Author: Arthur Asa Berger
Publisher:
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 216
Book Description
Al Capp's cartoons of Dogpatch's favorite son revealed as satiric culture for the common man.
Li'l Abner
Author: Arthur Asa Berger
Publisher:
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 216
Book Description
Al Capp's cartoons of Dogpatch's favorite son revealed as satiric culture for the common man.
Publisher:
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 216
Book Description
Al Capp's cartoons of Dogpatch's favorite son revealed as satiric culture for the common man.
Li'l Abner: a Study in American Satire
Author: Arthur Asa Berger
Publisher: Univ. Press of Mississippi
ISBN: 9781617034169
Category : Comic books, strips, etc
Languages : en
Pages : 212
Book Description
Publisher: Univ. Press of Mississippi
ISBN: 9781617034169
Category : Comic books, strips, etc
Languages : en
Pages : 212
Book Description
Al Capp
Author: Michael Schumacher
Publisher: Bloomsbury Publishing USA
ISBN: 1608197859
Category : Biography & Autobiography
Languages : en
Pages : 322
Book Description
More than thirty years have passed since Al Capp's death, and he may no longer be a household name. But at the height of his career, his groundbreaking comic strip, Li'l Abner, reached ninety million readers. The strip ran for forty-three years, spawned two movies and a Broadway musical, and originated such expressions as "hogwash" and "double-whammy." Capp himself was a familiar personality on TV and radio; as a satirist, he was frequently compared to Mark Twain. Though Li'l Abner brought millions joy, the man behind the strip was a complicated and often unpleasant person. A childhood accident cost him a leg-leading him to art as a means of distinguishing himself. His apprenticeship with Ham Fisher, creator of Joe Palooka, started a twenty-year feud that ended in Fisher's suicide. Capp enjoyed outsized publicity for a cartoonist, but his status abetted sexual misconduct and protected him from the severest repercussions. Late in life, his politics became extremely conservative; he counted Richard Nixon as a friend, and his gift for satire was redirected at targets like John Lennon, Joan Baez, and anti-war protesters on campuses across the country. With unprecedented access to Capp's archives and a wealth of new material, Michael Schumacher and Denis Kitchen have written a probing biography. Capp's story is one of incredible highs and lows, of popularity and villainy, of success and failure-told here with authority and heart.
Publisher: Bloomsbury Publishing USA
ISBN: 1608197859
Category : Biography & Autobiography
Languages : en
Pages : 322
Book Description
More than thirty years have passed since Al Capp's death, and he may no longer be a household name. But at the height of his career, his groundbreaking comic strip, Li'l Abner, reached ninety million readers. The strip ran for forty-three years, spawned two movies and a Broadway musical, and originated such expressions as "hogwash" and "double-whammy." Capp himself was a familiar personality on TV and radio; as a satirist, he was frequently compared to Mark Twain. Though Li'l Abner brought millions joy, the man behind the strip was a complicated and often unpleasant person. A childhood accident cost him a leg-leading him to art as a means of distinguishing himself. His apprenticeship with Ham Fisher, creator of Joe Palooka, started a twenty-year feud that ended in Fisher's suicide. Capp enjoyed outsized publicity for a cartoonist, but his status abetted sexual misconduct and protected him from the severest repercussions. Late in life, his politics became extremely conservative; he counted Richard Nixon as a friend, and his gift for satire was redirected at targets like John Lennon, Joan Baez, and anti-war protesters on campuses across the country. With unprecedented access to Capp's archives and a wealth of new material, Michael Schumacher and Denis Kitchen have written a probing biography. Capp's story is one of incredible highs and lows, of popularity and villainy, of success and failure-told here with authority and heart.
Fearless Fosdick
Author: Al Capp
Publisher:
ISBN:
Category : Antiques & Collectibles
Languages : en
Pages : 146
Book Description
Publisher:
ISBN:
Category : Antiques & Collectibles
Languages : en
Pages : 146
Book Description
What Am I Doing Here?
Author: Abner Dean
Publisher: New York Review of Books
ISBN: 1681370492
Category : Humor
Languages : en
Pages : 169
Book Description
What Am I Doing Here? is a startling masterwork by one of the forgotten innovators of American comics. In 1945, after more than a decade as a commercial illustrator—drawing advertisements and cartoons for Life, Time, Esquire, Newsweek, and many other publications—Abner Dean invented a genre all his own: One might call it the Existential Gag Cartoon. He used the elegant draftsmanship and single-panel format of the standard cartoons of the day, but turned them to a deeper, stranger purpose. With an inimitable mixture of wit, earnestness, and enigmatic surrealism, Dean uses this most ephemeral of forms to explore the deepest mysteries of human existence. What Am I Doing Here?, Dean’s second book and perhaps his best, depicts a world at once alien and familiar, in which everyone is naked but acts like they’re clothed—a world of club-wielding commuters and byzantine inventions, secret fears and perverse satisfactions. Through it all strolls (or crawls, or floats, or stumbles) Dean’s unclad Everyman, searching for love, happiness, and the answers to life’s biggest questions. This NYRC edition is a jacketed hardcover with extra-thick paper, and features brand-new, restored scans of the original artwork throughout.
Publisher: New York Review of Books
ISBN: 1681370492
Category : Humor
Languages : en
Pages : 169
Book Description
What Am I Doing Here? is a startling masterwork by one of the forgotten innovators of American comics. In 1945, after more than a decade as a commercial illustrator—drawing advertisements and cartoons for Life, Time, Esquire, Newsweek, and many other publications—Abner Dean invented a genre all his own: One might call it the Existential Gag Cartoon. He used the elegant draftsmanship and single-panel format of the standard cartoons of the day, but turned them to a deeper, stranger purpose. With an inimitable mixture of wit, earnestness, and enigmatic surrealism, Dean uses this most ephemeral of forms to explore the deepest mysteries of human existence. What Am I Doing Here?, Dean’s second book and perhaps his best, depicts a world at once alien and familiar, in which everyone is naked but acts like they’re clothed—a world of club-wielding commuters and byzantine inventions, secret fears and perverse satisfactions. Through it all strolls (or crawls, or floats, or stumbles) Dean’s unclad Everyman, searching for love, happiness, and the answers to life’s biggest questions. This NYRC edition is a jacketed hardcover with extra-thick paper, and features brand-new, restored scans of the original artwork throughout.
Li'l Abner: the Complete Dailies and Color Sundays, Vol. 4: 1941-1942
Author: Al Capp
Publisher: Library of American Comics
ISBN: 9781613771235
Category : American wit and humor, Pictorial
Languages : en
Pages : 0
Book Description
In Volume 4 in The Complete Li'l Abner...You'll Believe a Hillbilly Can Fly! High-octane humor and cockeyed characters -- it's the Cappian way! Sit a spell and you'll meet Available Jones (Is yo' available, Available?), Swami Riva, Big Stanislouse, Joe Btfsplk (the world's greatest jinx!), Dorothy Lamour (yes, that Dorothy Lamour), Lorna Goon, Orville Wolf, Cherry Blossom, the parents of Gat Garson, Sadie Hawkins V, Dinsmore Jerque, J.P. Fangsby, Tiny Mite, and that hog-wallowin' bundle of pulchritude, Moonbeam McSwine! They help make 1941 and 1942 fast, funny, and unforgettable!
Publisher: Library of American Comics
ISBN: 9781613771235
Category : American wit and humor, Pictorial
Languages : en
Pages : 0
Book Description
In Volume 4 in The Complete Li'l Abner...You'll Believe a Hillbilly Can Fly! High-octane humor and cockeyed characters -- it's the Cappian way! Sit a spell and you'll meet Available Jones (Is yo' available, Available?), Swami Riva, Big Stanislouse, Joe Btfsplk (the world's greatest jinx!), Dorothy Lamour (yes, that Dorothy Lamour), Lorna Goon, Orville Wolf, Cherry Blossom, the parents of Gat Garson, Sadie Hawkins V, Dinsmore Jerque, J.P. Fangsby, Tiny Mite, and that hog-wallowin' bundle of pulchritude, Moonbeam McSwine! They help make 1941 and 1942 fast, funny, and unforgettable!
Li'l Abner: 1934-1935
Author: Al Capp
Publisher:
ISBN: 9780878160365
Category : Art
Languages : en
Pages : 232
Book Description
Publisher:
ISBN: 9780878160365
Category : Art
Languages : en
Pages : 232
Book Description
We Go Pogo
Author: Kerry D. Soper
Publisher: Univ. Press of Mississippi
ISBN: 1496801946
Category : Literary Criticism
Languages : en
Pages : 249
Book Description
Walt Kelly (1913–1973) is one of the most respected and innovative American cartoonists of the twentieth century. His long-running Pogo newspaper strip has been cited by modern comics artists and scholars as one of the best ever. Cartoonists Bill Watterson (Calvin and Hobbes), Jeff Smith (Bone), and Frank Cho (Liberty Meadows) have all cited Kelly as a major influence on their work. Alongside Uncle Scrooge's Carl Barks and Krazy Kat's George Herriman, Kelly is recognized as a genius of “funny animal” comics. We Go Pogo is the first comprehensive study of Kelly's cartoon art and his larger career in the comics business. Author Kerry D. Soper examines all aspects of Kelly's career—from his high school drawings; his work on such animated Disney movies as Dumbo, Pinocchio, and Fantasia; and his 1930s editorial cartoons for Life and the New York Herald Tribune. Soper taps Kelly's extensive personal and professional correspondence and interviews with family members, friends, and cartoonists to create a complex portrait of one of the art form's true geniuses. From Pogo's inception in 1948 until Kelly's death, the artist combined remarkable draftsmanship, slapstick humor, fierce social satire, and inventive dialogue and dialects. He used the adventures of his animals—all denizens of the Okefenokee Swamp—as a means to comment on American and international politics and cultural mores. The strip lampooned Senator Joseph McCarthy during the height of McCarthyism, the John Birch Society during the 1960s, Fidel Castro during the Bay of Pigs fiasco, and many others.
Publisher: Univ. Press of Mississippi
ISBN: 1496801946
Category : Literary Criticism
Languages : en
Pages : 249
Book Description
Walt Kelly (1913–1973) is one of the most respected and innovative American cartoonists of the twentieth century. His long-running Pogo newspaper strip has been cited by modern comics artists and scholars as one of the best ever. Cartoonists Bill Watterson (Calvin and Hobbes), Jeff Smith (Bone), and Frank Cho (Liberty Meadows) have all cited Kelly as a major influence on their work. Alongside Uncle Scrooge's Carl Barks and Krazy Kat's George Herriman, Kelly is recognized as a genius of “funny animal” comics. We Go Pogo is the first comprehensive study of Kelly's cartoon art and his larger career in the comics business. Author Kerry D. Soper examines all aspects of Kelly's career—from his high school drawings; his work on such animated Disney movies as Dumbo, Pinocchio, and Fantasia; and his 1930s editorial cartoons for Life and the New York Herald Tribune. Soper taps Kelly's extensive personal and professional correspondence and interviews with family members, friends, and cartoonists to create a complex portrait of one of the art form's true geniuses. From Pogo's inception in 1948 until Kelly's death, the artist combined remarkable draftsmanship, slapstick humor, fierce social satire, and inventive dialogue and dialects. He used the adventures of his animals—all denizens of the Okefenokee Swamp—as a means to comment on American and international politics and cultural mores. The strip lampooned Senator Joseph McCarthy during the height of McCarthyism, the John Birch Society during the 1960s, Fidel Castro during the Bay of Pigs fiasco, and many others.
Contagious Imagination
Author: Jane Tolmie
Publisher: Univ. Press of Mississippi
ISBN: 1496839811
Category : Literary Criticism
Languages : en
Pages : 164
Book Description
Contributions by Frederick Luis Aldama, Melissa Burgess, Susan Kirtley, Rachel Luria, Ursula Murray Husted, Mark O’Connor, Allan Pero, Davida Pines, Tara Prescott-Johnson, Jane Tolmie, Rachel Trousdale, Elaine Claire Villacorta, and Glenn Willmott Lynda Barry (b. 1956) is best known for her distinctive style and unique voice, first popularized in her underground weekly comic Ernie Pook’s Comeek. Since then, she has published prolifically, including numerous comics, illustrated novels, and nonfiction books exploring the creative process. Barry’s work is genre- and form-bending, often using collage to create what she calls “word with drawing” vignettes. Her art, imaginative and self-reflective, allows her to discuss gender, race, relationships, memory, and her personal, everyday lived experience. It is through this experience that Barry examines the creative process and offers to readers ways to record and examine their own lives. The essays in Contagious Imagination: The Work and Art of Lynda Barry, edited by Jane Tolmie, study the pedagogy of Barry’s work and its application academically and practically. Examining Barry’s career and work from the point of view of research-creation, Contagious Imagination applies Barry’s unique mixture of teaching, art, learning, and creativity to the very form of the volume, exploring Barry’s imaginative praxis and offering readers their own. With a foreword by Frederick Luis Aldama and an afterword by Glenn Willmott, this volume explores the impact of Barry’s work in and out of the classroom. Divided into four sections—Teaching and Learning, which focuses on critical pedagogy; Comics and Autobiography, which targets various practices of rememorying; Cruddy, a self-explanatory category that offers two extraordinary critical interventions into Barry criticism around a challenging text; and Research-Creation, which offers two creative, synthetic artistic pieces that embody and enact Barry’s own mixed academic and creative investments—this book offers numerous inroads into Barry’s idiosyncratic imagination and what it can teach us about ourselves.
Publisher: Univ. Press of Mississippi
ISBN: 1496839811
Category : Literary Criticism
Languages : en
Pages : 164
Book Description
Contributions by Frederick Luis Aldama, Melissa Burgess, Susan Kirtley, Rachel Luria, Ursula Murray Husted, Mark O’Connor, Allan Pero, Davida Pines, Tara Prescott-Johnson, Jane Tolmie, Rachel Trousdale, Elaine Claire Villacorta, and Glenn Willmott Lynda Barry (b. 1956) is best known for her distinctive style and unique voice, first popularized in her underground weekly comic Ernie Pook’s Comeek. Since then, she has published prolifically, including numerous comics, illustrated novels, and nonfiction books exploring the creative process. Barry’s work is genre- and form-bending, often using collage to create what she calls “word with drawing” vignettes. Her art, imaginative and self-reflective, allows her to discuss gender, race, relationships, memory, and her personal, everyday lived experience. It is through this experience that Barry examines the creative process and offers to readers ways to record and examine their own lives. The essays in Contagious Imagination: The Work and Art of Lynda Barry, edited by Jane Tolmie, study the pedagogy of Barry’s work and its application academically and practically. Examining Barry’s career and work from the point of view of research-creation, Contagious Imagination applies Barry’s unique mixture of teaching, art, learning, and creativity to the very form of the volume, exploring Barry’s imaginative praxis and offering readers their own. With a foreword by Frederick Luis Aldama and an afterword by Glenn Willmott, this volume explores the impact of Barry’s work in and out of the classroom. Divided into four sections—Teaching and Learning, which focuses on critical pedagogy; Comics and Autobiography, which targets various practices of rememorying; Cruddy, a self-explanatory category that offers two extraordinary critical interventions into Barry criticism around a challenging text; and Research-Creation, which offers two creative, synthetic artistic pieces that embody and enact Barry’s own mixed academic and creative investments—this book offers numerous inroads into Barry’s idiosyncratic imagination and what it can teach us about ourselves.
My Well-balanced Life on a Wooden Leg
Author: Al Capp
Publisher: Daniel & Daniel Publishers
ISBN:
Category : Cartoonists
Languages : en
Pages : 140
Book Description
The late, great cartoonist recalls his life and career, both as the creator of Li'l Abner and as a person who grew up with only one leg, in these hilarious essays written with gentle nostalgia and biting humor. 16-pages of cartoons.
Publisher: Daniel & Daniel Publishers
ISBN:
Category : Cartoonists
Languages : en
Pages : 140
Book Description
The late, great cartoonist recalls his life and career, both as the creator of Li'l Abner and as a person who grew up with only one leg, in these hilarious essays written with gentle nostalgia and biting humor. 16-pages of cartoons.