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Author: Shearer West Publisher: Palgrave Macmillan ISBN: 9780312057381 Category : Performing Arts Languages : en Pages : 214
Book Description
The mistake of interpreting 18th-century theatrical portraits too literally has been made since the 19th-century when a different set of artistic codes prevailed. The image of the 18th-century actor which we can obtain from prints, paintings and pamphlets of the time, is not a collection of visual truths, but a construction based on critical canons, aesthetic prejudices, and commercial motivations prevalent during the period. Through an analysis of the importance of theatre among all the pleasures and pastimes enjoyed by 18th-century Londoners the author presents a detailed picture of the cultural climate inhabited by the actor and his audience. The overwhelming fascination they had with the actor provides the background to an analysis of the function of the theatrical portrait, the burgeoning economy of the engraver, and the illustrator. Concepts of classicism and realism are explored in terms of how Garrick and Kemble will have been viewed in their work. The author also draws an interesting analogy between the aesthetics of action and sculptural representation through the work of Siddons, and goes on to consider the representation of the comic actor and how it was informed by art and art theory.
Author: Shearer West Publisher: Palgrave Macmillan ISBN: 9780312057381 Category : Performing Arts Languages : en Pages : 214
Book Description
The mistake of interpreting 18th-century theatrical portraits too literally has been made since the 19th-century when a different set of artistic codes prevailed. The image of the 18th-century actor which we can obtain from prints, paintings and pamphlets of the time, is not a collection of visual truths, but a construction based on critical canons, aesthetic prejudices, and commercial motivations prevalent during the period. Through an analysis of the importance of theatre among all the pleasures and pastimes enjoyed by 18th-century Londoners the author presents a detailed picture of the cultural climate inhabited by the actor and his audience. The overwhelming fascination they had with the actor provides the background to an analysis of the function of the theatrical portrait, the burgeoning economy of the engraver, and the illustrator. Concepts of classicism and realism are explored in terms of how Garrick and Kemble will have been viewed in their work. The author also draws an interesting analogy between the aesthetics of action and sculptural representation through the work of Siddons, and goes on to consider the representation of the comic actor and how it was informed by art and art theory.
Author: David Peters Corbett Publisher: John Wiley & Sons ISBN: 1119170117 Category : Art Languages : en Pages : 599
Book Description
This companion is a collection of newly-commissioned essays written by leading scholars in the field, providing a comprehensive introduction to British art history. A generously-illustrated collection of newly-commissioned essays which provides a comprehensive introduction to the history of British art Combines original research with a survey of existing scholarship and the state of the field Touches on the whole of the history of British art, from 800-2000, with increasing attention paid to the periods after 1500 Provides the first comprehensive introduction to British art of the eighteenth, nineteenth, and twentieth centuries, one of the most lively and innovative areas of art-historical study Presents in depth the major preoccupations that have emerged from recent scholarship, including aesthetics, gender, British art’s relationship to Modernity, nationhood and nationality, and the institutions of the British art world
Author: Gillian Perry Publisher: ISBN: 9781855144118 Category : Actresses Languages : en Pages : 0
Book Description
Featuring a range of large-scale, public and more intimate portraits of actresses, The First Actresses provides a vivid spectacle of femininity, fashion and theatricality from Nell Gwyn to Sarah Siddons. Ranging from oil paint to porcelain, these portraits illustrate the enduring popularity of portraits of women performers. Crucially the book seeks to reassess the traditional association between actress and'prostitute', and the moral ambiguity of women playing male roles. Portraiture became an important vehicle for the expression of concerns about female sexuality, social status, decorum, gender and celebrity. The authors also chart the commercialisation of the spectacle of the actress, as well as the connections between the eighteenth-century 'star system' and modern celebrity culture. Organised thematically, sections include: 'Painting Acresses' Lives', 'Nell Gwyn and Covent Garden Goddesses', 'Divas, Dancing and the Rage for Music: Painting Women in Musical Performance', 'Beauty, Ageing and the Body Politic of the Eighteenth-Century Actress' and 'Star Systems'. Illustrated with remarkable paintings by major artists of the period, a fascinating and lucid text reveals the many ways in which women performers enabled artistic innovation and creativity, provoked intellectual debate and contributed to the popularity and visibility of the theatre. Accompanies an exhibition at the National Portrait Gallery, London, 20 October 2011 - 8 January 2012
Author: Mark Hallett Publisher: Paul Mellon Centre ISBN: 9780300196979 Category : Portrait painting, English Languages : en Pages : 0
Book Description
A deeply researched and elegantly written study on Sir Joshua Reynolds (1723-1792)--Georgian England's most celebrated portraitist and the first president of the British Royal Academy of Arts--this lavishly illustrated volume explores all aspects of Reynolds's portraiture. Mark Hallett provides detailed, compelling readings of Reynolds's most celebrated and striking works, investigating the ways in which they were appreciated and understood in his own lifetime. Recovering the artist's dynamic interaction with his sitters and patrons, and revealing the dramatic impact of his portraits within the burgeoning exhibition culture of late-18th-century London, Hallett also unearths the intimate relationship between Reynolds's paintings and graphic art. Reynolds: Portraiture in Action offers a new understanding of the artist's career within the extremely competitive London art world and takes readers into the engrossing debates and controversies that captivated the city and its artists. Published for the Paul Mellon Centre for Studies in British Art
Author: Shearer West
Author: Shearer West
Author: David Peters Corbett
Author: Henry Rowlands
Author: Gillian Perry
Author: Jane Milling
Author: William Shakespeare
Author: Samuel Manaiakalani Kamakau
Author: Mark Hallett
Author: John Papa Ii
Author: Alistair Allen