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L'Homme-Eclair. Le film complet : ciné-roman

L'Homme-Eclair. Le film complet : ciné-roman PDF Author:
Publisher:
ISBN:
Category :
Languages : fr
Pages :

Book Description


L'Homme-Eclair. Le film complet : ciné-roman

L'Homme-Eclair. Le film complet : ciné-roman PDF Author:
Publisher:
ISBN:
Category :
Languages : fr
Pages :

Book Description


L'Eclair d'argent. Le film complet : ciné-roman

L'Eclair d'argent. Le film complet : ciné-roman PDF Author:
Publisher:
ISBN:
Category :
Languages : fr
Pages :

Book Description


The Complete Index to Literary Sources in Film

The Complete Index to Literary Sources in Film PDF Author: Alan Goble
Publisher: Walter de Gruyter
ISBN: 3110951940
Category : Literary Criticism
Languages : en
Pages : 1044

Book Description


Improvising Cinema

Improvising Cinema PDF Author: Gilles Mouëllic
Publisher:
ISBN: 9789089645517
Category : Arts in general
Languages : en
Pages : 0

Book Description
Gilles Mouëllic examines improvisational practices that can be specifically attributed to the cinema and argues in favors of their powers as instigators of unprecedented forms of expression. Improvising Cinema reflects both on the permanence of attempting improvisation and the relationship between technology and aesthetics. Mouëllic concludes preservation becomes even more invaluable in the case of improvisation, as the creative act exists only within the brief time span of the performance.

The Sounds of Early Cinema

The Sounds of Early Cinema PDF Author: Richard Abel
Publisher: Indiana University Press
ISBN: 9780253108708
Category : Performing Arts
Languages : en
Pages : 350

Book Description
The Sounds of Early Cinema is devoted exclusively to a little-known, yet absolutely crucial phenomenon: the ubiquitous presence of sound in early cinema. "Silent cinema" may rarely have been silent, but the sheer diversity of sound(s) and sound/image relations characterizing the first 20 years of moving picture exhibition can still astonish us. Whether instrumental, vocal, or mechanical, sound ranged from the improvised to the pre-arranged (as in scripts, scores, and cue sheets). The practice of mixing sounds with images differed widely, depending on the venue (the nickelodeon in Chicago versus the summer Chautauqua in rural Iowa, the music hall in London or Paris versus the newest palace cinema in New York City) as well as on the historical moment (a single venue might change radically, and many times, from 1906 to 1910). Contributors include Richard Abel, Rick Altman, Edouard Arnoldy, Mats Björkin, Stephen Bottomore, Marta Braun, Jean Châteauvert, Ian Christie, Richard Crangle, Helen Day-Mayer, John Fullerton, Jane Gaines, André Gaudreault, Tom Gunning, François Jost, Charlie Keil, Jeff Klenotic, Germain Lacasse, Neil Lerner, Patrick Loughney, David Mayer, Domi-nique Nasta, Bernard Perron, Jacques Polet, Lauren Rabinovitz, Isabelle Raynauld, Herbert Reynolds, Gregory A. Waller, and Rashit M. Yangirov.

Constructions of Cultural Identities in Newsreel Cinema and Television after 1945

Constructions of Cultural Identities in Newsreel Cinema and Television after 1945 PDF Author: Kornelia Imesch
Publisher: transcript Verlag
ISBN: 3839429757
Category : Social Science
Languages : en
Pages : 231

Book Description
Newsreel cinema and television not only served as an important tool in the shaping of political spheres and the construction of national and cultural identities up to the 1960s. Today's potent televisual forms were furthermore developed in and strongly influenced by newsreels, and much of the archived newsreel footage is repeatedly used to both illustrate and re-stage past events and their significance. This book addresses newsreel cinema and television as a medium serving the formation of cultural identities in a variety of national contexts after 1945, its role in forming audiovisual narratives of a »biopic of the nation«, and the technical, aesthetical, and political challenges of archiving and restaging cinematic and televisual newsreel.

Fine Cuts: The Art of European Film Editing

Fine Cuts: The Art of European Film Editing PDF Author: Roger Crittenden
Publisher: Taylor & Francis
ISBN: 113605409X
Category : Performing Arts
Languages : en
Pages : 419

Book Description
Roger Crittenden reveals the experiences of many of the greatest living European film editors through his warm and perceptive interviews which offer a unique insight into the art of editing - direct from masters of the craft. In their interviews the editors relate their experience to the directors they have worked with, including: Agnes Guillemot- (Godard, Truffaut, Catherine Breillat) Roberto Perpignani- (Welles, Bertolucci, Tavianni Brothers) Sylvia Ingemarsson- (Ingmar Bergman) Michal Leszczylowski- (Andrei Tarkovsky, Lukas Moodysson) Tony Lawson (Nic Roeg, Stanley Kubrick, Neil Jordan) and many more. Foreword by Walter Murch - three-time Oscar-winning Editor of 'Apocalypse Now', 'The English Patient', 'American Graffiti', 'The Conversation' and 'The Godfather Part II and III'.

The Oxford History of World Cinema

The Oxford History of World Cinema PDF Author: Geoffrey Nowell-Smith
Publisher: Oxford University Press
ISBN: 0198742428
Category : History
Languages : en
Pages : 847

Book Description
Featuring nearly three thousand film stills, production shots, and other illustrations, an authoritative history of the cinema traces the development of the medium, its filmmakers and stars, and the evolution of national cinemas around the world.

Jean Cocteau

Jean Cocteau PDF Author: James S. Williams
Publisher: Reaktion Books
ISBN: 9781861893543
Category : Biography & Autobiography
Languages : en
Pages : 260

Book Description
Evaluating Cocteau’s career and his fascinating personal life on equal terms, James Williams offers here a groundbreaking analysis that sets them both within highly revealing historical and artistic contexts.

Cinema, Trance and Cybernetics

Cinema, Trance and Cybernetics PDF Author: Ute Holl
Publisher:
ISBN: 9789089646682
Category : Performing Arts
Languages : en
Pages : 284

Book Description
We ve all had the experience of watching a film and feeling like we ve been in a trance. This book takes that experience seriously, explaining cinema as a cultural technique of trance, one that unconsciously transforms our perceptions. Ute Holl moves from anthropological and experimental cinema through nineteenth-century psychological laboratories, which she shows developed technique of testing, measuring, and classifying the mind that can be seen as a prehistory of cinema, one that allows us to see the links among cinema, anthropology, psychology, and cybernetics."