Author: Erika E. Hess
Publisher: Routledge
ISBN: 1135886490
Category : Literary Criticism
Languages : en
Pages : 250
Book Description
Much like the fantastic marginalia of medieval illuminated manuscripts, medieval and modern hybrid characters-including werewolves, serpent women, and wild men-function as a frame, critiquing the discourses that run through their texts. In Literary Hybrids, Erika Hess provides a close reading of one such hybrid-the female cross-dresser in thirteenth-century French romance-examining the interplay between physical and narrative ambiguity. Hess argues that the hybrid figure in medieval and contemporary French literature challenges the traditionally accepted natural order, upsets rational thinking, and underscores a concern with totalizing discourses or perspectives.
New Literary Hybrids in the Age of Multimedia Expression
Author: Marcel Cornis-Pope
Publisher: John Benjamins Publishing Company
ISBN: 9027269335
Category : Literary Criticism
Languages : en
Pages : 464
Book Description
Begun in 2010 as part of the “Histories of Literatures in European Languages” series sponsored by the International Comparative Literature Association, the current project on New Literary Hybrids in the Age of Multimedia Expression recognizes the global shift toward the visual and the virtual in all areas of textuality: the printed, verbal text is increasingly joined with the visual, often electronic, text. This shift has opened up new domains of human achievement in art and culture. The international roster of 24 contributors to this volume pursue a broad range of issues under four sets of questions that allow a larger conversation to emerge, both inside the volume’s sections and between them. The four sections cover, 1) Multimedia Productions in Theoretical and Historical Perspective; 2) Regional and Intercultural Projects; 3) Forms and Genres; and, 4) Readers and Rewriters in Multimedia Environments. The essays included in this volume are examples of the kinds of projects and inquiries that have become possible at the interface between literature and other media, new and old. They emphasize the extent to which hypertextual, multimedia, and virtual reality technologies have enhanced the sociality of reading and writing, enabling more people to interact than ever before. At the same time, however, they warn that, as long as these technologies are used to reinforce old habits of reading/ writing, they will deliver modest results. One of the major tasks pursued by the contributors to this volume is to integrate literature in the global informational environment where it can function as an imaginative partner, teaching its interpretive competencies to other components of the cultural landscape.
Publisher: John Benjamins Publishing Company
ISBN: 9027269335
Category : Literary Criticism
Languages : en
Pages : 464
Book Description
Begun in 2010 as part of the “Histories of Literatures in European Languages” series sponsored by the International Comparative Literature Association, the current project on New Literary Hybrids in the Age of Multimedia Expression recognizes the global shift toward the visual and the virtual in all areas of textuality: the printed, verbal text is increasingly joined with the visual, often electronic, text. This shift has opened up new domains of human achievement in art and culture. The international roster of 24 contributors to this volume pursue a broad range of issues under four sets of questions that allow a larger conversation to emerge, both inside the volume’s sections and between them. The four sections cover, 1) Multimedia Productions in Theoretical and Historical Perspective; 2) Regional and Intercultural Projects; 3) Forms and Genres; and, 4) Readers and Rewriters in Multimedia Environments. The essays included in this volume are examples of the kinds of projects and inquiries that have become possible at the interface between literature and other media, new and old. They emphasize the extent to which hypertextual, multimedia, and virtual reality technologies have enhanced the sociality of reading and writing, enabling more people to interact than ever before. At the same time, however, they warn that, as long as these technologies are used to reinforce old habits of reading/ writing, they will deliver modest results. One of the major tasks pursued by the contributors to this volume is to integrate literature in the global informational environment where it can function as an imaginative partner, teaching its interpretive competencies to other components of the cultural landscape.
Literary Hybrids
Author: Erika E. Hess
Publisher: Routledge
ISBN: 1135886490
Category : Literary Criticism
Languages : en
Pages : 250
Book Description
Much like the fantastic marginalia of medieval illuminated manuscripts, medieval and modern hybrid characters-including werewolves, serpent women, and wild men-function as a frame, critiquing the discourses that run through their texts. In Literary Hybrids, Erika Hess provides a close reading of one such hybrid-the female cross-dresser in thirteenth-century French romance-examining the interplay between physical and narrative ambiguity. Hess argues that the hybrid figure in medieval and contemporary French literature challenges the traditionally accepted natural order, upsets rational thinking, and underscores a concern with totalizing discourses or perspectives.
Publisher: Routledge
ISBN: 1135886490
Category : Literary Criticism
Languages : en
Pages : 250
Book Description
Much like the fantastic marginalia of medieval illuminated manuscripts, medieval and modern hybrid characters-including werewolves, serpent women, and wild men-function as a frame, critiquing the discourses that run through their texts. In Literary Hybrids, Erika Hess provides a close reading of one such hybrid-the female cross-dresser in thirteenth-century French romance-examining the interplay between physical and narrative ambiguity. Hess argues that the hybrid figure in medieval and contemporary French literature challenges the traditionally accepted natural order, upsets rational thinking, and underscores a concern with totalizing discourses or perspectives.
Hybrid Fictions
Author: Daniel Grassian
Publisher: McFarland
ISBN: 078648358X
Category : Literary Criticism
Languages : en
Pages : 209
Book Description
Since the 1960s, academics have theorized that literature is on its way to becoming obsolete or, at the very least, has lost part of its power as an influential medium of social and cultural critique. This work argues against that misconception and maintains that contemporary American literature is not only alive and well but has grown in significant ways that reflect changes in American culture during the last twenty years. In addition, this work argues that beginning in the 1980s, a new, allied generation of American writers, born from the late 1950s to the early 1970s, has emerged, whose hybrid fiction blend distinct elements of previous American literary movements and contain divided social, cultural and ethnic allegiances. The author explores psychological, philosophical, ethnic and technological hybridity. The author also argues for the importance of and need for literature in contemporary America and considers its future possibilities in the realms of the Internet and hypertext. David Foster Wallace, Neal Stephenson, Douglas Coupland, Sherman Alexie, William Vollmann, Michele Serros and Dave Eggers are among the writers whose hybrid fictions are discussed.
Publisher: McFarland
ISBN: 078648358X
Category : Literary Criticism
Languages : en
Pages : 209
Book Description
Since the 1960s, academics have theorized that literature is on its way to becoming obsolete or, at the very least, has lost part of its power as an influential medium of social and cultural critique. This work argues against that misconception and maintains that contemporary American literature is not only alive and well but has grown in significant ways that reflect changes in American culture during the last twenty years. In addition, this work argues that beginning in the 1980s, a new, allied generation of American writers, born from the late 1950s to the early 1970s, has emerged, whose hybrid fiction blend distinct elements of previous American literary movements and contain divided social, cultural and ethnic allegiances. The author explores psychological, philosophical, ethnic and technological hybridity. The author also argues for the importance of and need for literature in contemporary America and considers its future possibilities in the realms of the Internet and hypertext. David Foster Wallace, Neal Stephenson, Douglas Coupland, Sherman Alexie, William Vollmann, Michele Serros and Dave Eggers are among the writers whose hybrid fictions are discussed.
Family Resemblance
Author: Marcela Malek Sulak
Publisher:
ISBN: 9781941628027
Category : Language Arts & Disciplines
Languages : en
Pages : 0
Book Description
Literary Nonfiction. Hybrid Genre. Poetry. Fiction. Art. Cultural Studies. When we talk about hybrid literary genres, what do we mean? Unprecedented in both its scope and approach, FAMILY RESEMBLANCE is the first anthology to explore the answer to that question in depth, providing craft essays and examples of hybrid forms by 43 distinguished authors. In this study of eight hybrid genres--including lyric essay, epistolary, poetic memoir, prose poetry, performative, short-form nonfiction, flash fiction, and pictures made of words--the family tree of hybridity takes delightful shape, showcasing how cross-genre works blend features from multiple literary parents to create new entities, forms that feel more urgent than ever in today's increasingly heterogeneous landscape. Introductions and an afterword discuss the importance and current popularity of hybridity in literature and culture and offer methods for teaching hybrid works. Intended for both scholarly and general readers, this seminal collection sparkles with inventiveness and creative zeal--an essential guidebook to a developing field. Contributors: Kazim Ali - Susanne Paola Antonetta - Andrea Baker - Jennifer Bartlett - Mira Bartók - Jenny Boully - Julie Carr - Katie Cortese - Nick Flynn - Sarah Gorham - Arielle Greenberg - Carol Guess - Terrance Hayes - Robin Hemley - Takashi Hiraide - Tung-Hui Hu - Mark Jarman - A. Van Jordan - Etgar Keret - Joy Ladin - Miriam Libicki - Bret Lott - Stan Mack - Sabrina Orah Mark - Brenda Miller - Ander Monson - Maggie Nelson - Amy Newman - Gregory Orr - Julio Ortega - Jena Osman - Kathleen Ossip - Pamela Painter - Craig Santos Perez - Khadijah Queen - David Shields - Mary Szybist - Sarah Vap - Patricia Vigderman - Julie Marie Wade - Diane Wakoski - Joe Wenderoth - Rachel Zucker
Publisher:
ISBN: 9781941628027
Category : Language Arts & Disciplines
Languages : en
Pages : 0
Book Description
Literary Nonfiction. Hybrid Genre. Poetry. Fiction. Art. Cultural Studies. When we talk about hybrid literary genres, what do we mean? Unprecedented in both its scope and approach, FAMILY RESEMBLANCE is the first anthology to explore the answer to that question in depth, providing craft essays and examples of hybrid forms by 43 distinguished authors. In this study of eight hybrid genres--including lyric essay, epistolary, poetic memoir, prose poetry, performative, short-form nonfiction, flash fiction, and pictures made of words--the family tree of hybridity takes delightful shape, showcasing how cross-genre works blend features from multiple literary parents to create new entities, forms that feel more urgent than ever in today's increasingly heterogeneous landscape. Introductions and an afterword discuss the importance and current popularity of hybridity in literature and culture and offer methods for teaching hybrid works. Intended for both scholarly and general readers, this seminal collection sparkles with inventiveness and creative zeal--an essential guidebook to a developing field. Contributors: Kazim Ali - Susanne Paola Antonetta - Andrea Baker - Jennifer Bartlett - Mira Bartók - Jenny Boully - Julie Carr - Katie Cortese - Nick Flynn - Sarah Gorham - Arielle Greenberg - Carol Guess - Terrance Hayes - Robin Hemley - Takashi Hiraide - Tung-Hui Hu - Mark Jarman - A. Van Jordan - Etgar Keret - Joy Ladin - Miriam Libicki - Bret Lott - Stan Mack - Sabrina Orah Mark - Brenda Miller - Ander Monson - Maggie Nelson - Amy Newman - Gregory Orr - Julio Ortega - Jena Osman - Kathleen Ossip - Pamela Painter - Craig Santos Perez - Khadijah Queen - David Shields - Mary Szybist - Sarah Vap - Patricia Vigderman - Julie Marie Wade - Diane Wakoski - Joe Wenderoth - Rachel Zucker
The Orchid Stud-book: an Enumeration of Hybrid Orchids of Artificial Origin
Author: Robert Allen Rolfe
Publisher:
ISBN:
Category : Orchid culture
Languages : en
Pages : 392
Book Description
Publisher:
ISBN:
Category : Orchid culture
Languages : en
Pages : 392
Book Description
Ethnic Minority Women’s Writing in France
Author: Claire Mouflard
Publisher: Rowman & Littlefield
ISBN: 1498587305
Category : Literary Criticism
Languages : en
Pages : 193
Book Description
In Ethnic Minority Women’s Writing in France, Mouflard argues that the identity politics surrounding the immigration discourse of early twenty-first century France were reflected in the marketing and editing practices of the Metropole’s key publishers, specifically with regards to non-white French women’s literature. Echoing the utopic “Black-Blanc-Beur” model of integration which surfaced during the 1998 soccer World Cup, select publishers fashioned unofficial literary categories based on neocolonial racial and gender stereotypes, either lauding integrated “Beur” authors or exploiting “Black” political dissenters. Concurrently, metropolitan women writers in their autobiographies, autofictions, and manifestoes, problematized notions of French multiculturalism and literary hierarchies, thereby exposing the dangers of utopian thinking. Mouflard ultimately reveals that the absence of the Franco-Vietnamese identity from the “Black-Blanc-Beur” paradigm enabled authors of Southeastern Asian origin to establish themselves outside of the era’s reductive multicultural utopia, within a realm directly adjacent to littérature française, if not in a newly-designed, truly multicultural French literature category. Overall, Mouflard’s research highlights the discrepancies between France’s official discourse on immigration, and the actual identity formation processes created by the institutions and exploited by influential publishers, in the years leading to the historic 2005 banlieue civil unrest.
Publisher: Rowman & Littlefield
ISBN: 1498587305
Category : Literary Criticism
Languages : en
Pages : 193
Book Description
In Ethnic Minority Women’s Writing in France, Mouflard argues that the identity politics surrounding the immigration discourse of early twenty-first century France were reflected in the marketing and editing practices of the Metropole’s key publishers, specifically with regards to non-white French women’s literature. Echoing the utopic “Black-Blanc-Beur” model of integration which surfaced during the 1998 soccer World Cup, select publishers fashioned unofficial literary categories based on neocolonial racial and gender stereotypes, either lauding integrated “Beur” authors or exploiting “Black” political dissenters. Concurrently, metropolitan women writers in their autobiographies, autofictions, and manifestoes, problematized notions of French multiculturalism and literary hierarchies, thereby exposing the dangers of utopian thinking. Mouflard ultimately reveals that the absence of the Franco-Vietnamese identity from the “Black-Blanc-Beur” paradigm enabled authors of Southeastern Asian origin to establish themselves outside of the era’s reductive multicultural utopia, within a realm directly adjacent to littérature française, if not in a newly-designed, truly multicultural French literature category. Overall, Mouflard’s research highlights the discrepancies between France’s official discourse on immigration, and the actual identity formation processes created by the institutions and exploited by influential publishers, in the years leading to the historic 2005 banlieue civil unrest.
Hybrid Englishes and the Challenges of and for Translation
Author: Karen Bennett
Publisher: Routledge
ISBN: 1351391984
Category : Language Arts & Disciplines
Languages : en
Pages : 211
Book Description
This volume problematizes the concept and practice of translation in an interconnected world in which English, despite its hegemonic status, can no longer be considered a coherent unified entity but rather a mobile resource subject to various kinds of hybridization. Drawing upon recent work in the domains of translation studies, literary studies and (socio-)linguistics, it explores the centrality of translation as both a trope for the analysis of contemporary transcultural dynamics and as a concrete communication practice in the globalized world. The chapters range across many geographic realities and genres (including fiction, memoir, animated film and hip-hop), and deal with subjects as varied as self-translation, translational ethics and language change. As a whole, the book makes an important contribution to our understanding of how meanings are generated and relayed in a context of super-diversity, in which traditional understandings of language and translation can no longer be sustained.
Publisher: Routledge
ISBN: 1351391984
Category : Language Arts & Disciplines
Languages : en
Pages : 211
Book Description
This volume problematizes the concept and practice of translation in an interconnected world in which English, despite its hegemonic status, can no longer be considered a coherent unified entity but rather a mobile resource subject to various kinds of hybridization. Drawing upon recent work in the domains of translation studies, literary studies and (socio-)linguistics, it explores the centrality of translation as both a trope for the analysis of contemporary transcultural dynamics and as a concrete communication practice in the globalized world. The chapters range across many geographic realities and genres (including fiction, memoir, animated film and hip-hop), and deal with subjects as varied as self-translation, translational ethics and language change. As a whole, the book makes an important contribution to our understanding of how meanings are generated and relayed in a context of super-diversity, in which traditional understandings of language and translation can no longer be sustained.
W.G. Sebald’s Hybrid Poetics
Author: Lynn L. Wolff
Publisher: Walter de Gruyter
ISBN: 3110370530
Category : Literary Criticism
Languages : en
Pages : 286
Book Description
This book offers a new critical perspective on the perpetual problem of literature's relationship to reality and in particular on the sustained tension between literature and historiography. The scholarly and literary works of W.G. Sebald (1944–2001) serve as striking examples for this discussion, for the way in which they demonstrate the emergence of a new hybrid discourse of literature as historiography. This book critically reconsiders the claims and aims of historiography by re-evaluating core questions of the literary discourse and by assessing the ethical imperative of literature in the 20th and 21st centuries. Guided by an inherently interdisciplinary framework, this book elucidates the interplay of epistemological, aesthetic, and ethical concerns that define Sebald's criticism and fiction. Appropriate to the way in which Sebald's works challenge us to rethink the boundaries between discourses, genres, disciplines, and media, this work proceeds in a methodologically non-dogmatic way, drawing on hermeneutics, semiotics, narratology, and discourse theory. In addition to contextualizing Sebald within postwar literature in German, the book is the first English-language study to consider Sebald's œuvre as a whole. Of interest for Sebald experts and enthusiasts, literary scholars and historians concerned with the problematic of representing the past.
Publisher: Walter de Gruyter
ISBN: 3110370530
Category : Literary Criticism
Languages : en
Pages : 286
Book Description
This book offers a new critical perspective on the perpetual problem of literature's relationship to reality and in particular on the sustained tension between literature and historiography. The scholarly and literary works of W.G. Sebald (1944–2001) serve as striking examples for this discussion, for the way in which they demonstrate the emergence of a new hybrid discourse of literature as historiography. This book critically reconsiders the claims and aims of historiography by re-evaluating core questions of the literary discourse and by assessing the ethical imperative of literature in the 20th and 21st centuries. Guided by an inherently interdisciplinary framework, this book elucidates the interplay of epistemological, aesthetic, and ethical concerns that define Sebald's criticism and fiction. Appropriate to the way in which Sebald's works challenge us to rethink the boundaries between discourses, genres, disciplines, and media, this work proceeds in a methodologically non-dogmatic way, drawing on hermeneutics, semiotics, narratology, and discourse theory. In addition to contextualizing Sebald within postwar literature in German, the book is the first English-language study to consider Sebald's œuvre as a whole. Of interest for Sebald experts and enthusiasts, literary scholars and historians concerned with the problematic of representing the past.
A Polemical Preacher of Joy
Author: Jerome Douglas
Publisher: Wipf and Stock Publishers
ISBN: 1498226744
Category : Religion
Languages : en
Pages : 186
Book Description
How is the interpreter to approach Ecclesiastes? What is the message of the author? What is the genre of Ecclesiastes? Many scholars have posited varying interpretations of the message of Ecclesiastes and have observed the number of statements that appear to be conflicting or, at least, in tension with one another. Discussions about the argument and genre label(s) in Ecclesiastes have not fully considered the author's polemics against the apocalyptic beliefs of his day, 200 B.C.E. This book will propose that the author of Ecclesiastes utilizes a hybrid genre in his work--an "anti-apocalyptic genre"--in order to further his message of joy. Jerome Douglas explores how recognizing the presence of an anti-apocalyptic genre within the tapestry of Ecclesiastes assists the interpreter in understanding the book.
Publisher: Wipf and Stock Publishers
ISBN: 1498226744
Category : Religion
Languages : en
Pages : 186
Book Description
How is the interpreter to approach Ecclesiastes? What is the message of the author? What is the genre of Ecclesiastes? Many scholars have posited varying interpretations of the message of Ecclesiastes and have observed the number of statements that appear to be conflicting or, at least, in tension with one another. Discussions about the argument and genre label(s) in Ecclesiastes have not fully considered the author's polemics against the apocalyptic beliefs of his day, 200 B.C.E. This book will propose that the author of Ecclesiastes utilizes a hybrid genre in his work--an "anti-apocalyptic genre"--in order to further his message of joy. Jerome Douglas explores how recognizing the presence of an anti-apocalyptic genre within the tapestry of Ecclesiastes assists the interpreter in understanding the book.
How to Read Like a Writer
Author: Erin M. Pushman
Publisher: Bloomsbury Publishing
ISBN: 1350119423
Category : Language Arts & Disciplines
Languages : en
Pages : 217
Book Description
“Reliably insightful.” – Publishers Weekly The first step to becoming a successful writer is to become a successful reader. Helping you develop your critical skills How to Read Like a Writer is an accessible and effective step-by-step guide to how careful reading can help you improve your craft as a creative writer, whatever genre you are writing in. Across 10 lessons – each pairing published readings with practical critical and creative exercises – this book helps writers master such key elements of their craft as: · Genre – from fiction, creative nonfiction and poetry to hybrid genres such as graphic narratives and online forms · Plot, conflict, theme and image · Developing characters – physical descriptions, psychological depths and actions · Narrators and points of view – 1st, 2nd and 3rd person narratives · Scenes and settings – time, space and place · Structure and form – length, organization and media · Language, subtext and style
Publisher: Bloomsbury Publishing
ISBN: 1350119423
Category : Language Arts & Disciplines
Languages : en
Pages : 217
Book Description
“Reliably insightful.” – Publishers Weekly The first step to becoming a successful writer is to become a successful reader. Helping you develop your critical skills How to Read Like a Writer is an accessible and effective step-by-step guide to how careful reading can help you improve your craft as a creative writer, whatever genre you are writing in. Across 10 lessons – each pairing published readings with practical critical and creative exercises – this book helps writers master such key elements of their craft as: · Genre – from fiction, creative nonfiction and poetry to hybrid genres such as graphic narratives and online forms · Plot, conflict, theme and image · Developing characters – physical descriptions, psychological depths and actions · Narrators and points of view – 1st, 2nd and 3rd person narratives · Scenes and settings – time, space and place · Structure and form – length, organization and media · Language, subtext and style