Desk Award, the Outer Critics Circle Award, the Lucille Lortel Award, and the Oppenheimer Award. Adapted to an Emmy Award-winning television movie, directed by Mike Nichols, starring Emma Thompson. Margaret Edson's powerfully imagined Pulitzer Prize–winning play examines what makes life worth living through her exploration of one of existence's unifying experiences—mortality—while she also probes the vital importance of human relationships. What we as her audience take away from this remarkable drama is a keener sense that, while death is real and unavoidable, our lives are ours to cherish or throw away—a lesson that can be both uplifting and redemptive. As the playwright herself puts it, "The play is not about doctors or even about cancer. It's about kindness, but it shows arrogance. It's about compassion, but it shows insensitivity." In Wit, Edson delves into timeless questions with no final answers: How should we live our lives knowing that we will die? Is the way we live our lives and interact with others more important than what we achieve materially, professionally, or intellectually? How does language figure into our lives? Can science and art help us conquer death, or our fear of it? What will seem most important to each of us about life as that life comes to an end? The immediacy of the presentation, and the clarity and elegance of Edson's writing, make this sophisticated, multilayered play accessible to almost any interested reader. As the play begins, Vivian Bearing, a renowned professor of English who has spent years studying and teaching the intricate, difficult Holy Sonnets of the seventeenth-century poet John Donne, is diagnosed with advanced ovarian cancer. Confident of her ability to stay in control of events, she brings to her illness the same intensely rational and painstakingly methodical approach that has guided her stellar academic career. But as her disease and its excruciatingly painful treatment inexorably progress, she begins to question the single-minded values and standards that have always directed her, finally coming to understand the aspects of life that make it truly worth living.
Author: Bruce Michelson Publisher: ISBN: Category : Humor Languages : en Pages : 208
Book Description
"This book offers a fresh examination of literary wit as a distinct variety of discourse - one that is fundamentally different from wit, humor, and laughter in nonliterary contexts. Bruce Michelson moves beyond outmoded assumptions and canonical authorities to explore how wit can transform fiction, plays, and poetry, providing "a fire that keeps our imaginative literature hot
Author: Ambrose Bierce Publisher: Standard Ebooks ISBN: Category : Fiction Languages : en Pages : 341
Book Description
“Dictionary, n: A malevolent literary device for cramping the growth of a language and making it hard and inelastic. This dictionary, however, is a most useful work.” Bierce’s groundbreaking Devil’s Dictionary had a complex publication history. Started in the mid-1800s as an irregular column in Californian newspapers under various titles, he gradually refined the new-at-the-time idea of an irreverent set of glossary-like definitions. The final name, as we see it titled in this work, did not appear until an 1881 column published in the periodical The San Francisco Illustrated Wasp. There were no publications of the complete glossary in the 1800s. Not until 1906 did a portion of Bierce’s collection get published by Doubleday, under the name The Cynic’s Word Book—the publisher not wanting to use the word “Devil” in the title, to the great disappointment of the author. The 1906 word book only went from A to L, however, and the remainder was never released under the compromised title. In 1911 the Devil’s Dictionary as we know it was published in complete form as part of Bierce’s collected works (volume 7 of 12), including the remainder of the definitions from M to Z. It has been republished a number of times, including more recent efforts where older definitions from his columns that never made it into the original book were included. Due to the complex nature of copyright, some of those found definitions have unclear public domain status and were not included. This edition of the book includes, however, a set of definitions attributed to his one-and-only “Demon’s Dictionary” column, including Bierce’s classic definition of A: “the first letter in every properly constructed alphabet.” Bierce enjoyed “quoting” his pseudonyms in his work. Most of the poetry, dramatic scenes and stories in this book attributed to others were self-authored and do not exist outside of this work. This includes the prolific Father Gassalasca Jape, whom he thanks in the preface—“jape” of course having the definition: “a practical joke.” This book is a product of its time and must be approached as such. Many of the definitions hold up well today, but some might be considered less palatable by modern readers. Regardless, the book’s humorous style is a valuable snapshot of American culture from past centuries. This book is part of the Standard Ebooks project, which produces free public domain ebooks.
Author: James Geary Publisher: W. W. Norton & Company ISBN: 039325495X Category : Language Arts & Disciplines Languages : en Pages : 202
Book Description
Entertaining, illuminating, and entirely unique, Wit’s End “convey[s] the power of wit to refresh the mind” (Henry Hitchings, Wall Street Journal). In “this inventive and playful book” (Tom Beer, Newsday), James Geary explores every facet of wittiness, from its role in innovation to why puns are the highest form of wit. Adopting a different style for each chapter—from dramatic dialogue to sermon, heroic couplets to a barroom monologue—Geary embodies wit in all its forms. Wit’s End agilely balances psychology, folktale, visual art, and literary history with lighthearted humor and acute insight, demonstrating that wit and wisdom are really the same thing.
Author: Dominic Parviz Brookshaw Publisher: ISBN: 9780674066700 Category : Arabic wit and humor Languages : en Pages : 0
Book Description
These essays examine a millennium of humorous and satirical writing in the Islamic world. Humor in Arabic, Persian, and Turkish narrative emerges here as a culturally modulated phenomenon that demands examination with reference to its historical framework and that, in turn, communicates as much about its producers as it does about its audience.
Author: Nancy Loewen Publisher: Capstone ISBN: 1404853456 Category : Juvenile Nonfiction Languages : en Pages : 33
Book Description
Presents advice to help young readers compose their own poems, including twelve points on the use of rhythm, rhyme, alliteration, similes, metaphors, Onomatopoeia, and several poetic forms.
Author: Benjamin Errett Publisher: Penguin ISBN: 0698153863 Category : Social Science Languages : en Pages : 258
Book Description
Got wit? We’ve all been in that situation where we need to say something clever, but innocuous; smart enough to show some intelligence, without showing off; something funny, but not a joke. What we need in that moment is wit—that sparkling combination of charm, humor, confidence, and most of all, the right words at the right time. Elements of Wit is an engaging book that brings together the greatest wits of our time, and previous ones from Oscar Wilde to Nora Ephron, Winston Churchill to Christopher Hitchens, Mae West to Louis CK, and many in between. With chapters covering the essential ingredients of wit, this primer sheds light on how anyone—introverts, extroverts, wallflowers, and bon vivants—can find the right zinger, quip, parry, or retort…or at least be a little bit more interesting.
Author: Neil Cornwell Publisher: Manchester University Press ISBN: 1847796575 Category : Literary Criticism Languages : en Pages : 372
Book Description
Neil Cornwell's study, while endeavouring to present an historical survey of absurdist literature and its forbears, does not aspire to being an exhaustive history of absurdism. Rather, it pauses on certain historical moments, artistic movements, literary figures and selected works, before moving on to discuss four key writers: Daniil Kharms, Franz Kafka, Samuel Beckett and Flann O'Brien. The absurd in literature will be of compelling interest to a considerable range of students of comparative, European (including Russian and Central European) and English literatures (British Isles and American) – as well as those more concerned with theatre studies, the avant-garde and the history of ideas (including humour theory). It should also have a wide appeal to the enthusiastic general reader.
Author: Karen Cushman Publisher: HarperCollins ISBN: 0544301633 Category : Juvenile Fiction Languages : en Pages : 245
Book Description
Grayling doesn't want to be a hero, but to save her mother from a dark enchantment, she seeks out the few second-string magic makers who haven't been immobilized by the spell and goes off in search of her mother's grimoire, or book of magic. Obstacles both natural and supernatural block their way, and friction within the group delays the journey. Surprising herself, Grayling finds the strength and decisiveness to move the group forward and reach her goal. Eccentric witches and wizards plus a shape-shifting mouse provide moments of high comedy, as do odd practices that date back to the Middle Ages, such as divination with cheese.
Author: Klára Bicanová Publisher: Masarykova univerzita ISBN: 8021082305 Category : Crafts & Hobbies Languages : en Pages : 157
Book Description
Práce se zabývá především anglickým termínem wit v jeho moderním i historickém kontextu. Dále se zabývá literárními a estetickými důsledky pojmů wit a esprit a jejich použitím v teoretických spisech několika kritiků v období raně moderní Anglie a Francie. Práce má dva hlavní cíle. Prvním cílem je přehodnocení anglického pojmu wit, který je dnes považován za poněkud zastaralý výrazový prostředek historických poetických systémů a prezentovat jej jako životaschopnou a užitečnou součást současného uměleckého diskurzu. Druhým cílem této práce je poskytnout srovnávací výklad raně moderních anglických a francouzských teoretických textů zabývající se termíny wit a esprit.
Author: Margaret Edson
Author: Margaret Edson
Author: Bruce Michelson
Author: Ambrose Bierce
Author: James Geary
Author: Dominic Parviz Brookshaw
Author: Nancy Loewen
Author: Benjamin Errett
Author: Neil Cornwell
Author: Karen Cushman
Author: Klára Bicanová