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Author: Dorothy Thompson Publisher: Plunkett Lake Press ISBN: Category : Political Science Languages : en Pages : 153
Book Description
In the spring of 1942 Dorothy Thompson began broadcasting to Germany via shortwave radio in an anti-Nazi propaganda campaign commissioned by CBS. There was no central coordination of propaganda during that first year of America’s involvement in the war; radio producers and networks were encouraged to develop their own programs with the “advice and consent” of the Office of War Information. Dorothy thought of her speeches as sermons on the evils of Nazism and the inevitability of German defeat. They were addressed, in German, to a fictional Prussian Junker identified only as “Hans.” Hans was really Helmuth von Moltke, a Christian and a pacifist, and the leader of the so-called Kreisau Circle, “the foremost think tank” of the German resistance. In 1944, he would lose his life in the mass executions that followed the plot to assassinate Hitler. These weekly speeches, broadcast from March 27 until September 4, 1942, combined argument, history, analysis, polemic, and what her publishers called “a few Dorothyish shrieks.” In his own radio broadcasts Goebbels denounced Dorothy Thompson as “the scum of America.” Dorothy Thompson’s friend Ernestine Evans had the idea of publishing the broadcasts “as a dollar-book.” In August 1942, Dorothy composed a 150-page essay to introduce the speeches. She called it “The Invasion of the German Mind” and poured into it her twenty years of knowledge of the German nation. “A brilliant textbook of timely propaganda.” — New York Times, November 29, 1942 “The Dorothy Thompson whom I have always particularly admired and enjoyed — the Dorothy Thompson who does not confuse writing with oratory... Writing carefully and exactly, she seeks to isolate the quarreling elements that go to make up the mind of the average German individual.” — John Chamberlain, New York Times, November 28, 1942 “[The Listen, Hans introduction is] one of the best, if not the very best analysis ever written about the German people — written by a non-German.” — Carl Zuckmayer
Author: Dorothy Thompson Publisher: Plunkett Lake Press ISBN: Category : Political Science Languages : en Pages : 153
Book Description
In the spring of 1942 Dorothy Thompson began broadcasting to Germany via shortwave radio in an anti-Nazi propaganda campaign commissioned by CBS. There was no central coordination of propaganda during that first year of America’s involvement in the war; radio producers and networks were encouraged to develop their own programs with the “advice and consent” of the Office of War Information. Dorothy thought of her speeches as sermons on the evils of Nazism and the inevitability of German defeat. They were addressed, in German, to a fictional Prussian Junker identified only as “Hans.” Hans was really Helmuth von Moltke, a Christian and a pacifist, and the leader of the so-called Kreisau Circle, “the foremost think tank” of the German resistance. In 1944, he would lose his life in the mass executions that followed the plot to assassinate Hitler. These weekly speeches, broadcast from March 27 until September 4, 1942, combined argument, history, analysis, polemic, and what her publishers called “a few Dorothyish shrieks.” In his own radio broadcasts Goebbels denounced Dorothy Thompson as “the scum of America.” Dorothy Thompson’s friend Ernestine Evans had the idea of publishing the broadcasts “as a dollar-book.” In August 1942, Dorothy composed a 150-page essay to introduce the speeches. She called it “The Invasion of the German Mind” and poured into it her twenty years of knowledge of the German nation. “A brilliant textbook of timely propaganda.” — New York Times, November 29, 1942 “The Dorothy Thompson whom I have always particularly admired and enjoyed — the Dorothy Thompson who does not confuse writing with oratory... Writing carefully and exactly, she seeks to isolate the quarreling elements that go to make up the mind of the average German individual.” — John Chamberlain, New York Times, November 28, 1942 “[The Listen, Hans introduction is] one of the best, if not the very best analysis ever written about the German people — written by a non-German.” — Carl Zuckmayer
Author: Rolf J. Goebel Publisher: Boydell & Brewer ISBN: 1640141227 Category : Literary Criticism Languages : en Pages : 313
Book Description
Explores sonic events and auditory experiences in German-speaking contexts from the Middle Ages to the digital age, opening up new understandings.As a sub-discipline of cultural studies, sound studies is a firmly established field of inquiry, examining how sonic events and auditory experiences unfold in culturally and historically contingent life situations.Responding to new questions in sound studies in the context of German-speaking cultures, and incorporating up-to-date methodologies, this Companion explores the significance of sound from the Middle Ages and the classical-romantic period through high-capitalist industrial modernity, the Nazi period and the Holocaust, and postwar Germany to the present digital age. The volume examines how sonic events are represented in literary fiction, radio productions, cinema, newsreels, documentaries, sound art, museum exhibitions, and other media, drawing for this inquiry on philosophy, aesthetics, literary criticism, musicology, art theory, and cultural studies. Each essay is a case study - of persons, events, and sonic, visual, or textual artifacts - situating them in wider contexts of culture, history, and politics. The volume not only revisits well-known topics from new angles, but seeks especially to explore neglected issues on the cultural periphery. It assembles original essays by leaders in the field and emerging scholars from the United States and Europe. Offering an advanced introduction to the topic, the Companion is addressed to anyone interested in how the analysis of sound phenomena opens up new understandings of German-speaking cultures. essay is a case study - of persons, events, and sonic, visual, or textual artifacts - situating them in wider contexts of culture, history, and politics. The volume not only revisits well-known topics from new angles, but seeks especially to explore neglected issues on the cultural periphery. It assembles original essays by leaders in the field and emerging scholars from the United States and Europe. Offering an advanced introduction to the topic, the Companion is addressed to anyone interested in how the analysis of sound phenomena opens up new understandings of German-speaking cultures. essay is a case study - of persons, events, and sonic, visual, or textual artifacts - situating them in wider contexts of culture, history, and politics. The volume not only revisits well-known topics from new angles, but seeks especially to explore neglected issues on the cultural periphery. It assembles original essays by leaders in the field and emerging scholars from the United States and Europe. Offering an advanced introduction to the topic, the Companion is addressed to anyone interested in how the analysis of sound phenomena opens up new understandings of German-speaking cultures. essay is a case study - of persons, events, and sonic, visual, or textual artifacts - situating them in wider contexts of culture, history, and politics. The volume not only revisits well-known topics from new angles, but seeks especially to explore neglected issues on the cultural periphery. It assembles original essays by leaders in the field and emerging scholars from the United States and Europe. Offering an advanced introduction to the topic, the Companion is addressed to anyone interested in how the analysis of sound phenomena opens up new understandings of German-speaking cultures.troduction to the topic, the Companion is addressed to anyone interested in how the analysis of sound phenomena opens up new understandings of German-speaking cultures.
Author: Will Studdert Publisher: Bloomsbury Publishing ISBN: 183860944X Category : History Languages : en Pages : 260
Book Description
During World War II, jazz embodied everything that was appealing about a democratic society as envisioned by the Western Allied powers. Labelled `degenerate' by Hitler's cultural apparatus, jazz was adopted by the Allies to win the hearts and minds of the German public. It was also used by the Nazi Minister for Propaganda, Joseph Goebbels, to deliver a message of Nazi cultural and military superiority. When Goebbels co-opted young German and foreign musicians into `Charlie and his Orchestra' and broadcast their anti-Allied lyrics across the English Channel, jazz took centre stage in the propaganda war that accompanied World War II on the ground. The Jazz War is based on the largely unheard oral testimony of the personalities behind the German and British wartime radio broadcasts, and chronicles the evolving relationship between jazz music and the Axis and Allied war e orts. Studdert shows how jazz both helped and hindered the Allied cause as Nazi soldiers secretly tuned in to British radio shows while London party-goers danced the night away in demimonde `bottle parties', leading them to be branded a `menace' in Parliament. This book will appeal to students of the history of jazz, broadcasting, cultural studies, and the history of World War II.
Author: Christopher H. Sterling Publisher: Routledge ISBN: 1136993754 Category : Performing Arts Languages : en Pages : 482
Book Description
The Biographical Encyclopedia of American Radio presents the very best biographies of the internationally acclaimed three-volume Encyclopedia of Radio in a single volume. It includes more than 200 biographical entries on the most important and influential American radio personalities, writers, producers, directors, newscasters, and network executives. With 23 new biographies and updated entries throughout, this volume covers key figures from radio’s past and present including Glenn Beck, Jessie Blayton, Fred Friendly, Arthur Godfrey, Bob Hope, Don Imus, Rush Limbaugh, Ryan Seacrest, Laura Schlesinger, Red Skelton, Nina Totenberg, Walter Winchell, and many more. Scholarly but accessible, this encyclopedia provides an unrivaled guide to the voices behind radio for students and general readers alike.
Author: Dolf Zillmann Publisher: Routledge ISBN: 1135667535 Category : Language Arts & Disciplines Languages : en Pages : 349
Book Description
This collection represents a systematic exploration of media entertainment from an academic perspective. Editors Zillmann and Vorderer have assembled scholars from psychology, sociology, and communication to provide a broad examination of the primary function of media entertainment--the attainment of gratification. Chapters included here address vital aspects of media entertainment and summarize pertinent findings, providing an overview of what is presently known about the appeal and function of the essential forms of media entertainment, and offering some degree of integration. Written in a clear, non-technical style, this volume provides a lively and entertaining study of media entertainment for academic study and coursework.
Author: Publisher: ISBN: Category : Languages : en Pages : 56
Book Description
Boys' Life is the official youth magazine for the Boy Scouts of America. Published since 1911, it contains a proven mix of news, nature, sports, history, fiction, science, comics, and Scouting.
Author: K. Führer Publisher: Springer ISBN: 0230800939 Category : Social Science Languages : en Pages : 261
Book Description
This is the first study of mass media in Germany from a social and cultural-historical perspective. Beyond the conventional focus on organizational structures or aesthetic content, it investigates the impact the media has on German society under varying political systems, and how the media is shaped by wider social, political and cultural context.
Author: Nancy F. Cott Publisher: Basic Books ISBN: 1541699319 Category : History Languages : en Pages : 411
Book Description
From a Harvard historian, this riveting portrait of four trailblazing American journalists highlights the power of the press in the interwar period. In the fragile peace following the Great War, a surprising number of restless young Americans abandoned their homes and set out impulsively to see the changing world. In Fighting Words, Nancy F. Cott follows four who pursued global news -- from contested Palestine to revolutionary China, from Stalin's Moscow to Hitler's Berlin. As foreign correspondents, they became players in international politics and shaped Americans' awareness of critical interwar crises, the spreading menace of European fascism, and the likelihood of a new war -- while living romantic and sexual lives as modern and as hazardous as their journalism. An indelible portrayal of a tumultuous era with resonance for our own, Fighting Words is essential reading on the power of the press and the growth of an American sense of international responsibility.
Author: Dorothy Thompson
Author: Dorothy Thompson
Author: Rolf J. Goebel
Author: Will Studdert
Author: 
Author: Christopher H. Sterling
Author: Dolf Zillmann
Author: 
Author: United States. Office of Education
Author: K. Führer
Author: Nancy F. Cott