Literary and Art Theories in Japan PDF Download

Author: Makoto Ueda
Publisher:
ISBN:
Category : Aesthetics, Japanese
Languages : en
Pages : 274

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Author: Makoto Ueda
Publisher: U of M Center for Japanese Studies
ISBN:
Category : Art
Languages : en
Pages : 326

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Michigan Classics in Japanese Studies No. 6

Author: Steve Odin
Publisher: University of Hawaii Press
ISBN: 9780824823740
Category : Philosophy
Languages : en
Pages : 310

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Book Description
Artistic Detachment in Japan and the West takes up the notion of artistic detachment, or psychic distance, as an intercultural motif for East-West comparative aesthetics. The work begins with an overview of aesthetic theory in the West from the eighteenth-century empiricists to contemporary aesthetics and concludes with a survey of various critiques of psychic distance. Throughout, the author takes a highly innovative approach by juxtaposing Western aesthetic theory against Eastern (primarily Japanese) aesthetic theory. Weaving between cultures and time periods, the author focuses on a remarkably wide range of theories: in the West, the Kantian notion of disinterested contemplation, Heidegger's Gelassenheit, semiotics, and pragmatism; in Japan, Zeami's notion of riken no ken, the Kyoto School's intepretation of nothingness, D. T. Suzuki's analysis of the function of no-mind, and the writings of Kuki Shuzo on Buddhist detachment. "Portrait of the artist" fiction by such writers as Henry James, James Joyce, Mori Ogai, and Natsume Soseki demonstrates how the main theme of detachment is expressed in literary traditions. The role of sympathy or pragmatism in relation to disinterest is examined, suggesting conflicts within or challenges to the notion of detachment. Researchers and students in Eastern and Western areas of study, including philosophers and religionists, as well as literary and cultural critics, will deem this work an invaluable contribution to cross-cultural philosophy and literary studies.

Author: Laurence Senelick
Publisher: Psychology Press
ISBN: 9780415159869
Category : Art
Languages : en
Pages : 566

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The Changing Room traces the origins and variations of theatrical cross-dressing through the ages and across cultures. This is the first-ever cross-cultural study of theatrical transvestism.

Author: Yasusuke Oura
Publisher: Rowman & Littlefield
ISBN: 1666963143
Category : Literary Criticism
Languages : en
Pages : 245

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Book Description
Japanese Literary Theories: An Anthology is the English translation of the 2017 volume edited by Yasusuke Ōura (Nihon Bungaku Riron: Ansorojii), which grew from a unique collaboration between scholars of Western literatures and scholars of modern Japanese literature. Its eight thematic chapters on various aspects of literary theory each contain excerpts from representative texts by Japanese intellectuals, discussed against the background of Japan’s ongoing negotiations with foreign ideas. The anthology offers a comprehensive image of the development of Japanese literary theories, from the beginning of the Meiji period in 1868 and up to the present day. The translation of this anthology, another collaborative project, brings to the English-speaking reader heretofore untranslated pieces by Japanese critics, scholars, and creative writers, providing a point of entry into a variety of intellectual discourses from modern and contemporary Japan. It enriches the repertoire of literary theories available in English, while shedding light on the ways in which literature and literary theory travel back and forth within various linguistic spheres, serving as central loci of intellectual negotiation.

Author: Marc Steinberg
Publisher: Duke University Press
ISBN: 0822373297
Category : Social Science
Languages : en
Pages : 436

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Providing an overview of Japanese media theory from the 1910s to the present, this volume introduces English-language readers to Japan's rich body of theoretical and conceptual work on media for the first time. The essays address a wide range of topics, including the work of foundational Japanese thinkers; Japanese theories of mediation and the philosophy of media; the connections between early Japanese television and consumer culture; and architecture's intersection with communications theory. Tracing the theoretical frameworks and paradigms that stem from Japan's media ecology, the contributors decenter Eurocentric media theory and demonstrate the value of the Japanese context to reassessing the parameters and definition of media theory itself. Taken together, these interdisciplinary essays expand media theory to encompass philosophy, feminist critique, literary theory, marketing discourse, and art; provide a counterbalance to the persisting universalist impulse of media studies; and emphasize the need to consider media theory situationally. Contributors. Yuriko Furuhata, Aaron Gerow, Mark Hansen, Marilyn Ivy, Takeshi Kadobayashi, Keisuke Kitano, Akihiro Kitada, Thomas Looser, Anne McKnight, Ryoko Misono, Akira Mizuta Lippit, Miryam Sas, Fabian Schäfer, Marc Steinberg, Tomiko Yoda, Alexander Zahlten

Author: Sōseki Natsume
Publisher: Columbia University Press
ISBN: 0231518315
Category : Literary Criticism
Languages : en
Pages : 301

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Natsume Soseki (1867-1916) was the foremost Japanese novelist of the twentieth century, known for such highly acclaimed works as Kokoro, Sanshiro, and I Am a Cat. Yet he began his career as a literary theorist and scholar of English literature. In 1907, he published Theory of Literature, a remarkably forward-thinking attempt to understand how and why we read. The text anticipates by decades the ideas and concepts of formalism, structuralism, reader-response theory, and postcolonialism, as well as cognitive approaches to literature that are only now gaining traction. Employing the cutting-edge approaches of contemporary psychology and sociology, Soseki created a model for studying the conscious experience of reading literature as well as a theory for how the process changes over time and across cultures. Along with Theory of Literature, this volume reproduces a later series of lectures and essays in which Soseki continued to develop his theories. By insisting that literary taste is socially and historically determined, Soseki was able to challenge the superiority of the Western canon, and by grounding his theory in scientific knowledge, he was able to claim a universal validity.

Author: Scott J. Miller
Publisher: Scarecrow Press
ISBN: 1461731887
Category : History
Languages : en
Pages : 240

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Book Description
With the Meiji Restoration in 1868, Japan opened its doors to the West and underwent remarkable changes as it sought to become a modern nation. Accompanying the political changes that Western trade ushered in were widespread social and cultural changes. Newspapers, novels, poems, and plays from the Western world were soon adapted and translated into Japanese. The combination of the rich storytelling tradition of Japan with the realism and modernism of the West produced some of the greatest literature of the modern age. The A to Z of Modern Japanese Literature and Theater presents a broad perspective on the development and history of literature-narrative, poetry, and drama-in modern Japan. This book offers a chronology, introduction, bibliography, and over 400 cross-referenced dictionary entries on authors, literary and historical developments, trends, genres, and concepts that played a central role in the evolution of modern Japanese literature.

Author: Franco Gatti
Publisher: Psychology Press
ISBN: 9780904404784
Category : Art
Languages : en
Pages : 366

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First Published in 1995. Routledge is an imprint of Taylor & Francis, an informa company.

Author: Michael F. Marra
Publisher: University of Hawaii Press
ISBN: 9780824824570
Category : Philosophy
Languages : en
Pages : 276

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Book Description
Japanese Hermeneutics provides a forum for the most current international debates on the role played by interpretative models in the articulation of cultural discourses on Japan. It presents the thinking of esteemed Western philosophers, aestheticians, and art and literary historians, and introduces to English-reading audiences some of Japan's most distinguished scholars, whose work has received limited or no exposure in the United States. In the first part, Hermeneutics and Japan, contributors examine the difficulties inherent in articulating otherness without falling into the trap of essentialization and while relying on Western epistemology for explanation and interpretation. In the second part, Japan's Aesthetic Hermeneutics, they explore the role of aesthetics in shaping discourses on art and nature in Japan. The essays in the final section of the book, Japan's Literary Hermeneutics, rethink the notion of Japanese literature in light of recent findings on the ideological implications of canon formations and transformations within Japan's prominent literary circles.