Author: Burnham W. HornerPublisher:
ISBN:
Category :
Languages : en
Pages : 72
Book Description
Life and Works of Dr. Arne, 1710-1778
Author: Burnham W. HornerThe Theatre Career of Thomas Arne
Author: Todd GilmanPublisher: Rowman & Littlefield
ISBN: 1611494362
Category : Biography & Autobiography
Languages : en
Pages : 645
Book Description
This book concerns the life and theatrical career of the great native-born English composer and musician of the eighteenth century, Thomas Augustine Arne (1710-1778), best known today as the composer of "Rule, Britannia." It will appeal to those interested in the mid-to-late eighteenth-century London and Dublin theatre, opera, and music scenes.
Illustrated Catalogue of Early English and Later Literature Mainly in First Editions
Author: Edwin Babcock HoldenPublisher:
ISBN:
Category : American literature
Languages : en
Pages : 354
Book Description
Booklets
Author: Women's Life and Work in the Southern Colonies
Author: Julia Cherry SpruillPublisher: W. W. Norton & Company
ISBN: 9780393317589
Category : Business & Economics
Languages : en
Pages : 460
Book Description
A seminal work exploring the daily life and status of southern women in colonial America, describes the domestic occupation, social life, education, and role in government of women of varied classes.
Eighteenth Century English Literature and Its Cultural Background
Author: James Edward TobinPublisher: Biblo & Tannen Publishers
ISBN: 9780819601889
Category : Literary Criticism
Languages : en
Pages : 204
Book Description
The Solo English Cantatas and Italian Odes of Thomas A. Arne
Author: Paul F. RicePublisher: Cambridge Scholars Publishing
ISBN: 1527545059
Category : Music
Languages : en
Pages : 259
Book Description
This study examines Thomas Arne’s solo cantatas and Italian odes from musical, literary and social perspectives. Arne composed these works between 1740 and 1774. As such, they provide a means of evaluating the evolving aspects of his musical style throughout his compositional career. The Italian odes have been little-studied, but provide an important gloss on Charles Burney’s comments on Arne’s inability to set the Italian language. Study of the cantata texts that Arne set reveals that they are often pastiches which make use of the words of William Congreve, Alexander Pope, Christopher Smart and others. The resulting process of adaptation and recombination re-contextualizes the borrowed material, resulting in differing emphases and changed meanings. Arne was restricted in his career opportunities because of his Catholic faith. The cantata genre provided Arne with an important creative outlet in the hedonistic atmosphere of the concerts of London’s pleasure gardens.
Catalogue
Author: Bernard Quaritch (Firm)Publisher:
ISBN:
Category : Antiquarian booksellers
Languages : en
Pages : 448
Book Description
Essays in Honor of Steven Paul Scher and on Cultural Identity and the Musical Stage
Author: Suzanne M. LodatoPublisher: Rodopi
ISBN: 9789042010031
Category : Art
Languages : en
Pages : 312
Book Description
The eighteen interdisciplinary essays in this volume were presented in 2001 in Sydney, Australia, at the Third International Conference on Word and Music Studies, which was sponsored by The International Association for Word and Music Studies (WMA). The conference celebrated the sixty-fifth birthday of Steven Paul Scher, arguably the central figure in word and music studies during the last thirty-five years. The first section of this volume comprises ten articles that discuss, or are methodologically based upon, Scher's many analyses of and critical commentaries on the field, particularly on interrelationships between words and music. The authors cover such topics as semiotics, intermediality, hermeneutics, the de-essentialization of the arts, and the works of a wide range of literary figures and composers that include Baudelaire, Mallarmé, Proust, T. S. Eliot, Goethe, Hölderlin, Mann, Britten, Schubert, Schumann, and Wagner. The second section consists of a second set of papers presented at the conference that are devoted to a different area of word and music studies: cultural identity and the musical stage. Eight scholars investigate - and often problematize - widespread assumptions regarding 'national' and 'cultural' music, language, plots, and production values in musical stage works. Topics include the National Socialists' construction of German national identity; reception-based examinations of cultural identity and various "national" opera styles; and the means by which composers, librettists, and lyricists have attempted to establish national or cultural identity through their stage works.
Author: