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Author: Alison Adams Publisher: BRILL ISBN: 9004451870 Category : History Languages : en Pages : 299
Book Description
The volume is a cross-section of contributions to the Glasgow International Emblem Conference 1990, and demonstrates the range of research currently under way into the emblem tradition in the Renaissance and Baroque periods and the variety of its development across the centuries in many European countries. The seventeen papers are arranged here in broad national and thematic groupings, showing the emblem tradition in France, Italy, the Low Countries, Germany, Britain, within the field of alchemy, and extending into wider European traditions. The volume is generously illustrated, and an index is provided for the orientation of the reader. An impression of the richness of the European emblem tradition is given for the general reader, whilst the specialist is provided with a comprehensive insight into the many and varied strands of current emblem research and the diversity of approach adopted by scholars internationally.
Author: Laurence Grove Publisher: Librairie Droz ISBN: 9782600004121 Category : Emblem books, French Languages : en Pages : 268
Book Description
Complète les deux ouvrages publiés dans la même collection, d'Alison Saunders, Stephen Rawles et Alison Adams. L'index des noms et des lieux enrichit la bibliographie des oeuvres secondaires consacrées aux emblèmes français et en facilite l'utilisation.
Author: Éva Knapp Publisher: Walter de Gruyter ISBN: 3110950820 Category : Literary Criticism Languages : en Pages : 412
Book Description
The main aim of the work is to present emblematics in Hungary in its European context, and to show the reciprocal influence between that phenomenon and mainstream literature. The description of the theoretical and historical development in Hungary is supplemented by a series of case studies examining the effect of emblematics upon various literary genres. The final chapter analyzes the link between literary emblematics and the visual arts by looking at a specific example. As in most European countries, emblematics in Hungary is part of a complex labyrinth of literary modes of thought and expression. A relative poverty of theoretical writing went hand in hand with a considerable range of emblematic practice. The emblem proved to be a transitional form between the period when signs and motifs were regarded as having specific and fixed meanings and the modern period when we have developed a different and shifting concept of language and meaning. At the same time as emblems began to penetrate the more popular levels of national culture and literature, they also became more specialized. Hungarian emblematics used, for the most part, existing pictorial and textual combinations of pictures and texts. They employed the emblem notably in genres and texts of the genus demonstrativum, which referred to matters which were topical at the time.
Author: Peter Maurice Daly Publisher: ISBN: Category : Art Languages : en Pages : 656
Book Description
Scholars in multiple disciplines now recognize the emblem as a significant expression of the cultural life of the Renaissance and the Baroque, reflecting a panoply of interests ranging from war to love, from religion to philosophy to politics, from the sciences to the occult, from social mores to encyclopedic knowledge, and from serious speculation to entertainment. Following Andrea Alciato's publication of the first emblem book in 1531, the form enjoyed its heyday in the seventeenth-century, appearing in speeches, sermons, and printed texts, but also in wall and ceiling decorations, jewelry, carvings, paintings, and other material expressions. Beyond this early boom, the emblem was again present in eighteenth-century title pages and frontispieces, and experienced twentieth-century manifestations during the ideological battles of both world wars and Quebec's attempt at secession from Canada. The Companion to Emblem Studies introduces the multiple forms that the emblem has taken through nearly five centuries of production, and offers an interdisciplinary and international assessment of the long history of this pervasive symbolic device. use those vernacular languages; on Alciato, the father and prince of emblems; on bibliography and theory; on the Jesuit and Neo Latin emblems, which cut across national groupings; on flags and tournaments; and on emblems in recent material culture, logos, and advertisements. The Companion features 130 illustrations and concludes with a Selective Bibliography for Further Reading, which includes works written in western European languages and expands the volume's usefulness for researchers and students in the field.
Author: Gyorgy E Szonyi Publisher: BRILL ISBN: 9004610065 Category : Art Languages : en Pages : 268
Book Description
The present volume contains eighteen papers of a conference devoted to iconography and emblem studies. The essays represent the state of research and are arranged according to the following aspects: Iconography and Ideology, Iconography and History, The World of Emblems and Occult Emblematics.
Author: G. Richard Dimler Publisher: ISBN: 9780404637194 Category : Emblem books Languages : en Pages : 0
Book Description
Why Jesuit emblems? The Society of Jesus produced more books inthis genre than did any other identifiable group of writers andpublished in all major European vernacular languages as well as inLatin. Jeremiah Drexel, for example, was the most prolific and mostpublished writer in Europe in the seventeenth century. He wrote morethan twelve emblem books and each was translated and reissued innumerous later editions. Between 1618 and 1642, 170,000 of Drexel'sbooks were sold in Munich alone - then a city of 22,000 inhabitants.Father Dimler, Research Professor of Emblem Studies at FordhamUniversity, has assembled every known study on Jesuit emblembooks and their authors. His bibliography includes both books writtenby individual Jesuits as well as those produced by Jesuit colleges andinstitutions.