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Author: Jack A. Batterson Publisher: University of Missouri Press ISBN: 9780826211989 Category : Biography & Autobiography Languages : en Pages : 150
Book Description
Recognizing Boone's talent, the town's prominent citizens sent him to the St. Louis School for the Blind. There he excelled at music and amazed his instructors. However, Boone became increasingly unhappy with the school's treatment of him and he frequently ran away to the tenderloin district of the city, where he first experienced ragtime. As a result of his forays, he was expelled after only two and a half years.
Author: Jack A. Batterson Publisher: University of Missouri Press ISBN: 9780826211989 Category : Biography & Autobiography Languages : en Pages : 150
Book Description
Recognizing Boone's talent, the town's prominent citizens sent him to the St. Louis School for the Blind. There he excelled at music and amazed his instructors. However, Boone became increasingly unhappy with the school's treatment of him and he frequently ran away to the tenderloin district of the city, where he first experienced ragtime. As a result of his forays, he was expelled after only two and a half years.
Author: Madge Harrah Publisher: Twenty-First Century Books ISBN: 9781575050577 Category : Juvenile Nonfiction Languages : en Pages : 132
Book Description
Presents the life and career of the blind pianist who toured the country after the Civil War, bringing ragtime and other African American music to the concert stage.
Author: Lynn Abbott Publisher: Univ. Press of Mississippi ISBN: 1604730390 Category : History Languages : en Pages : 530
Book Description
A product of old-fashioned, back-wearying, foundational scholarship, yet very readable, this book is certain to feature importantly in future studies of early jazz and its prehistory. Highly recommended. ? Library Journal. This volume makes possible the study of the rise of black music in the days that paved the way for the Harlem Renaissance?the brass bands, the banjo and mandolin clubs, the male quartets, and theatrical companies. Summing up: Essential. ? Choice Outstanding Academic Title. A landmark study, based on thousands of music-related references mined by the authors from a variety of contemporaneous sources, especially African American community newspapers, Out of Sight examines musical personalities, issues, and events in context. It confronts the inescapable marketplace concessions musicians made to the period's prevailing racist sentiment. It describes the worldwide travels of jubilee singing companies, the plight of the great black prima donnas, and the evolution of ?authentic? African American minstrels. Generously reproducing newspapers and photographs, Out of Sight puts a face on musical activity in the tightly knit black communities of the day. Drawing on hard-to-access archival sources and song collections, the book is of crucial importance for understanding the roots of ragtime, blues, jazz, and gospel. Essential for comprehending the evolution and dissemination of African American popular music from 1900 to the present, Out of Sight paints a rich picture of musical variety, personalities, issues, and changes during the period that shaped American popular music and culture for the next hundred years.
Author: Lorenzo Johnston Greene Publisher: University of Missouri Press ISBN: 9780826209047 Category : History Languages : en Pages : 282
Book Description
Originally written in 1980 by the late Lorenzo J. Greene, Gary R. Kremer, and Antonio F. Holland, Missouri's Black Heritage remains the only book-length account of the rich and inspiring history of the state's African-American population. It has now been revised and updated by Kremer and Holland, incorporating the latest scholarship into its pages. This edition describes in detail the struggles faced by many courageous African-Americans in their efforts to achieve full civil and political rights against the greatest of odds. Documenting the African-American experience from the horrors of slavery through present-day victories, the book touches on the lives of people such as John Berry Meachum, a St. Louis slave who purchased his own freedom and then helped countless other slaves gain emancipation; Hiram Young, a Jackson County free black whose manufacturing of wagons for Santa Fe Trail travelers made him a legendary figure; James Milton Turner; who, after rising from slavery to become one of the best-educated blacks in Missouri, worked with the Freedmen's Bureau and the State Department of Education to establish schools for blacks all over the state after the Civil War; and Annie Turnbo Malone, a St. Louis entrepreneur whose business skills made her one of the state's wealthiest African-Americans in the early twentieth century. A personal reminiscence by the late Lorenzo J. Greene, a distinguished African-American historian whom many regard as one of the fathers of black history, offers a unique view of Missouri's racial history and heritage. Because Missouri's Black Heritage, Revised Edition places Missouri's experience in the larger context of the national experience, this book will bewelcomed by all students and teachers of American history or black studies, as well as by the general reader. It will also promote pride and a greater understanding among African-Americans about their past and provide an increased appreciation of the contributions and hardships of blacks.
Author: Rose M. Nolen Publisher: University of Missouri Press ISBN: 0826264476 Category : Social Science Languages : en Pages : 168
Book Description
Many African Americans in Missouri are the descendants of slaves brought by the French or the Spanish to the Louisiana Territory in the 1700s or by Americans who moved from slave states after the Louisiana Purchase in the 1800s. In Hoecakes, Hambone, and All That Jazz, Rose M. Nolen explores the ways in which those Missouri “immigrants with a difference”—along with other Africans brought to America against their will—developed cultural, musical, and religious traditions that allowed them to retain customs from their past while adapting to the circumstances of the present. Nolen writes, “Instead of the bond of common ancestors and a common language, which families had shared in Africa, the enslaved in the United States were bound together by skin color, hair texture, and condition of bondage. Out of this experience a strong sense of community was born.” Nolen traces the cultural traditions shaped by African Americans in Missouri from the early colonial period through the Civil War and Reconstruction and shows how those traditions were reshaped through the struggles of the civil rights movement and integration. Nolen demonstrates how the strong sense of community built on these traditions has sustained African Americans throughout their history. Nolen focuses on some of the extraordinary Missourians produced by that community, among them William Wells Brown, “the first black man born in America to write plays, a novel, and accounts of his travels in Europe, as well as a ‘slave narrative’”; John Berry Meachum, a former slave who founded a “floating school,” anchored in the Mississippi River and thus exempt from state law, where blacks could be educated; J. W. “Blind” Boone, the celebrated composer and concert pianist; Elizabeth Keckley, who purchased her freedom, started her own business, and became dress designer and confidante to Mary Todd Lincoln; and Lucinda Lewis Haskell, daughter of a former slave, who helped establish the St. Louis Colored Orphan’s Home. Hoecakes, Hambone, and All That Jazz recalls the many advances African Americans have made throughout Missouri’s history and uses the accomplishments of individuals to demonstrate the considerable contribution of African American culture to Missouri and all of the United States.
Author: Christine Montgomery Publisher: ISBN: 9781612480657 Category : Biography & Autobiography Languages : en Pages : 246
Book Description
In post-Reconstruction America, John William "Blind" Boone, an illiterate, itinerant musician, overcame obstacles created by disability, exploitative managers, and racial prejudice to become one of the country's most beloved concert performers. Melissa Fuell-Cuther's out-of-print biography, Blind Boone: His Life and Achievements, relates the highlights of Boone's harrowing journey and also testifies to the struggles of many African Americans during the Jim Crow era. With the initial publication of the Boone biography in 1915, Fuell-Cuther broke ground as the first American black author to write about the life of a black musician. As a member of Boone's concert company, she provided firsthand knowledge of Boone's early years, his career performing tours across the country, and perhaps most importantly, his professional and personal relationship with John Lange, whom many at the time considered the best entertainment manager, black or white, in the country. The story of Blind Boone is revitalized in this annotated edition of the biography, accompanied by essays describing the Missouri environment in which the artist lived, his place within the landscape of American music, and his achievements after publication of the second edition of Fuell's biography. Early black performers faced barriers of discrimination with perseverance, resilience, and courage to carve a path for future generations.
Author: Jack A. Batterson
Author: Jack A. Batterson
Author: Madge Harrah
Author: Kent Gustavson
Author: Lynn Abbott
Author: Lorenzo Johnston Greene
Author: Tyehimba Jess
Author: Rose M. Nolen
Author: Christine Montgomery
Author: 
Author: San Francisco Free Public Library