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Author: Kathryn Chew Publisher: Barkhuis ISBN: 9492444879 Category : Literary Collections Languages : en Pages : 381
Book Description
Bryan Reardon (1928-2009) was one of the most important and influential figures in the revival of scholarly interest in the Greek novel and ancient fiction in the last quarter of the twentieth century. His organisation of the first International Conference on the Ancient Novel (ICAN) at Bangor, North Wales, in 1976 was a landmark in the field and an inspiration to the organisers of subsequent ICANs, from which Ancient Narrative itself sprang. As editor of Collected Ancient Greek Novels (University of California Press 1989; second edition 2008), he made the Greek novels accessible to a wider readership and won a place for them in university syllabuses across the English-speaking world. This volume contains twenty essays by leading scholars of ancient fiction, who were all pupils, colleagues or close friends of Bryan Reardon, in memory of his scholarship, energy, guidance and humanity. They cover a range of topics including ancient literary theory and the conceptualisation of fiction, discussion of individual novels (Chariton, Longus, Iamblichus, Achilles Tatius, and Apuleius) and novelistic texts (a papyrus fragment of a lost novel, and Philostratus' Life of Apollonius), the afterlife of the ancient novel (in a Renaissance commentary on Roman law, in a seventeenth-century essay on the origin of the novel, and in a seventeenth-century series of paintings in a French château), and a speculative reconstruction of the morning after the end of Heliodorus' novel. The title of the volume commemorates two of Bryan Reardon's most important books: Courants littéraires grecs des IIe et IIIe siècles après J.-C. (Paris 1971) and The Form of Greek Romance (Princeton 1991); and the photograph of Aphrodisias on the front cover is a tribute to his critical edition of Chariton (2004).
Author: Kathryn Chew Publisher: Barkhuis ISBN: 9492444879 Category : Literary Collections Languages : en Pages : 381
Book Description
Bryan Reardon (1928-2009) was one of the most important and influential figures in the revival of scholarly interest in the Greek novel and ancient fiction in the last quarter of the twentieth century. His organisation of the first International Conference on the Ancient Novel (ICAN) at Bangor, North Wales, in 1976 was a landmark in the field and an inspiration to the organisers of subsequent ICANs, from which Ancient Narrative itself sprang. As editor of Collected Ancient Greek Novels (University of California Press 1989; second edition 2008), he made the Greek novels accessible to a wider readership and won a place for them in university syllabuses across the English-speaking world. This volume contains twenty essays by leading scholars of ancient fiction, who were all pupils, colleagues or close friends of Bryan Reardon, in memory of his scholarship, energy, guidance and humanity. They cover a range of topics including ancient literary theory and the conceptualisation of fiction, discussion of individual novels (Chariton, Longus, Iamblichus, Achilles Tatius, and Apuleius) and novelistic texts (a papyrus fragment of a lost novel, and Philostratus' Life of Apollonius), the afterlife of the ancient novel (in a Renaissance commentary on Roman law, in a seventeenth-century essay on the origin of the novel, and in a seventeenth-century series of paintings in a French château), and a speculative reconstruction of the morning after the end of Heliodorus' novel. The title of the volume commemorates two of Bryan Reardon's most important books: Courants littéraires grecs des IIe et IIIe siècles après J.-C. (Paris 1971) and The Form of Greek Romance (Princeton 1991); and the photograph of Aphrodisias on the front cover is a tribute to his critical edition of Chariton (2004).
Author: Anahid Nersessian Publisher: ISBN: 022670131X Category : English poetry Languages : en Pages : 224
Book Description
"The Romantic period in literature coincided with two of the most significant transformations in modern history: the Industrial Revolution and, with it, the inflection point of the Anthropocene. Literary critics have shown that much of Romantic poetry expresses an uncanny insight into both of these transformations, including the human and ecological costs of what we now call a carbon-based economy. But was art really capable of making sense of the emerging crisis-or of changing the future? In a superbly nuanced work of literary criticism, Anahid Nersessian shows that poets began to disqualify themselves from explaining the train of consequences that industry set in motion. Their form of knowledge-if knowledge it be-was of an order different from science or economics, and could not bear the burden of accounting for environmental calamity. Romanticism, Nersessian argues, is of the Anthropocene but not about it, and she cautions against investing its poetry with a straightforwardly testimonial power. In doing so, she models an approach to criticism that reads within what Charles Olson calls "the shapeful," emphasizing the role of rhetorical figures in fashioning the posture a poem takes on a historical question. While focusing on the Romantics, Nersessian also ranges back to the seventeenth century (e.g., the poetry of Andrew Marvell) and forward to examples of contemporary poetry and conceptual art (e.g., Derek Jarman's poetry, and installations by Agnes Denes and Helen Mirra). Within literary studies, this is a widely anticipated book by one of the most brilliant critics of her generation"--
Author: Marília P. Futre Pinheiro Publisher: Barkhuis ISBN: 9493194469 Category : Literary Criticism Languages : en Pages : 173
Book Description
The papers in this volume discuss, from various perspectives, the engagement of the ancient novels with their predecessors and aim to identify and interpret the resonances, of different degrees of closeness, of those texts (Homeric epics, traditional and nuptial poetry, the historiographical tradition, Greek theatre, Latin love elegy and pantomime) as elements of an intertextual and metadiscursive play.
Author: Ewen Bowie Publisher: Cambridge University Press ISBN: 1107058120 Category : History Languages : en Pages : 1071
Book Description
Assembles a major scholar's work on Hellenistic and Imperial Greek poetry and the novels over four decades, illustrating its evolution.
Author: Ewen Bowie Publisher: Cambridge University Press ISBN: 1009353527 Category : History Languages : en Pages : 1071
Book Description
In this book one of the world's leading Hellenists brings together his many contributions over four decades to our understanding of major genres of Greek literature, above all the Greek novel, but also Attic Comedy, fifth-century historiography, and Hellenistic and Imperial Greek poetry. Many are already essential reading, such as the chapter on the figure of Lycidas in Theocritus' Idyll 7, or two chapters on the ancient readership of Greek novels. Discussions of Imperial Greek poetry published three decades ago opened up a world almost entirely neglected by scholars. Several chapters address literary and linguistic issues in Longus' novel Daphnis and Chloe, complementing the author's commentary published in 2019; two contribute to a better understanding of the enigmatic Aethiopica of Heliodorus; and many explore important questions arising from examination of the form of the Greek novel as a whole. This is the second of a planned three-volume collection.
Author: Jacob P. B. Mortensen Publisher: Vandenhoeck & Ruprecht ISBN: 364756060X Category : Religion Languages : en Pages : 239
Book Description
One of the most fundamental questions when reading and trying to understand New Testament texts is the question of genre. It is impossible to understand a text, its meaning and intention, in its proper historical setting if one does not understand its genre: As an example, interpreting a satirical text without understanding the genre would no doubt lead to grave misunderstandings. The same logic applies to texts from the New Testament, and the matter is complicated even further by the immense historical gap between the time of the genesis of the New Testament canon and now. The problem of the New Testament texts' genre(s) is therefore a vital area of scholarly discussion within international New Testament scholarship. The current volume utilizes the newest insights from current research on the New Testament to cast new light on the question of the genre of Mark's Gospel. Here, prominent international New Testament scholars discuss how we should understand the genre(s) of Mark's Gospel, thus making an important contribution to international scholarship on the Gospel of Mark as well as the Gospel genre in general.
Author: María Paz López Martínez Publisher: John Benjamins Publishing Company ISBN: 9027249288 Category : Literary Criticism Languages : en Pages : 468
Book Description
This volume gathers chapters related to the condition of women in the ancient novel. To broaden the perspective, it integrates not only papers dealing with the Greek and Roman novel as a literary genre in its own right, but also as a historical document involving aspects as diverse as history, archaeology, sociology and the history of law. The twenty-six contributions in this volume have been divided into thematic blocks, based on the different approaches that the authors have adopted to tackle the subject. The first block is about realia – the reality in which the fiction has been conceived. The second block focuses on the legal problems that can be deduced from the plots of the novels. The third block encompasses deals with the Greek and Roman novel from the point of view of classical philology, literary criticism and literary theory, with chapters dedicated to the tradition of the ancient novel, both in our most immediate cultural area (Middle Ages, Spanish Golden Age) and in other contexts, whether Indo-European (India, Persia) or of a different origin.
Author: Tim Rood Publisher: Walter de Gruyter GmbH & Co KG ISBN: 3110793431 Category : Literary Criticism Languages : en Pages : 572
Book Description
This volume constitutes the first large-scale collaborative reflection on Xenophon’s Anabasis, gathering experts on Greek historiography and Xenophon. It is structured in three sections: the first section provides a linear reading of the Anabasis through chapters on select episodes (from Book 1 through Book 7), including the opening, Cyrus’ characterisation, the meeting of Socrates and Xenophon, Xenophon’s leadership, the marches through Armenia and along the Black Sea coast and the service under Seuthes in Thrace. The second section offers an in-depth exploration of hitherto overlooked recurrent themes. Based on new approaches and scholarly trends, it focuses on topics such as the concept of friendship, the speeches of characters other than Xenophon, the suffering of the human body, the role of rumour and misrepresentation, and the depiction of emotions. The third section offers a more thorough investigation of the manifold reception of this work (in Antiquity, Byzantium, Renaissance, modern period, in cinema studies and illustrations). Finally, in acknowledgement of the Anabasis’ long history as a pedagogical text, the volume contains an envoi on the importance and benefits of teaching Xenophon and the Anabasis, more specifically.
Author: Daniel Jolowicz Publisher: Oxford University Press ISBN: 0192647741 Category : History Languages : en Pages : 304
Book Description
Latin Poetry in the Ancient Greek Novels establishes and explores connections between Greek imperial literature and Latin poetry. This work challenges conventional thinking about literary and cultural interaction of the period, which assumes that imperial Greeks were not much interested in Roman cultural products (especially literature). Instead, it argues that Latin poetry is a crucially important frame of reference for Greek imperial literature. This has significant ramifications, bearing on the question of bilingual allusion and intertextuality, as well as on that of cultural interaction during the imperial period more generally. Three of these novels in particular-Chariton's Chaereas and Callirhoe, Achilles Tatius' Clitophon and Leucippe, and Longus' Daphnis and Chloe-are analysed for the extent to which they allude to Latin poetry, and for the effects (literary and ideological) of such allusion. After establishing the cultural context and parameters of the study, each chapter pursues the strategies of an individual novelist in connection with Latin poetry. The work offers the first book-length study of the role of Latin literature in Greek literary culture under the empire, and thus provides fresh perspectives and new approaches to the literature and culture of this period.
Author: B. P. Reardon Publisher: Princeton University Press ISBN: 1400861845 Category : Literary Criticism Languages : en Pages : 208
Book Description
In the early Roman Empire a new literary genre began to flourish, mainly in the Greek world: prose fiction, or romance. Broadly defined as a love story that offers adventure and a romantic vision of life, this form of literature emerged long after the other genres and, until recently, seemed hardly worthy of critical attention. Here B. P. Reardon addresses the growing interest in ancient fiction by providing a literary and cultural framework in which to understand Greek romance, and by demonstrating its importance as an artistic and social phenomenon. Beginning with a discussion of Chariton's Chaereas and Callirhoe, Reardon sets out the generic characteristics of the romance. He then moves through a wide range of works, including those of Longus and Heliodorus, and reveals their sophistication in terms of social observation, technique within a convention, and the stance adopted by the authors toward their own creations. Although antiquity left behind little discussion of the genre, Reardon shows how romance can be assessed within its time period by considering the practice of narrative in other Greek literature and the concept of fiction in antiquity. Originally published in 1991. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Author: Kathryn Chew
Author: Kathryn Chew
Author: Anahid Nersessian
Author: Marília P. Futre Pinheiro
Author: Ewen Bowie
Author: Ewen Bowie
Author: Jacob P. B. Mortensen
Author: María Paz López Martínez
Author: Tim Rood
Author: Daniel Jolowicz
Author: B. P. Reardon