Author: Paul Fryer
Publisher: McFarland
ISBN: 0786480653
Category : Music
Languages : en
Pages : 209
Book Description
A prominent star in both pre-Revolutionary Russia and New York, Lina Cavalieri, described as "the most beautiful woman in the world," was one of the most frequently photographed personalities of her time. The cabaret performer, courtesan, and international star is documented in this, her first English-language biography. Researched from Russian archive sources, the book details her career from her early experiences in cafe-chantant and variety theatre in Paris, London, and St. Petersburg, through a highly successful operatic career in which she sang in many of the world's leading opera houses with such celebrities as Caruso and Ruffo. In 1914, Cavalieri became the first great opera singer to appear in silent movies, making her debut in Manon Lescaut and continuing with a series of successful films. Her life was ended by an Allied air raid in World War II. The book includes excerpts from period reviews, programmes, posters, and many previously unseen photographs. Appendices include a bibliography, filmography, discography, and chronology of stage performances (dates, venues, work, cast, conductor).
Lina Cavalieri
Author: Paul Fryer
Publisher: McFarland
ISBN: 0786480653
Category : Music
Languages : en
Pages : 209
Book Description
A prominent star in both pre-Revolutionary Russia and New York, Lina Cavalieri, described as "the most beautiful woman in the world," was one of the most frequently photographed personalities of her time. The cabaret performer, courtesan, and international star is documented in this, her first English-language biography. Researched from Russian archive sources, the book details her career from her early experiences in cafe-chantant and variety theatre in Paris, London, and St. Petersburg, through a highly successful operatic career in which she sang in many of the world's leading opera houses with such celebrities as Caruso and Ruffo. In 1914, Cavalieri became the first great opera singer to appear in silent movies, making her debut in Manon Lescaut and continuing with a series of successful films. Her life was ended by an Allied air raid in World War II. The book includes excerpts from period reviews, programmes, posters, and many previously unseen photographs. Appendices include a bibliography, filmography, discography, and chronology of stage performances (dates, venues, work, cast, conductor).
Publisher: McFarland
ISBN: 0786480653
Category : Music
Languages : en
Pages : 209
Book Description
A prominent star in both pre-Revolutionary Russia and New York, Lina Cavalieri, described as "the most beautiful woman in the world," was one of the most frequently photographed personalities of her time. The cabaret performer, courtesan, and international star is documented in this, her first English-language biography. Researched from Russian archive sources, the book details her career from her early experiences in cafe-chantant and variety theatre in Paris, London, and St. Petersburg, through a highly successful operatic career in which she sang in many of the world's leading opera houses with such celebrities as Caruso and Ruffo. In 1914, Cavalieri became the first great opera singer to appear in silent movies, making her debut in Manon Lescaut and continuing with a series of successful films. Her life was ended by an Allied air raid in World War II. The book includes excerpts from period reviews, programmes, posters, and many previously unseen photographs. Appendices include a bibliography, filmography, discography, and chronology of stage performances (dates, venues, work, cast, conductor).
My Secrets of Beauty
Author: Lina Cavalieri
Publisher:
ISBN:
Category : Beauty, Personal
Languages : en
Pages : 348
Book Description
Publisher:
ISBN:
Category : Beauty, Personal
Languages : en
Pages : 348
Book Description
The Marriage between Perfume and the Lyric Stage
Author: Mary May Robertson
Publisher: Cambridge Scholars Publishing
ISBN: 1527531287
Category : Music
Languages : en
Pages : 866
Book Description
“But what is this scent of balmy air? What this ray of light in my tomb? I seem to see an angel, amid a scent of roses” sings Florestan in Fidelio, Beethoven’s only opera. The role of scents, smells, fragrances, and odours in opera has long been neglected, just as how much opera and its stars have influenced the world of perfumery from the nineteenth century to the present day. In the first book-length study on the topic, Professor Mary May Robertson explores the relationship between opera, perfumes, and their respective protagonists in order to map out the previously undiscussed connection between the two. Through compelling close readings of librettos and rigorous research through thousands of bottles of perfume, the reader will come to appreciate and recognise the influences and exchanges between operas and perfumes and their ultimate marriage in the previously unrecognised genre of Operatic Perfumes, which is to say, perfumes named after operas, composers, and their divas.
Publisher: Cambridge Scholars Publishing
ISBN: 1527531287
Category : Music
Languages : en
Pages : 866
Book Description
“But what is this scent of balmy air? What this ray of light in my tomb? I seem to see an angel, amid a scent of roses” sings Florestan in Fidelio, Beethoven’s only opera. The role of scents, smells, fragrances, and odours in opera has long been neglected, just as how much opera and its stars have influenced the world of perfumery from the nineteenth century to the present day. In the first book-length study on the topic, Professor Mary May Robertson explores the relationship between opera, perfumes, and their respective protagonists in order to map out the previously undiscussed connection between the two. Through compelling close readings of librettos and rigorous research through thousands of bottles of perfume, the reader will come to appreciate and recognise the influences and exchanges between operas and perfumes and their ultimate marriage in the previously unrecognised genre of Operatic Perfumes, which is to say, perfumes named after operas, composers, and their divas.
Herman Klein and the Gramophone
Author: Hermann Klein
Publisher: Hal Leonard Corporation
ISBN: 9780931340185
Category : Music
Languages : en
Pages : 640
Book Description
(Amadeus). From Klein's comments on early recordings that remain available today, the reader can get a glimpse of what legendary singers such as Patti and Lind sounded like more than a century ago. The essays of Herman Klein that appeared in The Gramophone from 1924 until 1934 are indispensable sources of information on the singers of the Golden Age.
Publisher: Hal Leonard Corporation
ISBN: 9780931340185
Category : Music
Languages : en
Pages : 640
Book Description
(Amadeus). From Klein's comments on early recordings that remain available today, the reader can get a glimpse of what legendary singers such as Patti and Lind sounded like more than a century ago. The essays of Herman Klein that appeared in The Gramophone from 1924 until 1934 are indispensable sources of information on the singers of the Golden Age.
The Sketch
Pictures and Picturegoer
Author:
Publisher:
ISBN:
Category : Motion picture audiences
Languages : en
Pages : 648
Book Description
Publisher:
ISBN:
Category : Motion picture audiences
Languages : en
Pages : 648
Book Description
Music News
Massenet and His Operas
Author: Henry T. Finck
Publisher: New York ; London : John Lane
ISBN:
Category : Composers
Languages : en
Pages : 298
Book Description
Publisher: New York ; London : John Lane
ISBN:
Category : Composers
Languages : en
Pages : 298
Book Description
Transnational Italian Studies
Author: Charles Burdett
Publisher: Liverpool University Press
ISBN: 178962729X
Category : Language Arts & Disciplines
Languages : en
Pages : 416
Book Description
Transnational Italian Studies is specifically targeted at a student audience and is designed to be used as a key text when approaching the disciplinary field of Italian studies. It allows the study of Italian culture to be construed and practised not simply as the inquiry into a national tradition but as the study of the interaction of cultural practices both within Italy itself and in those parts of the world that have witnessed the extent of Italian mobility. The text argues that Italian culture needs to be considered in a transnational/transcultural perspective and that an understanding of linguistic and cultural translation underlies all approaches to the study of Italian culture in a global context. Contributions deploy a range of methodological approaches to understand and illustrate how language operates, how culture inhabits and constitutes public and private space, how notions of time operate within people’s lives, and the multiple ways in which people experience a sense of personhood. Chapters stretch from the medieval period to the present and demonstrate how transnational Italian culture can be critically addressed through the examination of carefully chosen examples. Contributors: Alessandra Diazzi, Andrea Rizzi, Barbara Spadaro, Charles Burdett, Clorinda Donato, David Bowe, Derek Duncan, Donna Gabaccia, Eugenia Paulicelli, Fabio Camilletti, Giuliana Muscio, Jennifer Burns, Loredana Polezzi, Marco Santello, Monica Jansen, Naomi Wells, Nathalie Hester, Serena Bassi, Stefania Tufi, Teresa Fiore and Tristan Kay.
Publisher: Liverpool University Press
ISBN: 178962729X
Category : Language Arts & Disciplines
Languages : en
Pages : 416
Book Description
Transnational Italian Studies is specifically targeted at a student audience and is designed to be used as a key text when approaching the disciplinary field of Italian studies. It allows the study of Italian culture to be construed and practised not simply as the inquiry into a national tradition but as the study of the interaction of cultural practices both within Italy itself and in those parts of the world that have witnessed the extent of Italian mobility. The text argues that Italian culture needs to be considered in a transnational/transcultural perspective and that an understanding of linguistic and cultural translation underlies all approaches to the study of Italian culture in a global context. Contributions deploy a range of methodological approaches to understand and illustrate how language operates, how culture inhabits and constitutes public and private space, how notions of time operate within people’s lives, and the multiple ways in which people experience a sense of personhood. Chapters stretch from the medieval period to the present and demonstrate how transnational Italian culture can be critically addressed through the examination of carefully chosen examples. Contributors: Alessandra Diazzi, Andrea Rizzi, Barbara Spadaro, Charles Burdett, Clorinda Donato, David Bowe, Derek Duncan, Donna Gabaccia, Eugenia Paulicelli, Fabio Camilletti, Giuliana Muscio, Jennifer Burns, Loredana Polezzi, Marco Santello, Monica Jansen, Naomi Wells, Nathalie Hester, Serena Bassi, Stefania Tufi, Teresa Fiore and Tristan Kay.