The Eternal Present of the Past PDF Download

Author: Li-Ling Xiao
Publisher: BRILL
ISBN: 9004156437
Category : Social Science
Languages : en
Pages : 370

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Book Description
Drawing together illustration, theater, and literature, this study examines a late Ming conception of the stage as a mystical space for temporal conflation that allowed the past to be reborn in the present and to uphold the continuity of the cultural tradition

Author: Judith G. Smith
Publisher: Metropolitan Museum of Art
ISBN: 0870999281
Category : Painting
Languages : en
Pages : 319

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Book Description
Published in conjunction with a December 1999 symposium held at the Metropolitan Museum of Art, New York, and an exhibition, "The Artist as Collector: Masterpieces of Chinese Painting from the C.C. Wang Family Collection." Twelve contributions give dissenting opinions regarding a book recently published by The Museum titled Along the Riverbank, which seeks to attribute the painting called "Riverbank" to the 10th-century landscape master Dong Yuan--an attribution that would call for the rewriting of early Chinese painting history. This volume contains 239 bandw illustrations to support the contributors' efforts to explain their opinions. Annotation copyrighted by Book News, Inc., Portland, OR

Author: TamaraHeimarck Bentley
Publisher: Routledge
ISBN: 135154456X
Category : Art
Languages : en
Pages : 507

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Book Description
Despite the importance of Chen Hongshou (1599-1652) as an artist and scholar of the Ming period, until now no full length study in English has focused on his work. Author Tamara H. Bentley takes a broadly interdisciplinary approach, treating Chen's oeuvre in relation to literary themes and economic changes, and linking these larger concerns to visual analyses. Considering Chen's paintings and prints alongside Chen's romance drama commentaries and prefaces and his collected writings (particularly poetry), Bentley sheds new light not only on Chen, but also on an important cultural moment in the first half of the seventeenth century. Through analysis of Chen's figure paintings and print designs, Bentley examines the artist's engagement with the values of "authenticity" and "emotion," which were part of a larger discourse stressing idiosyncrasy, the individual voice, and vernacular literature. She contrasts these values with the commercial aspects of his production, geared at an expanding art market of well-to-do buyers, excavating the apparent contradiction inherent in the two pursuits. In the end, she suggests, the emphasis on the "authentic" voice was marketed to a broad field of anonymous buyers. Though her primary focus is on Chen Hongshou, Bentley's investigation ultimately concerns not only this individual artist, but also the effect of early modern changes on an artist's mode of working and his self-image, in the West as well as the East. The study touches upon expanding international trade and the rise of middle class art markets (including print markets), not only in China but also in the Dutch Republic in circa 1630-1650. Bentley investigates the specific rhetoric of different categories of images, including Chen's non-literal figurative works; literal commemorative portraits; his printed romance-drama illustrations; and his printed playing cards. Bentley's investigation takes in issues of studio practice (including various types of image replicati

Author: Changzhen Gong
Publisher: Cambridge Scholars Publishing
ISBN: 1036406830
Category : Medical
Languages : en
Pages : 482

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Book Description
This book explores acupuncture's remarkable evolution in the United States over the last fifty years as it transitioned from an obscure practice to a pivotal modality in complementary medicine. These pages chronicle acupuncture’s transformative journey within the dominant culture of Western scientific medicine, highlighting key milestones from the use of acupuncture in pain management to the NIH-sponsored open-access digital compendium of acupuncture points and related information. Through narratives detailing educational advancements, legislative battles, practical applications, and scientific research, the reader gains a comprehensive view of how acupuncture has navigated controversies and debates to secure its place in modern healthcare. This book traces acupuncture’s expanding role in the healthcare system, reflects on its historical significance, and considers its future in global health. Insightful commentary provides acupuncture practitioners, skeptics, and aficionados with a useful overview of acupuncture’s past, its current achievements and its promise for the future.

Author: Richard M. Barnhart
Publisher: Yale University Press
ISBN: 0300094477
Category : Art
Languages : en
Pages : 422

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Book Description
Written by a team of eminent international scholars, this book is the first to recount the history of Chinese painting over a span of some 3000 years.

Author: Valérie Malenfer Ortiz
Publisher: BRILL
ISBN: 9004644997
Category : Art
Languages : en
Pages : 282

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Book Description
The masterpiece, Dream Journey in the Xiao and Xiang Rivers has been celebrated by critics throughout its long history. Now for the first time this study locates its original historical and social context, and traces its subsequent history and the role it fulfilled at various times.

Author: Shane McCausland
Publisher: Hong Kong University Press
ISBN: 988802857X
Category : Biography & Autobiography
Languages : en
Pages : 459

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Book Description
Zhao Mengfu has enormous significance for Chinese art history. This work presents a new, synthetic portrait of the artist's development from the 1280s to his death in 1322, and evaluates his pivotal role in the social-political context in Yuan China as well as the development of the artist's self-consciousness. Shane McCausland's study features detailed interpretations of pictorial forms in light of historical changes, and close readings of critical colophons, many of whic are appended to artworks but neglected as visual sources. These readings are meant to stimulate visual analysis of the oeuvre as well as debate about the use of Tang (618-907) and other period modes as models for the 'Yuan renaissance.' The book challenges stereotypes portraying Zhao Mengfu as a traitor or careerist. The historical background of dynastic change and Mongol rule is treated in a revisionist manner that aims to contextualize the traditional Chinese hostility towards Zhao Mengfu as a Yuan scholar-official. The concern here is for his development, in the context of Mongol rule, as a Chinese scholar-artist. This book will be a must for scholars, curators, and other specialists in Chinese painting and calligraphy, especially those focusing on Yuan dynasty and literati painting. Shane McCauslandis a lecturer in the history of Chinese art in the Department of Art and Archaeology at SOAS, University of London.

Author: Yang Yi
Publisher: Taylor & Francis
ISBN: 1000965139
Category : Literary Criticism
Languages : en
Pages : 211

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Book Description
As the second volume of a two-volume set on Chinese narratology, this title investigates the quintessential characteristics of the Chinese narrative style, with a focus on image and perspective. The first chapter introduces two opposing concepts of perspective: “focalization” and “blind spot,” to connect “perspective” with traditional aesthetics, highlighting the mutual relation of the nonexistent and the existent. The author believes that both the narrator and perspective are central to the narrative forms and strategies adopted by Chinese writers and that study of the narrator and perspective is integral to understanding the cultural, aesthetic, and philosophical connotations of the narrative text and the spiritual world of the author. Drawing on perceptual phenomenology, the chapter on image broadens the extant knowledge of “image” and points out that image narration is unique to Chinese narratology and central to Chinese aesthetics. The final chapter illustrating the achievements of influential critics of classical Chinese novels, proving that these critics have contributed to the canonization of the genuine masterpieces of Chinese narrative literature. The book is a must-read for scholars and students interested in narrative theory, Chinese culture and literature, and dialogue between Chinese and Western narratological studies.

Author: Donald J. Marion
Publisher: McFarland
ISBN: 1476605424
Category : Performing Arts
Languages : en
Pages : 761

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Book Description
From A to Z, Abandon Superstitions (1958; Po Chu Mi Xing in Chinese) to Zuo Wenjun and Sima Xiangru (1984; Zuo Wen Jun Ahe Si Ma Xiang Ru), this comprehensive reference work provides filmographic data on 2,444 Chinese features released since the formation of the People's Republic of China. The films reflect the shifting dynamics of the Chinese film industry, from sweeping epics to unabashedly political docudramas, although straight documentaries are excluded from the current work. The entries include the title in English, the Chinese title (in Pinyin romanization with each syllable noted separately for clarity), year of release, studio, technical information (e.g., black and white or color, letterboxed or widescreen), length, technical credits, literary source (when applicable), cast, plot summary, and awards won.

Author: Jun-Ping Xu
Publisher: CRC Press
ISBN: 1498787665
Category : Medical
Languages : en
Pages : 787

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Book Description
Nature is an attractive source of therapeutic and preventive compounds, and with such chemical diversity found in millions of species of plants, over 60% of currently used anticancer agents are derived from natural sources. Cancer Inhibitors from Chinese Natural Medicines summarizes new advancements in the experimental and clinical research of a selection of promising cancer inhibitors. It focuses on the latest scientific investigations of 238 Chinese herbs and discusses important aspects, including the types of inhibitors in the herbs, level of potency, mechanisms, and the advances in modification and formulation. Formulations from nano-particulates and immunotoxins in cancer inhibitors are also included in this comprehensive resource.